Trend are fashion-forward indie pattern company based in London and I’ve already used their Asymmetric Dress pattern twice (and reviewed it here) I even wore the first one for the Love Sewing magazine Sew Over 50 photo shoot too because I felt it was such a striking but wearable dress that it deserved to be seen in a national sewing publication!
The next Trend pattern I’ve decided to tackle is the Frilled Hem Top TPC5 and it’s another goody as far as I’m concerned. As well as the ruffle detail it features some interesting diagonal seam lines (there’s no side seam) The degree of difficulty is described as moderate and I’d agree with that because although the techniques used aren’t difficult you need to keep your wits about you to ensure that you’re attaching the pieces to the right seams, it could be easy to lose sight of which way up they are because the usual ‘landmarks’ like armholes or necklines aren’t so obvious. There are photographs as well as written instructions, which are fairly clear, at the end of the day it’s a simple top and so long as the ruffle goes in first attached to the right pieces then adding the back yoke and sleeves is straightforward. I hadn’t got a suitable zip, I’d thought about using an exposed metal zip but the one I had in my stash was too chunky for the weight of the fabric so I opted for a simple button and hand sewn loop closure instead.
My fabric was a very thin cotton I’d picked up from a swap sometime ago-I couldn’t really say what it is as it isn’t soft like lawn, or sheer like voile, it’s slightly more crisp like poplin but less weighty. Whatever, it’s worked just fine for this and it didn’t cost me anything!
As I was making the top at this year’s Stitchroom Sewcial I was fortunate to be able to use the industrial rolled hem machine to finish the edge of the ruffle, it’s super-quick and neat and took me about 30 seconds to hem the whole piece instead of my usual pin-hem finish which would take at least half an hour!
As I didn’t have much fabric, plus I wanted to wear it as a summer top, I cut the sleeves down to short length. I was a little concerned that they looked like they may be a bit snug on my not-very-slim arms, the bicep measurement seemed to be ok but the crown looked narrow. I decided to go ahead and insert the sleeves and actually they are just fine as you can see from the photos. As there is no underarm seam to match the sleeve to it’s vital that the shoulder/sleeve head notches are marked or you’ll struggle to insert them properly. I’ve made a straight-from-the-packet size 14 again and the fit is spot on for me with no alterations, it’s a good fit across the shoulders and upper chest area and then flares out over the hips.
There are two points in the instructions which are useful and important to follow. The first is very simple, it tells you to ’sink stitch’ (that’s what it always was until ’stitch in the ditch’ became a thing) through the shoulder seams to hold the neck facings securely in position, this is both quicker and more effective than hand stitching them down I always think. The second point is that you can’t sew the whole hem up all in one go, you’ll need to sew the centre front section, stop, move the frill out of the way and then recommence the rest of the hem. If you don’t you’ll just sew over the frill which will look terrible.
So that’s the Frilled Hem Top, it should probably take around half to a whole day to make, it took me longer because I was nattering at the Sewcial quite a lot, and then I made a super-quick Mandy Boat T-shirt using the industrial coverlock machines in between too.
The TPC5 takes a little under 2 metres of fabric, probably less if you’re making it sleeveless or short sleeves. The size range isn’t extensive, 6-16 UK sizes, and they aren’t the cheapest but I’ve been very happy with the two I have and I’ll definitely make some more variations of this particular pattern. You could create some really interesting looks by using contrasting fabrics or colours, or leave out the frill completely to show off the unusual seam lines?
Trend have a wide range of patterns now, which don’t necessarily appeal to everyone but I think they are well worth a look at because of their unusual styling and details. They may look scarily fashion-forward but if you want something which is less predictable and run-of-the-mill in a sea of ‘meh’ patterns then, in my unsolicited opinion, they are a good bet. They often have a flash discount offer too so keep your eyes peeled for them!
I thought in this blog I’d take a look back at some of the things I’ve been up to over the last twelve months and it’s made me realise what a wonderful varied collection they are. As well as sewing multiple garments from numerous patterns (which I’ll look at in a separate blog) there have been several meet-ups including the Stitchroom Sewcial in June and the now-famous Sewing Weekender in August, plus one I organised myself in November. I’ve visited quite a few exhibitions, some of them more than once, read lots of books and written reviews of several of them in case anyone out there was interested in knowing more if they fancy a visit or a read for themselves. I’ve been back to the Knitting & Stitching show, and The Handmade Fair for the first time too.
