I published my review of The Sewing Revival Fantail top recently and since then I’ve made a second using an alternative finish which I thought I would share with you.
This second version uses a ribbing finish on the neck, cuffs and back hem instead of hemming or elastication. I’d bought some Art Gallery viscose from Sew Me Something with an interesting graphic design and then my fellow @SewOver50er Kate @stitchmeayear generously offered me some grey ribbing, she had more than she needed. It turned out to be the perfect match and I couldn’t have planned it better if I tried.
There are separate pattern pieces for the ribbing cuffs, neck and hem and, although the same front, back and sleeve pieces are used, there are very slightly different cutting lines for the sleeve.
I had bought 1.5m of the graphic print and it has a fairly distinct one-way design which meant I needed to place each pattern piece carefully to try and get a reasonable match whilst not wasting too much fabric. I was able to do this by folding over one selvedge by just enough to position the front and back pieces along the same fold. This left a good sized piece from which I could individually position and cut a pair of sleeves whilst still just about getting a good match.
Sewing the Fantail with ribbing is very slightly different to the woven version. First, the deep ribbing band is sewn on the back in place of the narrow hem [I’m not sure if there’s a small discrepancy in the pattern or my cutting out but on both my versions I’ve found there to be about 5mm too much fabric in the back compared to the front when joining the side seams]
Like the first version I sewed the ribbing band onto the neck after joining the raglan seams and before sewing up the side seams. As I probably explained in the previous post, I always find it’s easier to put a facing, binding or whatever neck finish on whilst everything can still be laid out flat unless there’s a technical construction reason for doing it later.
The main reason for writing this second post is because I want to show you the way I turned the band at the hem-I forgot to take photos as I was making the first one! It’s a really neat way of of finishing the bottoms of the side seams and can be a useful technique in other places when you’re sewing different hems or edges together because it gives a crisp and level finish to an edge with the seams enclosed. The photos will help make more sense.
One other slight change I made was to the width of the ribbing cuffs, I cut the UK 12 pieces but they were much too baggy for my wrists so I shortened them by 5cms so they aren’t so wide and gapey.
At the moment I haven’t edge stitched any of the ribbing like I would do normally on knit garments. Because this is a combination of woven and knit fabrics I don’t want the woven fabric, at the neck especially, to end up puckered where its attached to the band so I’ve left it for now [and I don’t want holes if I had to unpick it]
I don’t normally post two of the same thing in such quick succession but I wanted to share the hem tip more than anything. I fully anticipate making a knit version of the Fantail at some point, or a short sleeve one in something really light and pretty…That’s what I enjoy about Sewing Revival patterns, so many possibilities if you have the imagination.
So, here we are TWO YEARS on from the first SewOver50 post, on August 18th 2018, and the account now stands at nearly 21K members worldwide!
Personally, I’d really like to thank Judith and Sandy for the amazing amount of work they undertake so graciously in order to steer the Mothership through some interesting and turbulent territory, especially the second half of these last twelve months.
We were all trundling along in our own way when suddenly, in early 2020, the world went very weird indeed. As the impact of Covid-19 started to take effect many of us were locked-down at home, some still working but in a whole new way, reliant on technology to carry on, it was an extremely stressful time for many who could have no contact with their loved ones or friends, lots of sewing-related events we so enjoy were cancelled or postponed. Many of us found that our sewing and creative making was a safe haven amid what was going on around us. For example, did you make a pouffe? I had the luxury of being able to sew whenever I wanted, because I couldn’t go anywhere, and I noticed others embarking on this project so I took the opportunity to use up SO many scraps of fabric and stuff them all into a footstool, I made my own pattern but I know many of you used the ClosetCore free pouffe pattern. I know many others couldn’t sew as often but, from chatting with friends, the time that they were able eke out to sew was vitally important to them, helping them to de-stress and shift their focus for a while. Shopping for fabrics, patterns and haberdashery online became a way, almost the only way, of supporting some of our favourite businesses, as people found new ways to adapt and do business. Sales of sewing machines worldwide increased exponentially with many manufacturers and retailers struggling to keep up with demand. Some of us had sewing sessions with our friends via Zoom, which was occasionally technologically-challenging but it enabled us to be in touch with each other whilst participating in our shared interest. I’m not going to dwell here on the pandemic though because it’s been different for all of us, sewing and being in touch with my sewing friends around the world has been an absolute lifeline for me personally. In fact, rather than watching the all-too-overwhelming daily news stories, it’s enabled me to hear and appreciate what people I feel I’ve come to know have been going through. At one stage it seemed anyone who was able to was using their sewing skills to help with the desperate shortages by making scrubs here in the UK, and possibly elsewhere, and mask-making has become something that people with little previous sewing experience have found themselves being able to contribute. Face coverings have become compulsory in many places now so this will be an ongoing activity in future.
