2020-Sewing in a Time of Pandemic

Well what a year 2020 turned out to be!

It’s been such a tough time for so many and being a part of the wider sewing community has been a very real lifeline for many people. Those of us that enjoy making our own clothes already realise the obvious benefits this can give us; total freedom to choose types, colours and patterns of fabrics as we wish, the ability to emulate high-end or high street fashion at the price-point we can afford and the skill to make clothes fit our own particular body type, to name but a few. It shouldn’t then come as a surprise that the wider world, whilst searching for activities to entertain and occupy them during the long weeks and months of lockdown, discovered (or rediscovered) that home sewing can be creative, absorbing and rewarding which is a VERY GOOD THING! Who knew there was a link between doing a creative activity and a more balanced sense of well-being??

To be honest it doesn’t matter what that activity is, or whether you’re really any good at it, the fact that it can take your mind away to other less stressful places for a time is what matters.

But at the start of the year none of that was of much interest to most. I was extremely fortunate in January to go on a cruise to the Caribbean so I made a couple of new things to fills ‘gaps’ but mostly I took old favourites…cue multiple photos of 3 versions of The Maker’s Atelier Holiday shirt on heavy rotation! One new item was the Trend Square dress I made in fabric given to me by Dibs from Selvedges and Bolts the previous year, I got a lot more wear later on in the summer.

Within a couple of weeks of getting back, Judith Staley and I hosted the very first Sew Over 50 meet-up in London. We very much hoped, and expected, that it would be the start of many more such meet-ups between followers of the @SewOver50 account all over the world but it wasn’t to be…not yet anyway.

If you’ve been reading my blogs for a while you’ll know that as well as meeting up for sewcials with fellow sewers I really enjoy my visits to exhibitions and galleries. At the end of February I caught up with Janet Poole who is a fellow Lamazi blogger at the Stitch Festival in London, I had such a lovely day shopping and chatting with her, and her friend Great British Sewing Bee winner Juliet too. We didn’t realise it then but we were very fortunate to be able to attend the event at all and I wouldn’t be surprised if others who went didn’t catch the-virus-that-shall-not-be-named because it was so crowded.

About a week after this I was able to go to the stunning new Kimono show at the V&A and, although we didn’t know it at the time, that was to be the final outing for several months…

I wore the new Homer & Howells Cissy dress (and failed to remove my coat from shot which I chucked on the floor!)

So then we entered the first long lockdown and that’s when sewing (and some baking) became my primary occupation. During this time I had some blogging commitments for Simple Sew Patterns and Lamazi fabrics to complete. For my first Lamazi post I made a Trend patterns Bias T-shirt dress which was a tough make, not because the pattern was difficult but because I was making the dress for a wedding that never took place. And worse than that, I was making the Bride’s gown too so I still have an almost-finished dress waiting for the day that the wedding can happen.

In all honesty I hated how I looked in this dress because I had piled on weight and felt very self-conscious in a fitted dress. It was a lovely pattern made in beautiful fabric but I felt I was doing both a disservice. Eventually I did wear it in September by which time I had lost weight and it was a delight to wear! I’m sure I’m not the only one whose state of mind has fluctuated wildly this year and my self-confidence was rockbottom when this picture was taken.

I know I’m very blessed in that I have little to actually complain about in my life but that does not mean that these months of lockdown didn’t take their toll mentally so, when the call to help make scrubs came, it was something I could actually do! Eventually I made 10 sets, I believe they were headed to a maternity department in a London hospital.

I continued to keep busy by doing a few refashioning projects because the desire to make new things that weren’t going to be worn outside the house was just too depressing. I love the act of making clothes, the planning, the cutting out, the sewing, because that was taking my mind off what was happening in the real world but how could I justify making new clothes that I had little use for? Even dressmaking was starting to become a negative because I felt guilty about it. By doing some refashioning projects using things I already had, other than new fabric, I made a few items including pyjamas for my final Simple Sew post and another pair using the PJ pattern in the Great British Sewing Bee book written by Alex and Caroline of Selkie patterns and for which I had made a couple of samples. I used 4 old work shirts of my husband’s which were very well worn! I also made (eventually) two pouffes as well which took care of loads of scraps and off-cut furnishing fabrics and were extremely satisfying! I also refashioned a very old and redundant heavyweight cotton curtain into a Dawson coatigan by Thrifty Stitcher.