In January I made my first coat in decades, the Butterick 6423 and was pretty pleased with the outcome overall.
My first meet-up of the year in February was a return visit to Balenciaga at the V&A organised by Alex (Sewrendipity) where I met a number of lovely fellow dressmakers in the flesh for the first time. It was so nice to go to an exhibition with like-minded people and then we all went for lunch together afterwards-very civilised!
Also in February Gabby Young invited me to become one of the Simple Sew bloggers so I embarked on a year of wrangling their patterns into submission, they are nice designs but aren’t always faultlessly accurate in their drafting or instructions. I took on the role on the understanding that I’d be honest (although never rude) but informative and constructive. I’ll leave you to be the judge of whether I achieved that.
I had the opportunity to visit the Fashion Technology Academy in April which was such an inspiring place. You can study many of the technical aspects of clothing production there and we also had the chance to try out a taster session of TR pattern cutting with the supremely gifted Claudette Joseph while we were there too. If you, or someone you know, wants to go down the technical route into garment manufacture then this place in North London could be a good place to start looking.
Also in April I returned to the Fashion and Textiles Museum in Bermondsey, London to attend their fascinating ‘Inside couture’ afternoon. I’ve been once before but it’s so enjoyable, and such a treat to get the your hands on real couture clothes (with white gloves on, natch). I highly recommend a visit if you’re in London but you do need to book for these particular events, the museum itself is open most days.
The first London Stitchers meet-up was held at the beginning of May and although I’m not technically ‘London’, as has become obvious, I go up a lot. These are organised by Ana Cocowawacrafts and Georgia One Stitch Forward and they vary in their locations between north, south and central London. Anyone is welcome and it’s a great way to meet new people and know that you all have at least one shared interest! It’s like speed-dating for dressmakers!!
Me Made May was also happening on Instagram and for the first time in ages I managed to post every single day for a month-long challenge even though I was out of the country for some of it. Lots of garments I shared weren’t new and box-fresh, in fact quite a few of them were old favourites, which is as it should be. We made a trip to Assisi in Italy during this time so that made my backdrops a bit more interesting for a few days!
I tried something a bit different in May by going on a course to learn how to make and print my own etchings. I’d done this once a million years ago when I did my Foundation Course at college and have always found the medium fascinating and beautiful. [Go and check out Rembrandt’s work in particular if you aren’t sure what they are] I’d met a lovely lady called Chrissy Norman on the first Sewing Weekender two years ago and it turns out that not only does she sew and knit, she’s a super-talented printmaker too. She has a separate IG account for her prints and I admired a print she posted on it early in the year. It transpires that she teaches courses a few times a year at Sudbourne Park Printmakers workshops. Long story short, I signed up and joined her in Suffolk in mid-May. It was soooo interesting and fun, plus I made some pretty respectable prints based on a photo I had taken of the Maggi Hambling sculpture on the beach at Aldeburgh, Suffolk.
The summer saw the first of several visits to the Frida Kahlo exhibition and Fashioned from Nature at the V&A museum. I also loved the retrospective of the work of Azzedine Alaia at the Design Museum, I didn’t write a review though because by the time I went there wasn’t much left of the run sadly. It was spectacular though and I’m very glad I made the effort. That same day we went to see the musical Hamilton which was absolutely stupendous, Mr Y normally doesn’t go for that style of music but even he has raved about it ever since-highly recommended!
In June I was one of the lucky attendees of the first Stitchroom Sewcial event organised by Anne ‘New Vintage Sewing’ and Lucy ‘Sew Essential’ at Anne’s workplace in the University of Loughborough. They had excelled themselves with activities for us all to try including visiting the print and weaving workshops, computerised machine embroidery, an individual photoshoot AND time to sew and use the industrial machines Anne has in her classroom. I really hope I’m lucky enough to go again in 2019…
I took a road trip with my ‘local’ sewing friends Alana and Helen to visit Sewisfaction on their first Big Summer Stitch-up which was great fun, even though it was a steaming hot day.
At the end of July and beginning of August I posted two blogs which seemed to light the blue touch paper that rapidly became Sew Over 50. When I wrote them I thought no one would read them, much less agree with me, so I was stunned by the response to say the least. My now-friend Judith was amongst those who read them and was feeling the same way so she went one step further and created a new Instagram account called @SewOver50 and everything went a bit nuts from there on. As I write this post the account has gained over 5,300 followers since mid-August which is phenomenal. It’s become a place of inspiration and encouragement for thousands of women (and the occasional man) who sew but felt they, we, are being overlooked or dismissed by the burgeoning home-dressmaking market because of our age.