Moving on, as a group @SewOver50 has always strived very hard to be inclusive of anyone who wishes to follow along, after all, part of the reason it started in the first place was because we felt somewhat excluded from sections of the sewing community by virtue (?!) of our age. Following the murder of George Floyd in the US we were all called to question the part we play in our world, even within our sewing community we had to examine our consciences to ask if we were doing enough. #BlackLivesMatter was rapidly followed by #BlackMakersMatter and there is now an Instagram account @BlkMakersMatter where you can see, and follow and support, the massive diversity of BIPOC makers, and not just sewers but crafters and makers of many beautiful things. Many of our wonderful stalwart SewOver50 followers including Diary of a Sewing Fanatic are vocal advocates, I’ve always got time for Carolyn’s no nonsense plain speaking! We shall endeavour to continue reflecting our membership, and involve a diverse range of contributors and guest editors in the future. If you have ideas for future topics, especially if you think we’re missing something important, do please let us know.
So, very briefly, that’s the worldwide picture (as it currently stands) in which there have been quite a few SewOver50-related things going on during the past 12 months too. My personal favourite was our very first, and fortuitously timed, official meet-up in London in late February. Judith was able to join me to co-host and I was thrilled that so many generous companies large and small sponsored prizes for the charity raffle we held. I think, without exception, everyone who attended enjoyed themselves and agreed we would have liked even longer to chat and create new friendships in real life, just weeks later the event couldn’t even have happened. We had high hopes of more of you being able to host your own meet-ups where ever you are in the world but that’s still not really possible, make sure you let us know if you do manage it! Above all though, stay safe!
Stalwart supporter Maria Theoharous in Sydney started her own podcast Sew Organised Style in September 2019 and she generously created a space for Sew Over 50 every Thursday! Judith, Sandy and myself have all chatted with her but you can also listen to a growing list of our fellow followers every week chatting about what sewing, crafting and Sew Over 50 means to them. It’s really lovely to actually hear their voices, talking with enthusiasm about things they are passionate about.
At the beginning of May ClosetCore Patterns paid the ultimate accolade to one of my personally most inspirational sewers, Blanca, by naming a pattern after her, it’s a stylish flight/boiler/jump suit (call it what you will) but I love her personal aesthetic and she absolutely rocks this outfit!
In the UK during the spring, and at the height of lockdown, we had series 6 of the Great British Sewing Bee to enjoy. It featured several fellow dressmakers who we can claim to be representing ‘us’ on national TV. Yes, we know they are ticking boxes to cast certain ‘types’ but at least this time it’s positive discrimination! Even so, 10 weeks went by far too quickly!
Over the year the account covered all sorts of different topics for discussion including, do you always make a toile or just happy to wing it? What are you pet sewing peeves? (cutting out and pattern tracing seemed to be top for this one!) The art of tutu making was a personal favourite, having always loved ballet and especially the costumes. Tips for better and more accurate top stitching was another goody and @SewitwithDi gave us a master class in using the correct interfacings effectively. There are too many others to mention them all but you can refer back at any time, take a screen shot of your favourites or save them to your archive for future reference.
More recently the account reached, and has now surpassed, 20,000 followers! This was marked with a giveaway where two people who had not necessarily met in real life but had formed a friendship through sewing could each win a copy of the same pattern. If you take a look at the hashtag #so50sewalong you can see some of the garments that have been made since this competition ran a couple of months ago. Incidentally, it’s worth mentioning that the #sewover50 hashtag has now been used almost 80K times up to this point, it’s an absolute wealth of inspiration and knowledge which is all yours for the taking!
I think many of us enjoyed the opportunity to look back through, and share, some of our holiday photos wearing our me-mades. Sadly many holiday and travel plans haven’t been able to happen this year so it was a lovely way for us all to virtually ‘travel the world’ over the course of a weekend. Lots of us wore those clothes anyway, even if we couldn’t leave home! The online virtual Frocktails in April was another excuse to dress up a bit, knowing our friends around the world were raising a glass to each other at (almost) the same time.
Have you been keeping a #so50bingo card? This has been an ongoing way of keeping tabs on what you have been sewing and other techniques/events you could challenge yourself to try. No pressure, it’s just a bit of fun with no time limit.