Early on in lockdown I had the pleasure of talking to Maria Theoharous for her Sew Organised Style podcast on a couple of occasions. I’ve set up a separate page so you can access this to be able to listen to her inspiring SewOver50 guests every week. One of our chats revolved around how we each arrive at our fabric choices for specific purposes or projects, I wrote this topic up as a post which you can read here, and I also wrote a further post which came from when I was guest editor on the @SewOver50 account and we talked about our cutting out processes-did we cut and make one thing at a time, or cut several things and have multiple projects on the go? Scissors or rotary cutter? Pins or weights? It was wide ranging and fascinating with so many excellent ideas and practices. I hosted another discussion about a variety of hem finishes later in the year and you can read that one here. Incidentally, by the end of this year @SewOver50 has reached an incredible 25,600 followers!!

One of my stranger tasks this year was to carry out a socially-distanced dress fitting on a doorstep! Before lockdown started I had been commissioned to make a dress for a work colleague of my daughter Katie. Thankfully I’d opted to make a toile of the bodice which I’d fitted just before lockdown kicked off so I managed to get the dress to a good stage of completion. However, I got to a point where I definitely needed her to try it on because even if she couldn’t wear it for the event she had hoped to, it would be nice for her to take delivery and wear it around the house!! So I went to their place of work and handed the dress over at arms length to Tracey to put on in the staff toilet, then she came out onto the porch where Katie, under my direction, pinned the dress for me. I took a few photos for reference too. From that I was able to finish and deliver the dress and my client was delighted with it…phew

One of the regular sewing highlights of the last 4 years for me has been the Sewing Weekender which generally takes place in Cambridge, UK in August. The organisers took the bold decision to put the whole event online instead which meant that many more people could ‘attend’ from all over the world. Myself and Judith Staley were delighted to be asked to contribute a video message each which was very nerve-racking but it turned out alright in the end. I published a transcript of mine here, along with the original video (you’ll notice that I had abandoned my signature pink hair by this time because, quite frankly, what was the point of bothering!) The Online Weekender also raised a significant amount of money which was divided between 4 charities. 

As lockdown started to ease in the summer I was able to get out and about a couple of times. I joined an al fresco rag-rugging workshop in Hertfordshire run by Elspeth Jackson of Ragged Life which was so enjoyable, and I visited a couple of exhibitions in London including the Kimono show again, plus Andy Warhol at Tate Modern and Tricia Guild at the Fashion and Textiles museum both on the same day. Since then though things have been shut down then reopened, then shut down again. My heart goes out to everyone who is trying to run a business or an organisation that relies on visitors through their doors to make them viable, their future is very uncertain.

I’ve made a few other garments during the autumn which I’ve been really pleased with including the Prada-inspired shirt dress and a pair of Utility pants by Trend Patterns (not blogged yet) but I feel I’ve run out of steam with my sewing right now and I never thought I’d say that. My own teaching classes restarted for a total of 5 weeks in October but they’ve stopped again. I know some have adapted by using Zoom or other platforms but it just wouldn’t work for me, I feel dressmaking is too hands-on and needs real assistance for tricky bits, holding things up to the camera isn’t good enough sometimes. And being part of a group and all that shared enjoyment is a huge part of it too. I’ve had fairly regular online catch-ups with some of my lovely sewing friends and that has been a joy, albeit not as good as seeing them in the flesh.

Mr Y was the lucky recipient of a few handmade garments too during 2020 when I made him another two Kwik Sew 3422 shirts, and not one but two Thread Theory Finlayson sweatshirts! I’m happy to say he’s delighted with all of them and I’ve got plans for another sweatshirt for him in the new year.

I’m working on my own pattern which I’ve self-drafted so hopefully that will be something positive for the new year but I need occasional assistance from more expert friends and that’s making it a drawn-out process which would have been so much more fun person-to-person.

One final project I was commissioned by a friend to make was a Christmas chasuble for her to wear as she presides over her Christmas services in church. A chasuble is essentially a fancy poncho which the priest wears over their other vestments and Wendy wanted me to create one with a Nativity scene on it. She sourced the base fabric with my advice, and a printed quilting cotton Nativity which was sent from the US. This was square so I carefully cut it into approximate thirds with the central third featuring the stable scene and the star for the front, another third with Bethlehem for the back and the remaining third I cut into two parts to use on the stole, which is the long scarf priests wear around their necks. All of these I attached by appliquéing around the black outlines (I was literally making it up as I went along!) Wendy is delighted with the finished result (thankfully) and I’m sure she will enjoy using them during the Christmas season.