One thing that some people misunderstood about the whole idea wasn’t that we wanted to be separate from any other age group, like some kind of exclusive club, not at all, we just felt that some people-magazines, pattern companies-were overlooking the opportunity to tap into a market and a group who had cash to spend, had styling ideas, skills and experience to share, originality, fun, empathy, quirkiness, style. For a lot of the people who started following the account they had very little experience of using social media to broaden their horizons in sewing terms, and for connecting with like-minded people around the world, including Australia, New Zealand, Canada and the US, as well as Europe. Suddenly there was an identifiable hashtag to follow which took you straight to the heart of this community. In fact it isn’t only sewing that members are supportive with, many face health challenges, a changing body with the menopause, dealing with elderly parents or caring for grandchildren so there have already been lots of conversations that have strayed away from sewing completely, and that’s OK too.
It’s been gratifying to see that a number of sources are making a big effort to be more diverse in who they feature in articles or as models. There is still a long way to go though because we’re conscious it might appear that it’s mostly white middle-aged women who sew, but we know this isn’t the case because there are many women of colour who sew too, maybe they don’t engage as much with Instagram or other social media though? I don’t know the answer to this one except to say that all are welcome because that’s the whole point. It makes me very happy when much younger dressmakers comment to me that they also follow us to get inspiration and advice, which is also the reason that I follow younger sewers myself!
Onwards, there was another amazing Sewing Weekender in August which was quickly followed by SewPhotoHop on Instagram in September organised by Rachel ‘House of Pinheiro‘. I didn’t keep up with this one so much and dipped in and out a bit [the same happened with Sewvember as well] but it’s a good way to find new people to follow and be inspired by if all this is new to you. I’ve just remembered there was MIYMarch (Make it Yourself) but that passed me by completely this year.
In September I became a Minerva Crafts blogger so I’m provided with fabric by them to make up into my own choice of garment and then write a comprehensive review for their own website. I’m enjoying this and it’s another string to my bow.
October saw me return to Birmingham for the SewBrum event which is magnificently organised by Charlotte ‘English Girl at Home’. It’s a chance for dressmakers from all over the place to come together in Birmingham, shop for fabric, visit Guthrie & Ghani and generally hang out together.
I was really chuffed to be invited by Amy Thomas, editor of Love Sewing magazine to contribute an article about the Fashioned from Nature exhibition to the magazine in November. It was a really big deal for me to write something specifically to appear in print. I’ve been lucky enough to write pattern reviews for Love Sewing and Sew Now in the past but this was a new departure. I’d love to do more like this in the future. There’s definitely a little something coming up early in the new year but I can’t talk about that yet…..
I organised my own meet-up at Walthamstow Market in east London in mid-November which fortunately was a beautiful day as it was well attended and we nearly all went for lunch afterwards, to continue chatting! It was the first meet-up for quite a number of the attendees but I think everyone enjoyed themselves and were delighted to get the chance to chat together in real life and not just in a comments box!
There was a lovely pre-Christmas sewing day in Cambridge called SewCam organised by Jen Walker ‘The Gingerthread Girl’ which was a delightful antidote to festive fever, and a final London Stitcher’s meet up the following weekend to round everything off nicely!
When I look back at everything in this way it makes me so happy to realise the sheer quantity of wonderful opportunities that my love of dressmaking has brought me this year in particular. I continue to teach my lovely group of ladies locally-they think all this Instagram nonsense is ridiculous in a good way! I’ve met so many awesome and inspiring women in real life for the first time and I’ve deepened some of the friendships that started last year, or longer, ago. Many people think that ‘friends’ on Insta aren’t real but that just isn’t true. Of course there are those people you should give a wide berth to and we are continually plagued by nut-jobs who think women who sew will be interested in their guns, or love of God, or whatever but if we all continue to report them then so much the better.
Wherever you are in your sewing ‘journey’ I hope you find it relaxing, fulfilling, inspiring, empowering, distracting, whatever you need it to be. I’ll never stop learning and being creative is so good for us ( we knew this all along but science is finally realising it too!)