During the year I wrote several blog posts based around different topics including sewing advice for newbies (or returners for that matter) your go-to T-shirt patterns, what do you take into account with your fabric buying choices, are you a batch cutter/sewer or just one thing at a time? Judith and I both contributed videos as part of the online Sewing Weekender, this is normally an event held in Cambridge, UK but The Fold Line opened it up worldwide as an online event and it was a huge success with over 1,700 people ‘attending’ from all over the world.
We also held the second #so50visible challenge earlier in the year, we seem to be having success with getting our images reposted by lots of pattern companies which is a very good thing but notably few are choosing older models-with a few honourable exceptions-to represent their patterns in the marketplace. This is still very frustrating when you look at just how many stylish and inspirational people follow this account but if we all keep plugging away a change will come. One thing that pattern companies have said to us is that the quality of photos isn’t always good enough for them to reshare so the better, and clearer, you can make your photos to show off your makes the more likely it is to get reposted. There have been a number of posts with simple tips on how to improve your photos so why not check them out?
Most recently our own Leader Judith has written an article for bi-monthly US-magazine Sew News talking about Sew Over 50, which you can order online.
So, in spite of everything, lots of good things going on for Sew Over 50 in the last twelve months, some progress being made with representation but I’m sure you’ll agree that isn’t all the account is about. I hope you continue to find the account as inspiring as I do? Yes, we all start off by being here for the sewing but it often becomes so much more than that. Real friendships have been forged as a result, very few of us have ever met one another in real life but that doesn’t stop us identifying and empathising with each other and the lives we lead, especially during these last few extraordinary months.
I am deeply indebted to Judith and Sandy for the sheer dedication they have on our behalf, and I’d like to thank all of you for your kind words of encouragement, support and appreciation to me personally, I love being a part of this worldwide community of sewing and I can honestly say the last few months would have been very different without so many of you connecting and interacting with me in some way.
It’s back! After the success of the first #so50visible challenge in 2019 we thought you might like to do it again, especially the thousands of you who have discovered @sewover50 since last year and who might have missed joining in.
In early 2019 we set you a challenge to find a pattern which featured an older model (at least 45+) and make it. If you thought this would be easy then you would have been mistaken, because once we had started looking more closely we realised that this was going to be much harder than it sounded.
Rather than me reinvent the wheel again here I suggest you take a read through the extensive post I wrote at the time, and its follow-up, so that you have some understanding of the challenge we set and how the whole idea came about. There is also a VERY extensive list of as many patterns as we could source at that time.
Since last year I’m cautiously optimistic that the situation seems to have improved somewhat. Sandy and Judith have been diligently saving in Highlights over on the Instagram account many of the new patterns that have been released in the the last twelve months which feature older models-male as well as female. Some of these patterns are by companies which have been consistently good at using a variety of models of all ages whilst for others this is a first toe in the water, which is great to see.
It seems that a lot more companies are actively using older women amongst their choice of models now (although a few still think we all want to wear the frumpier selection of what’s on offer-very wrong!) For the most part though, of the pattern companies who are choosing older models, they realise that we can be stylish, creative, outspoken individuals who do not have a shampoo and set once a week, don’t want to be stereotyped and who have money to spend on quality products.
I’ll list as many of the new patterns as I can but, if you’re tempted to join in with the challenge, I would strongly urge you to take a look at those I’ve already listed because each website will include that brand’s new patterns anyway.
Among the new ones we know of are, in no particular order:
Cashmerette-Washington dress and Rivermont Top and Dress
The Maker’s Atelier-there is wide range of patterns to pick from including several new designs Shawl Collar Dress, Shawl Collar Coat, Over-sized shirt dress, Blazer and Wrap Dress
Style Arc-Sheryl stretch or woven pants, among others.
That Wendy Ward-brand new book ‘Sewing Basics for Every Body’, the Kim jumpsuit and the Dylan Peacoat particularly
Simplicity and Butterick have improved considerably since last year and we have been told that they are actively including more mature models in their catalogues now, let’s hope this is the case. There are now a reasonable number of patterns to choose from (too many to list here individually) so browse their website or catalogues to see if there’s something that appeals.
I’m going to leave it there because I’ll never quite know where the end of this list should be! I would urge you to look through pattern company websites, books and catalogues for your inspiration if you’re keen to participate. I would also add that there are quite a number of small pattern companies who are hugely supportive and involved in our community but they either don’t use older models, or they use illustrations, so we can’t include them for this challenge. That said, we are very appreciative of every repost, share and use of the #sewover50 hashtag that any pattern company gives to a SewOver50er, they are always welcome and it helps to keep our little, occasionally slightly wrinkled, faces in the public eye to prove that we’re still here, and have no intention of keeping quiet.