As I finish writing this (2 days before Christmas) we have no idea what lies ahead…some countries seem to be slowly recovering whilst the UK as a whole seems to be sliding further and further into disaster, or maybe not? I should try to think more positively as scientists have worked tirelessly to make a vaccine which will gradually be rolled out. Personally I’m a long way down the list for it but that’s absolutely fine, we must protect the most vulnerable first.

I’m making an effort to look cheerful in this most recent Lamazi blog make, but the wine was slightly off watered down Rosé from my daughter’s fridge and it was 10.30 in the morning! I’m genuinely pleased with the dress though and in spite of everything I’ll wear it on Christmas Day because there’s plenty of room for expansion!!

This has probably ended up not being a-not-entirely-coherent post but that’s kind-of appropriate I reckon! Wherever you are and whatever the new year brings for all of us I’d like to thank so many of you for reading my posts, sending me lovely or encouraging messages. Being a part of the online sewing community and Sew Over 50 in particular has been an absolute joy and a lifeline at times. We need to lift each other up more often, call out injustices when we see them but not to the extent that it becomes bullying of individuals, that isn’t right either. 2020 has been a year of huge upheaval, I plan to restart 2021 with fresh sewing plans to help me to feel more positive about it…it’s going to be a bumpy ride!

Until next time, stay safe!

Sue

Simple Sew Zoe dress hack

I haven’t written a Simple Sew blog post for a few months but now that Sam Sterken has taken over with the organisation whilst Gabby is having her maternity leave we’re up and running again.

I had a bit of an idea in my head of what I’d like to do using the Zoe pattern which I already had so I chose some medium-weight enzyme washed linen in dark turquoise generously provided for us once again by Doughty’s Fabrics. I was really pleased with it when it arrived as it wasn’t too droopy but not over-firm either. Incidentally, it’s been terrible to photograph accurately, the final outdoor photos are definitely the closest to the real thing [to see how I altered the Zoe neckline so it wasn’t so wide have a look at my previous blog post in early 2018)

I drew a few sketches of ideas which all involved using the top half of the Zoe-initially I was going to extend the sleeves with wide pleated frills and keep the dress straight but I went off that idea as I felt the fabric was too firm for how I wanted it, I thought it would definitely work well with a peg-top skirt instead however. I wanted a shape that wasn’t too voluminous at the hem and by using an inverted A-line shape I could add pleats at the top but keep the hemline slimmer.

I went with option 4

I tried on one of my existing Zoes (I’ve made 3) so I could assess what length I wanted the top section, and took an arbitrary measurement of 34cms from the centre of the front neckline to where I wanted the waist, which is slightly higher than my natural waistline. As the Zoe has centre front and back seams I then measured from the top edge down to the point where I wanted the waist seam and drew a line at a right angle on the pattern across from that point. I took that line across to the side seam but at the point where the line met the side seam I made it a right angle, which creates a very slight curve on the line. Because the back neck sits a little higher than the front I matched the side seams to one another first and created a similar line across to meet the centre back seam. [It’s important that these lines are at a right angle where they meet at the side seams because otherwise you would have a slight V shape rather than a smooth line from front to back] 

I already have a skirt pattern that I’d drafted last year for a similar peg-top shape, I’d used it gathered though and I wanted pleats on the new dress. Initially I attempted to work out how to get 3 even sized pleats by folding and refolding the paper but I couldn’t quite get it. In the end I decided to cut the pieces in fabric as they were-with a slight modification for the front skirt as that piece was quite different-and then I’d work out the pleats once I was ready to attach the bodice and skirt together.