I’ve already got some ideas for next year but, to be honest, much of 2018 just unfolded one thing at a time without too much planning in advance. I’d like to expand my own skills in 2019 and not necessarily in dressmaking terms, I have always enjoyed art so perhaps I should get my pencils and paints back out again.
There’s always an element of me hoping you enjoy what I write and find the reviews helpful or informative although, in truth, I’d write them anyway as a record. Thank you for joining me on the journey and Happy New Year, and here’s to lots more sewing adventures, maybe we’ll meet ‘in real life’ in 2019?!
When I chucked in my last job 4 years ago I had no idea what the future held…4 years on, the Stitch Room Sewcial is the sort of wonderful opportunity that has come my way and I couldn’t be happier.
Back in March Anne ( New Vintage Sewing) emailed me to ask if I’d be interested in an event she and Lucy (Sew Essential) were organising at Anne’s place of work-the Textiles department at Loughborough University. The bare bones of it sounded great and fortunately the timing was perfect, exactly between other things in the diary-the stars were in alignment! I found out that several of my sewing friends were also going, as well a number of ladies I hadn’t met before but was really looking forward to having that opportunity. However, sadly, I noticed there were a few snippy comments on Instagram from one or two people who hadn’t been able to get one of the tickets that were put on open sale. Due to the size of the room and the activities planned it was limited to just 16 people and the accusations of ‘elitism’ were uncalled for-frankly if Anne and Lucy were putting all this effort into organising a 2 day event then they can invite whoever they jolly well like!! The sewing community is generally so supportive and inclusive and I was shocked, and sad, to see these types of comments published.
There was lots planned over the 2 days of the Sewcial including some actual sewing! I decided to cut out a soft linen version of the Moana dress by Papercut patterns because I wanted a easy-to-wear dress for my upcoming holiday. I put in a couple of other pieces of fabric and suitable patterns in case I finished it and had time to spare (hah!)
I set off early on Friday morning with my sewing kit and a suitcase of me-mades to wear. We’d already been told that one of the things laid on for us was a photo shoot in the professional studio in the Faculty when we could have photos taken wearing our own makes.
I thought, just for once, I was going to be a bit early arriving but the Sat Nav had other ideas! I found the venue eventually and spotted my friends Clare (Sew Incidentally) and Kara arriving at the same moment-phew.
After coffee and hellos we were taken upstairs to the fantastically equipped room that is Anne’s domain. There was a domestic sewing machine for each of us to use and I didn’t get off to the best start with mine…I’ve used many different machines over the years but this computerised one flummoxed us completely, we couldn’t work out how to fill a bobbin!! After 15 minutes of trying, which included Lucy phoning the Sew Essential office for advice, consulting the instruction book (!) and randomly hitting buttons, I was eventually able to start sewing [it turned out to be the touch screen that was showing a pretty but unhelpful video] Then it was time for lunch!!!
Before any of this palarver though we split into 2 groups and some of us were shown around the printed textiles workshops and then the weaving workshops while the others were with Anne getting demos on all the machinery.
We were shown where the screens are produced in giant darkrooms, the huge quantities of different types of dye in every colour imaginable and the ‘kitchen’ the students learn to mix it all up in.
Salva and Rebecca ( Red W Sews) had a go at screen printing.
On next to the weaving workshops where there were an impressive number of looms of all types available for students to weave their own designs. It’s all quiet now as their work is finished and on display (more on that later) it must be really noisy when it’s full of students working.
We had a demonstration of how the looms work and were told you need to swap legs every now and again otherwise you’ll get one super-muscly leg!! Each push down opens the warp threads for the shuttle with the weft yarn to pass through thus eventually forming the design.
This is the digital jacquard loom weaving a complex pineapple design, it’s noisy but amazingly fast. The hand loom in the previous picture uses a series of pegs through a small board to raise and lower the correct warp threads in order for the weft thread to go between them, this loom does all that for the weaver.
After our studio visit we swapped to return to Anne’s room where she showed us all the various, and impressive, industrial machines she has and which we can use as appropriate over the next two days.
Many years ago I went to college and then worked in industry for a few years so I was aware of some of these types of machines but most of my lovely friends have only been home sewers and they were bowled over by the speed and efficiency of them. Each machine performs a specific task, unlike domestic machines, there were machines for putting on bias binding in moments, rolled hem edging, and so quiet compared to industrial machines that I remember. There were also 3 and 4 thread domestic overlockers for us to use, and a cover stitch machine…sewing heaven really.