We’ve got prizes again too so thank you to our list of sponsors (so far) who are offering a selection of patterns, and Wendy Ward is offering a copy of her new book too. Winners will be chosen at random after the challenge closes. You’re welcome to share works-in-progress but only completed garments shared with a photo of the original pattern after the closing date will be eligible to win a prize.
Stay in touch with the Instagram account while the challenge is on because that’s where you will find any new information as it crops up. Make sure you use the new #so50visible20 hashtag although the original #so50visible is OK too. If a pattern company reposts your outfit (which obviously we really hope they will!) use the #so50thanks hashtag too. Keep an eye on their Stories feed too because sometimes they forget to tag us, or the tag doesn’t work for some reason.
The #so50visible20 challenge begins on March 1st and runs for the whole of the month so what are you waiting for? Share a photo of your garment along with the source pattern, have a look in saved highlights on the IG account for various ideas how to do this, it doesn’t have to be a brand new garment this year but it should be a new photo of it, not one you’ve shared before. You could even use a flatlay this time, particularly if you don’t like putting yourself in the frame. Have a look at #so50flatlay for ideas on this. There is no limit to the number of entries you can put in either.
We can’t wait to see how SewOver50ers rise to the challenge, the more we keep this in the public eye then the more chance we have of seeing older faces featuring on pattern covers, in magazines, in sewing books. And part of the worldwide fun of this challenge is seeing makes for the opposite seasons to the one we might be living in because, let’s remember, we’re a global account, and that’s a really big deal!
My latest Minerva blog post is up for you to read now and it’s a jacket that nearly didn’t make it. I chose the fabric based on the image on screen but when it arrived both the background colour wasn’t what I expected and the design was larger than I thought it would be too. The lesson to learn from this is to order a swatch whenever possible to make sure the fabric is exactly as you expect or want.
That said, the quality of the loop-back jersey I used was absolutely lovely and it made up-eventually-into a really nice Jalie Charlie bomber jacket. I haven’t used Jalie before but I must say I was very impressed with the HUGE size range each pattern comes in, the quality of the instructions and illustrations (in both English and French) and the sizing is spot on.
The next problem I had was matching ribbing to the multi-coloured fabric and also finding a suitable open-ended zip. Eventually I found a gorgeous raspberry pink plain jersey from Sewisfaction instead of ribbing, and I got a zip from MacCulloch & Wallis in London.
Anyway, once I got everything together it all sewed up really well and I was pleased with how all the colours eventually came to form a unified whole. Subtle it isn’t so it definitely needs to be worn with plain garments but it’s a bit of fun and I know I’ll use the pattern again too.
As always, you can find the full rundown of my making experience over on the Minerva blog now, I hope you find it useful.
It’s been almost a month since I was loaned a Pfaff Coverlock 3.0 to try out so thought I would give you a ‘half-term report’ on how I’m getting on with it.
First thing to say is that it’s quite a beast! It’s a very substantial piece of machinery and so is fairly heavy as a result. That being said, this is normally the case with coverstitch machines because they are generally bigger than overlockers so the weight isn’t unusual. It does have a good-sized and comfortable carrying handle though.
Ok, so, the Coverlock 3.0 is a combination machine in that it is both an overlocker and a coverstitch machine. I’m sure you already know that an overlocker will trim and neaten raw edges and often sew the seam as well if you have 4 or 5 thread version. What you may not know is that a coverstitch machine doesn’t trim any edges, it will sew two or sometimes three rows of top-stitching on the outside of a garment whilst covering the edge of the fabric on the inside with loops of thread to ‘cover’ it. It has the advantage of being stretchy too. If you’re still not sure what I’m talking about have a look inside the hem or cuffs of a RTW jersey garment and you should see.
The first thing I had to do was not only rethread the machine as it didn’t arrive pre-threaded but I also needed to change it’s function from coverstitch to overlock. A major part of what I want to assess for you is how quick and straightforward it is to go between the functions. This is partly why I didn’t plunge in with a review as soon as I got it because I didn’t think it would be balanced or fair. Indeed, I will certainly write another review in due course after a decent amount of time and usage has occurred.