I cut all the bodice/sleeve/neck facings and assembled the bodice first. I’ve found that it’s easier to sew up the shoulders and attach the neck facings as described in the instructions but then attach the sleeves with the bodice open flat before sewing the side seams rather than in the round. The photos should help make this method quite clear. I added rows of contrast triple straight stitch to various seams as I went including around the neck [I used the quilting guide which came with my machine to do this accurately]

the sleeve is pinned on with the bodice opened out flat
the seam is pressed towards the sleeve
then the sleeve is pressed up towards the shoulder
the underarm seam is sewn up, overlocked together and then the sleeve is folded up again and top stitched into position.
On the outside I used the quilting guide on my machine to sew 4cms away from the finished edge of the neck.
top stitching on the neck edge.
the finished bodice

Next I cut the front and back skirts from the remaining fabric, plus I also cut two pairs of pockets for the side seams using the cardboard template I’ve made. [Just choose a pocket pattern that suits the size and shape that you mostly use to go in side seams and then make a cardboard version, mark the grainline and then all you need to do in future is place it on your fabric and draw around it with a pencil or chalk, it saves a paper piece getting scrappier and scrappier with constant use.]

card pocket template
the back and front skirt sections, the back is placed again the selvedge and the front extends all the way to the fold, I didn’t cut down the righthand side of the pattern as it looks here.

I made up the front and back skirt sections, adding the pockets to the side seams, then top stitched the CF seams as before, I didn’t top stitch the CB seam at this stage as I wanted to be able to sew in a continuous line with no breaks and I couldn’t achieve this until the hem was turned up too. Incidentally, as many of the seams were going to be pressed open inside the dress I overlocked the edges of most of them first then sewed the seam and pressed open. 

Next I pinned on the skirt starting by matching the centre front, back and side seams. Because I had no other markings now I played around with different positions for the pleats until I happy with how they looked. This will vary according to what size you’ve cut the waist but for mine I settled on 10cms each side of the CF seam for the first pleat and then the second and third pleats were a further 4 cms away from the previous one. I checked all the measurements to ensure that they were each symmetrical and well-balanced before I sewed it all together, overlocked to neaten and added another row of top stitching to the waist. 

Initially I tried to work out using my existing skirt pattern where the pleats would go but I couldn’t quite get my head around it so I chose to try it freehand in the fabric which, in the end, was a lot better.
the pins mark where I would match the pleats to the bottom of the bodice.
finished pleats!

This just left the hem length to check, I had opted for quite a long skirt length because I wanted the dress to be a fairly loose throw-on shape but not too baggy or undefined. I was happy with the length I’d plumped for so I used the triple straight stitch once again around the bottom and then down the CB seam, creating an angled line to define the facing which finished the slit opening. 

I’m not always super-happy with everything I make (and in truth I’ve positioned the pockets a little bit low in this dress) but I can’t wait to wear this dress during the summer! I’ve only ever worn my previous Zoes with long-sleeved tops layered underneath in chilly weather so it’s a bit of a revelation to realise that the sleeves are the perfect length for a summer dress. I think the skirt shape is more interesting than just a gathered dirndl and the lime-green contrast topstitching is a bit of fun. The linen is a great weight for this too, it will be crumply but that’s part of the charm of linen fabric…I think I may have to make more of this frock!

Until next time,

Happy sewing

Sue

Sew Over 50 challenge update.

Well what an amazing start the challenge has got off too!

I think the reception has so far exceeded anything Judith and I had hoped for-many of you have embraced the concept we’ve created and are looking with enthusiasm (and frustration too) for patterns featuring an older or more age-appropriate model.

It also means that lots of you have made suggestions for pattern companies from all over the world that we haven’t encountered before so that the list has now got quite a bit longer. We’ve had more offers of prizes too!

Rather than edit the first blog constantly I’ve created a further list here with links to all the extra companies for you. This is still unlikely to be a definitive list though. I’ve gone through every suggestion that we’ve been given up to this point but I haven’t necessarily shared them because sometimes I’ve felt they don’t meet our criteria sufficiently and (heaven forbid) they may just see us as a free marketing opportunity.

New additions are (in no particular order)

The Sewing Revival-all the women’s patterns are eligible.

Thread Theory-several men’s patterns which got missed off the original list by accident.

Handmade by Carolyn-Perth dress

b-patterns-a German brand

Mother Grimm-Lammas Tide dress

Ottobre subscription magazine-various issues

Love Notions-Forte top

Wardrobe By Me-Asta dress and possibly a couple of others

Tunic Bible

Knipmode-a Dutch magazine so you’ll have to search and use your own judgment

Burdastyle magazine

Stof & Still-various designs in the magazine

Sew Different-various

Naughty Bobbin-all styles

Great British Sewing Bee TV series books-we think, not sure though

Odacier-Thea Rachelle top (possibly)

Winter Wear patterns-Fashionista jacket and Double Take Tee

Sew Different-several suitable patterns

Judith created both of the collages you see here so that means I don’t know which patterns are which. I suggest you go over to the Instagram account and if you tap on the image all of the companies will be tagged so you should hopefully find the company that way.