Time for a break after all that activity and information so we trotted off to the breakout room for lunch where we were greeted by this most wonderful surprise. It’s the sewing cake of dreams! Made by a former student of Anne’s, Becca @calicoandcake (who now makes ballet tutus and sculpted body suits as well as amazing cakes)
It has Anne and Lucy on the top! There were tape measures and scissors, patterns, buttons, pins, you name it. We were astonished and swooning over it [it tasted great too]
Before we returned upstairs Lucy and Anne handed out our personally labelled goodie bags….OMG they were terrific. There were several lovely, and useful, patterns as well as 2 metres of fabric and loads of kit like marker pens, machine needles, a box of thread, a fat quarter, an unpicker! loads of things. So generous of the various sponsors of the Sewcial-thank you so much.
Eventually we returned back upstairs to get down to some sewing and going to have our photos taken. Salva and I went together-she’s much more of a natural than me I have to say, the practice I’d had for Love Sewing magazine last Autumn wasn’t a lot of help! I wore my linen Farrow dress I’d made recently and also the coat I made earlier in the year. [I didn’t get any photos of this activity so you’ll have to take my word for it happening] We spent the remainder of the afternoon sewing.
Those of us that didn’t live in the area were staying up the road at a hotel so we headed back there to freshen up before going out to a local restaurant for a lovely meal. Because our number wasn’t huge, and we were spread over just 3 tables, it meant we could actually have conversations with some of our fellow-sewers. It was a lovely way to finish the day.
Saturday morning was set aside to visit the student shows which were taking place as part of the College Open Days for outside visitors.
I was absolutely blown away by all the wonderful work on display. There was so much originality, beautiful colour, innovative designing and covetable products, here a just a few of the many photos I took to give you some idea.
I WANT that rucksack!…and those cushions too…oh, and the handbags….
A few months ago Anne had contacted me to ask if I was willing and able to make up a garment for one of her students. Heather was a textiles student and she would print, embroider and embellish fabric and then send it to me to sew up into a kimono for her. I was happy to do this and the parcel duly arrived. She’d marked out the placement of the main pieces so it wasn’t guesswork, I pinned the pattern on in the usual way and cut it out. She’d chosen the Kochi Kimono pattern by Papercut patterns and wanted it lined with silk noil. It all went together beautifully and looked stunning. I posted it back and thought no more about it.
I finally got to see it along with Heather’s other work, and by complete chance she was there with some friends so I actually got to meet to her and chat about it.
The original concept involved essential oils and using them and their effects on and in fabrics-hence the kimono embedded in a planter with mint plants!
I ‘nearly’ made this cape for another student but the loom broke down and then the timing didn’t work out so someone else made it-it looks lovely and the buttons were fabulous.
Look at this fabulous neckpiece! The bead work must have taken hours and hours.
After seeing all this inspiring work it was back to sewing our own work. In spite of my ‘issues’ with the sewing machine I was making good progress with my dress. Having the use of amazing industrial steam irons (Anne had given us a H&S talk about it the day before-basically, it’s nothing like our steam irons at home!!) really helped the process and I even used the industrial rolled hem machine on the edge of the ruffle. It was speedy, quiet and gave a beautiful finish, the version my domestic overlocker does will never compare now, sadly.
After lunch Salva and I had our session on the A-MAZE-ING embroidery machines. The lovely Bea, who was endlessly patient and enthusiastic with us all weekend helped us to choose and create an embroidery to take home. Some girls had made things specifically like jeans pockets but I’m going to put mine in an embroidery hoop in Threadquarters when I get home.
These machines are serious pieces of kit-there are 3 of them-and there’s a vast number of threads to choose from too. As I have magpie tendencies of course I chose metallic threads!
I settled on the mantra of every home-sewer…
There wasn’t much time left after this but I managed to finish my dress and have a quick try on-I didn’t actually expect to have a finished garment to take on bearing in mind how many activities we’d packed into 2 days.
And finally it was time for goodbyes…we all agreed how much we had enjoyed our 2 days and Lucy and Anne had created an wonderful event for us. I hope they’ve had a well-earned rest now! If they decide to do it all again next year I really hope I’ll be invited, the small number meant we all chatted at some point with every other person there, something which doesn’t, or can’t, always happen at bigger events.
I can’t thank Anne and Lucy enough for creating such a lovely event and for inviting me to attend it. Thank you too to all the generous sponsors for their gifts and support. Roll on next year….