Because the machine was merely delivered to me without any demonstrations I’ve needed to use the instruction book a fair bit. If you have difficulty following written instructions and/or diagrams this may not be ideal for you but there is a (silent) DVD included with very clear animations of exactly what you need to do for each of the stitch variations possible. [I didn’t find this straightaway though so I muddled through with the booklet! I’ve also since found a few very helpful You Tube videos which were useful]
I’m not going to lie, it does take a bit of time to make the changes because you’ll need to remove and reinsert the needles to different positions as well as thread the machine in different ways depending on the function. This will eventually take me less time and I’ve added Post-it notes to the relevant pages in the book so that I don’t have to keep searching for the two I’ve favoured most. The machine is capable of up to 23 stitches using 2, 3, 4 or 5 threads and up to 3 needles. So far I’ve only used the 4-thread overlock and the coverstitch but I will endeavour to use more, including the flatlock, and report back.
I decided on making a hacked version of the Tilly and the Buttons Nora top which I’ve made a couple of times before as I didn’t want any nasty complications by attempting an unfamiliar pattern with a new piece of machinery!
The beautiful jersey with an amazing ‘tie-dye’ print is from Lamazi fabrics and was my choice as a July/August maker of the month [it could be you if you tag them on Instagram] I cut the sleeve to approximately 3/4 length and also cut two cuff pieces which were again approximate, initially about 20cms in length and then my wrist measurement at one end and my mid-forearm measurement at the other. I added a couple of centimetres for seam allowance to all sides.
I’d definitely say you need to do a bit of forward planning if you intend to use both the overlock and coverstitch functions on a project because of the swapping between the two. For example, on my Nora I needed to coverstitch just the cuffs and the hem, everything else could be sewn either directly using the 4-thread overlock or on my Quilt Ambition 2.0. I opted to sew the top together first and complete the hems at the end, in the usual way although there may be times when it’s better to hem first, we’ll see.
If you’re merely changing the thread colours it can be done in the same way as regular overlockers by snipping the threads near their spools, tying on the new colour and pulling each of them gently through, plus rethreading the eye of the needles. On one occasion when I altered the function I completely rethreaded but the stitch was much too loose-what had I done? It was all done correctly and yet it was way too loopy. I checked the manual for hints on troubleshooting but it didn’t make much difference. I was starting to pull my hair out when I realised I had threaded the machine without lifting the handle out of the way-the threads MUST go under it or they don’t sit in the tension discs! (Had I watched the helpful YouTube video first I would have known this…) Another thing I learnt the hard way was when the spool holder kept falling off the back of the machine and I was ready to chuck it out of the window I noticed it has to be slid sideways to click securely in position-doh!
The next two projects I made I didn’t use the coverstitch function as both the sweatshirts had cuffs and waistbands but I constructed much of them using the 4-thread overlock stitch. I used fabric provided to me by Minerva and they will appear on their blog in the new year. One of the patterns I used was the gorgeous Maxine sweatshirt given to me by it’s designer, Dhurata Davies. I’m going to make another one soon so I’ll write an individual blog on it then. [I got both tops out of 2.5m of fabric!]
For the final project I want to talk about here I took a different approach. It’s an Amy top by Brilliant Patterns and which I’ve made a couple of times before. I had a 1m remnant of loop-back cotton sweatshirting which I bought from Sew Me Something at a show for £8 and by shortening the sleeves very slightly, cutting the neckband in two parts and joining it I got a WHOLE sweatshirt out of the one metre!!
This time I set the machine up with a wide 2-needle coverstitch and I used my regular sewing machine to sew most of the seams. What I did at each stage of construction was to press the seams flat and top stitch them using the Coverlock. This meant that there would be two rows of top stitching on the outside and the raw edges were covered on the inside. This was generally OK although as I’ve yet to ‘get my eye in’ with lining up the foot against a seam or other visual marker a couple of them do waver more than I would usually like. It turns out there is a large removable flat bed included to increase the working area (it was tucked down inside the box and I’ve only just found it!!) this will support your work while you sew but it does take up a bit more room.
So to sum up (for now) I’ve been impressed with the quality of the stitches I’ve used so far on the Coverlock 3.0 and I will definitely look for opportunities to try others whilst I have it. I’ve yet to be convinced about swapping between the stitch-types but obviously, as I get more familiar with it, I should get faster at changing between them. There are few processes which have to be gone through to make the changes but I’ll probably work out an order or procedure to follow to speed it up. If you are short of space a combination machine might be useful, they aren’t cheap though. You’ll almost certainly use the overlocker stitches more of the time so possibly changing occasionally to coverstitch will be sufficient. I would definitely say you should have a thorough demonstration of the machine so that you know what is involved and what it is capable of. Unlike washer/driers which don’t do either job very well this machine does both functions to a very high standard.
Thank you to Pfaff for giving me the opportunity to try out their machine and if you have any questions about my experience so far then do ask.