Liesl+Co, Maria Denmark and Ann Normandy all feature slightly more mature models but we either know or don’t think they are quite in the 45-50 bracket yet. Still, definitely in the right direction and representing us much better, the patterns are cut for a more mature figure too which is so helpful. Ann Normandy has generously offered a prize anyway.

You have been sharing plenty of photos on Instagram using the hashtag #so50Visible telling us of your plans, and realising the frustrations of finding patterns which represents our age group properly. I was recommended to look at one pattern company (which I won’t name) where I discovered at least two patterns which were modelled by a woman of no more than 30 wearing an outfit and shoes which was clearly designed for a woman about three times her age! talk about Granny clothes, poor girl, and why would that induce a woman of mature years and very conservative tastes want to say “hey, that’s exactly the way I’m going to look when I make those garments”, I’m guessing it won’t.

Which brings me to another point-sometimes it’s gone too far the other way, pattern companies think older sewers want boring, sensible clothes all the time. We don’t!! What many of us have realised is that we are, indeed have to be, capable of looking beyond the face (and figure?) of the model on the envelope all the time in order to visualise the finished garment. This is when accurate line drawings are vital to be able to assess the ‘bones’ of the garment and know whether it will work for us.

Two areas which have been under discussion (separately) in recent weeks (and I’m not going to attempt to address all of it here) is people of colour who sew and larger sizes. In the process of going laboriously through these pattern companies I have seen that there is a modest use of POC as models, but very very few larger models. However many of these companies do sell patterns which go up in some cases to very large sizes, and which are modelled, I’m presuming by their testers, but these are only used in website images.

If you follow the hashtag you can keep up with everybody’s posts, Judith regularly shares them too on the @sewover50 account, the more often you ‘like’ a post the most often the algorithm will push the account up your feed, or you can set the post notifications to alert you whenever there’s a new post. There are now additional prizes which will be allocated completely at random at the end which are from The Sewing Revival, Designer Stitch, The Thrifty Stitcher, Winter Wear Designs and Ann Normandy.

So that’s my little update for you, another rabbit hole to fall down, or maybe you’re already on the case with a new pattern? Remember that you don’t have to share a new garment if you’ve already made something which qualifies, we want to see everything. Judith and I aren’t naive because we realise we are giving pattern companies free publicity at the moment and disappointingly a few of them haven’t acknowledged the challenge is even happening. There may be good reasons for this, or maybe they still think they don’t need to work to attract our area of the market? Remember #NoLikeNoMention!

I think as a by-product of the challenge many of you are also finding inspiring new accounts to follow on Instagram, it’s really lovely to know that there are so many of us sewing away in our various parts of the world. Dressmaking can be a solitary activity and speaking personally it makes me feel more connected by a shared activity. We want Sew Over 50 to be a positive and supportive space where we can share and chat and get advice whenever we need it.

Thank you for joining in and keep those makes coming!

Zoe dress and top by Simple Sew

I’ve been asked recently to join the Simple Sew Bloggers so every now and again you’ll be getting the benefit of my wisdom (!) on their patterns. This first blog though is about one of their patterns which I’ve had for ages so I’ve done a quick write up on the Zoe dress and top because I’ve already used it a number of times.

Since the Zoe pattern was given away free with the very first issue of Sew Now magazine, which I reviewed here, I’ve used it 3 times. It’s a really wearable basic layering style which I think is similar to those you can find in Fat Face or White Stuff. I’ve made mine in fabrics with a bit of body and I layer long-sleeved T-shirts underneath. The neck has a deep facing which I’ve top stitched in contrast colours usually, the same on the sleeve bands.

 

I made the first using some interesting printed denim I got from Ditto fabrics in Brighton. There are only a few pattern pieces-front/back/neck facings x2/ sleeve band-and no fastenings to worry about so it can be a quick make. I like the front and back centre seams because they give it visual interest and contrast top-stitching helps give it individuality, although if you cut the pieces on the fold you could make it even simpler and quicker.

This first version threw up a couple of issues, namely the dress was much too long for this particular style I felt. Being a straight shift it ended quite a way below my knees (I’m 5’5’ so not especially short) and was unflattering.

IMG_0004
actually it doesn’t look that bad here with my hands on my hips but I wasn’t happy so I chopped about 15cms off the bottom!

The other issue is that the bateau neckline is rather wide and might not suit you if you’ve got narrow shoulders. It isn’t a problem if you’re wearing a top under the dress but if you’ve made the shorter version to wear on it’s own I think your bra straps would be constantly showing on one side or the other. I left it on the first 2 versions I made but when I made the checked one more recently I extended the shoulder seams in towards my neck by about 2cms. This means it’s much snugger although still easily goes over my head.

 

On the denim version I top stitched many of the seams using neon pink thread.

 

This was before I got my new machine which I can use a twin needle on so I laboriously did each line twice. One of the nice details about the dress is the patch pocket positioned over the side seam. My suggestion to make this a bit easier would be to only sew up that side seam and apply the pocket before you sew up the second side-it just gives you a bit more room for manoeuvre. There’s only one pocket-obviously you could have 2-and somehow I managed to sew mine on the left side when I’m right-handed! Oops.

fullsizeoutput_2103
My Zoe even featured on the ‘readers makes’ page in Sew Now!

For the second version I used a lovely printed needlecord which I got in Goldhawk Rd, London. This time I put the pocket on the right side and I top stitched in both pink and orange. I embellished the neckline with a few brightly coloured buttons from my stash, it’s a fun way of adding some individual touches to something you’ve made.

 

 

It’s looking well worn now as it’s been through the wash quite a bit, although that does mean the fabric is nice and soft now.

img_0536
As always, I style it up with a top underneath, winter tights and a selection of necklaces…and silver shoes!

And finally….the most recent version made shortly before Christmas came out of a very modest remnant that was probably 15-20 years old, minimum! This is a dress that you can get out of very little fabric, particularly if it’s wide, because the main pieces are virtually straight, the sleeves are two rectangles and the facings aren’t very wide, or you could cut them in a contrast to save fabric. I had to cut the pocket across the fabric but that’s fine although it did mean that I couldn’t pattern-match it.

Incidentally, I didn’t follow the pocket instruction method they suggested because I think it’s a bit cack-handed, pressing the edges in is a palaver so I bagged it out like this instead, it’s probably quicker too.

Firstly, cut the pocket piece so that the pocket top edge is the fold, not the lower edge as they tell you.IMG_0051 Next sew from the fold down one side, pivot at the corner and then sew a few more centimetres and stop. Backstitch, or secure the end by your usual method. Now, leave a gap of a several centimetres (no more than about 5-6 probably, it needs to fit your hand through it) Start sewing again towards the corner, pivot and continue to the top, backstitch and finish.

fullsizeoutput_20f5
This is a mini pocket just to show you, I don’t use GIANT pins! The fold is at the top.

fullsizeoutput_20f8
Stitched from the top, around the bottom corners with a gap left in the middle.

fullsizeoutput_20fb
Turned through with the gap at the bottom, push the rough edges in.

Now you can trim the seams slightly and turn the whole pocket through so that it’s RS out, push out the corners to form nice squares and press.

fullsizeoutput_20fe
If you’re going to top stitch do this before sewing the pocket on!

You should now have a nice neat pocket shape which you can place over the side seam and sew in position, making sure the fold is at the top. The stitching will automatically close up the hole at the bottom of the pocket piece as you sew. Simple!

 

This is the one where I narrowed the neckline a bit, I top-stitched in a bright blue this time to match the thin blue stripe in the check. I was able to pattern-match the front and back but not the sleeves or pockets with this one.

IMG_0036
I added some chunky metal buttons to the back seam this time too.(can you see that I’ve sewn the buttons slightly differently to each other….

So there we have the Zoe dress, as you can see for such a simple dress it’s very adaptable, and so comfortable to wear, although it may not suit all figure-types admittedly. I haven’t made it as a top funnily enough, I think that’s because I like the dress length better.

I receive no payment for writing this, I’ve even provided all my own fabric, so you can be sure I’ll say what I think!

Happy sewing

Sue

a busy year in sewing 2016

img_0567

I thought I’d take a look at everything I’ve made over the course of the last 12 months and it makes, for me at least, interesting viewing. There’s a variety of garments, styles, shapes and silhouettes. Some have been more successful than others for various reasons, some are self-drafted, others were new patterns free with magazines, some were hacked from patterns I already have and some were indie patterns and PDFs. There have been garments thrown together in very little time and with very little fabric, and there have been a few things that I’ve taken a huge amount of time and care over. There have been a growing number of refashions in the mix too. Not everything I’ve made ended up being photographed so I don’t think this is an exhaustive list but most of it’s here, wherever possible I’ll give pattern and fabric details but I think it will be a photo-tour through my sewing year 2016.

 

So here goes…

img_2953
Ha ha, trying to master the art of a decent selfie! This has been one of my favourite dresses all year, it’s New Look 6340 which was free with Sew magazine and it’s made in a lovely maroony/brown crepe with little pink stars from Man Outside Sainsbury’s in Walthamstow. It’s very swingy and I’ve worn it layered up on cool days or sleeveless in the summer. I keep planning another but it hasn’t quite happened yet. Silver shoes from Clarks

img_3013
This was my first foray into Burda Style trace-off patterns. The front and sleeves are scuba with crepe de chine on the back. I’ve worn it a few times although the fabric combination isn’t the best.

img_4370
The stripes on this one annoyed me as I hadn’t bought enough fabric so I couldn’t match them properly-turned out it was excellent for doing Pilates in though!

img_3165
This was my first refashion of the year. I made this bag using 2 old pairs of jeans to carry all my kit to and from college in London.

img_3198
I love this dress! it’s the Wisewood from MIY Wendy Ward. I like to think it looks a little ‘Vivienne Westwood’. Instead of cutting away the excess fabric at the centre front I pulled it across to sit over my hip and stitched it in place. It’s so comfy! The fabric came from a local market and cost me next-to-nothing.

I made 2 of this dress during the year, the blue chambray was first and the pale green was made during the Sewing weekender in August.  I blogged about them both and I love wearing them both. I’m particularly happy with the exposed zip on the green.

Quite different garments but both new to me-the stripes was a copy of a top I already had and the shirt is a refashion of one belonging to my husband, read about them here and here.

I made an evening dress for myself in March using Simple Sew‘s Floating Bodice pattern (for reasons I won’t go into it became known as the Flying Buttress dress) I’ve never blogged this one, maybe I’ll get round to it because I’ve used some interesting techniques on it.

I did a bit of pattern-making of my own for the next dress.

This was my own self-drafted pattern for the skirt with pleats and a false wrap over, and an existing bodice from years ago. Overall I’m pleased with it, the skirt works really well but the bodice needed some tweaking-the shoulders were too broad and the bodice too long so I altered it the next time I made it-sleeveless this time, in gorgeous cotton/linen mix from Ditto fabrics in Brighton.

img_4721

img_3636
This was a free Burda pattern 6914, again with Sew magazine. I added pockets to the side seam and gave it longer sleeves with darts around the cuffs to echo the neckline and hem. It’s bright red and black houndstooth check wool mix and a really comfy dress for cooler days. I made it again in a stripe later in the year.

img_4982
I cut the short sleeves on the bias to give them an interesting effect although they’re a bit tight on me for some reason so I’ve only worn it once so far. I love the binding around the neck though!

img_4461
This one was an absolute pleasure to make, it’s a’graduation’ gown for a little boy with dwarfism-he looked brilliant it in and his little face was a joy to see-that’s when I love what I do.

img_4493
I loved this fabric so much but stupidly didn’t buy enough so it’s tight around my hips and snug over the bust, I wore it anyway. The pattern is adapted from Simplicity 1620

This gorgeous fabric came from Faberwood and although I only had 1.5m I got two tops out of it! On the left is New Look 6230 (free from Sew magazine!) On the right is a top from a hacked pattern I’ve used at least 5 times in various versions either as a top or a dress.

Still with me…?

Next up was an Alder from Grainline patterns, the summer version was a cotton poplin from Backstitch and the red is more recent and I’ve added long sleeves . Both have had plenty of wear.

img_4654
This is the simplest top ever! It’s quite literally two rectangles of silk crepe de chine joined at the shoulders and two side seams.

img_4653
Another holiday pic, this is Simplicity 1665 and another freebie. In fact the fabric was gifted too!

img_4697
This dress was custom-made for Liz’s eldest son’s wedding, you can read how I created it here 

 

This top has been one of my absolute favourites over the summer, it’s my version of a RTW  top from last year and was an early blog post. The skirt was a wonky bolt-end of jersey I turned into a super-comfy skirt, even the elastic in the waist came from something else.

img_4811
gorgeous bridesmaids, what else can I say. Old-school petticoats and Cath Kidston styling-lovely.

img_4904
Pyjama shorts for Mr Y-they have steam trains on!

This was another extreme labour of love. It’s a jacket made for Portia Lawrie‘s The Refashioners project 2016. It didn’t win but I got a mention in despatches and I’ve had a lot of use out of it. The dress underneath is from last year and is one of my absolute favourites-I’ve had random strangers on public transport compliment me about it!

I love this waxed cotton dress, I got the pattern (Simplicity 2444) from the swap at the Weekender in August (and the button was in the goody bag) and the fabric is from a shop in Walthamstow.

This was my first Tilly and the Buttons pattern and also my first properly inserted exposed zip. I blogged about it here. Then came a pattern-testing opportunity for Megan Nielsen patterns, her new Karri dress to be precise. You can read the blog for that here.img_0111

Next was a bit of fun with this swooshy cape, I’ve blogged that on here, the lovely fabric came from Fabrics Galore when I visited the London Knitting and Stitching Show in October.

img_0141

While I was working on many of these things I was slowly beavering away on possibly my favourite dress ever-it’s the gorgeous evening dress I created for our special Ladies Night in November.

img_0267
I felt so glamorous and pretty in it.

Nearly there…

img_0375
This was more of a wearable toile from a PDF in Love Sewing Magazine by Thrifty Stitcher Claire-Louise Hardie. I really like the clever front folds with integral pockets, it’s quite short for me so it’s strictly a thick tights dress!

img_0388
Self-drafted trousers with welt pockets, in a lovely ponte from Ditto. They finished up a little big for some reason which is strange as I’ve made 3 other pairs and they’ve been fine-oh well.

img_0455
I love this top so much! I’m wearing it right now and when I find the right fabric I’ll be making more, possibly with long sleeves and roll-back cuffs.

img_0511
Obviously this isn’t a dress at all, this is Doris being a Christmas cracker at our Christmas Tree Festival in December. Twinkly fabric from Goldhawk Road.

Almost finally, this is version 1 of the Zoe dress from Sew Now magazine, in a lovely printed denim from Ditto

img_0253

img_0536
…and this is the final (probably) completed project of the year. It’s version 2 of Zoe by Simple Sew which was free with new magazine Sew Now. The printed cord came from Goldhawk Rd in West London.

There was one last dress I made recently which wasn’t so successful not because the pattern wasn’t good but because the fabric didn’t work well for the style. I have worn it but there’s no photo, I intend making it again because I really like the pattern but I’ll be more careful with fabric choice this time. I’ll write a review when I’m happier with it, it was me not the pattern!

So there we have it, well done for sticking with me all the way through this trawl of the last 12 sewing months. In between all the making I completed a large number of bridal and other alterations, which are much less fun frankly. I’ve taught lots of lovely people new things too either individually or in weekly classes. It’s been so much fun. I’ve really enjoyed meeting lots of sewers and dressmakers in the flesh this year too and I hope there’ll be more opportunities for meet ups and Weekenders next year, I like nothing better than to get together with other people to talk sewing/patterns/fabrics until the cows come home…

There’ll be one last blog for 2016 which will be a review of the two shirts I’ve just made Mr Y for Christmas, but I haven’t written that yet….

Thank you for reading my blog and I really like to receive your comments. I hope there’ll be a lot more sewing fun in 2017. I’ll still be pushing myself to try new techniques and methods and patterns, I’m every bit as keen to learn new things as any beginner-I love learning from newbies just as much as I’m happy to share what I know with you. Just because I’ve been doing this forever is irrelevant, we’re never too old to learn something new, or another way of doing it.

Don’t forget that, if you don’t already, you can find my page on Facebook at Susan Young Sewing and also on Instagram (susanyoungsewing) that’s usually where I post lots of pictures of what I’ve been sewing, galleries and museums I’ve visited and what my cats are up to!!

Merry Christmas, a healthy and prosperous 2017, and lots more sewing of course,

Sue xx