Simple Sew Amelia tea dress hack.

The Amelia tea dress isn’t one I’ve sewn before but Jane who comes to my sewing class had made one last summer and I remember liking the shirred elastic midriff section. The brief for our makes this time was ‘festive’ (we usually don’t have a brief, it’s free-choice) Bearing this in mind Bobbins n Buttons had offered to provide me with fabric so I had a browse on their website and selected the Lady McElroy ‘beauty and the bees’ stretch velvet. 

The pattern isn’t intended for jersey but it is simple shapes and a bit of gathering which I knew would still work well, what you don’t want is a fabric that’s too thick or stiff though because the shirring won’t work properly. I planned to hack the pattern a bit so I decided to add long bishop sleeves as it’s winter, I also lengthened the skirt (more on that later) and of course I added pockets! 

Because of the distinctive large print I opted to remove the centre back seam and put the zip into the side seam instead, this was to save me the hassle of trying to pattern match the print across the zip. Because I’d removed the CB seam in the bodice I took it out of the skirt too, for the same reasons. If you’ve got a tricky print to match over a seam like this consider whether you can move the zip to the side, it’s not much different to put in and the opening can be a little shorter but still give you sufficient room. Now I could have a line of bees central down the back (and front of course) and just needed to get a good horizontal match too for me to be really happy.

As I said before I wanted the skirt as long as possible but there needs to be a compromise between length versus flare because of the width of the fabric. If you want the skirt to be longer you’ll need to reduce the amount of flare at the hem because you’ll be restricted by the fabric width. The wider the fabric then the more scope you have. I measured how long I could make the skirt before it would need reducing at the hem and decided it would be an acceptable length. I could add around 10cms to the hem making sure the new side seams were at a right angle to each other so that the hem will run in a smooth lineI traced around a few bees where they crossed the cutting line so that I could ensure the front and back matched as well as possible. 

In order to cut everything as efficiently as possible from the fabric I first cut the skirts against the main fold-don’t forget to exclude the CB seam or the piece will be bigger than your back bodice (if you’re excluding the zip) 

Then I refolded the fabric with the selvedges into the centre to cut the bodice pieces on the folds. This is vital to get those bees running down the centre. 

From the remaining fabric I cut a pair of long sleeves. I used the pattern from another design I’ve made a few times, I measured the armhole of the dress and compared it against the sleeve I have. It was a little smaller at the crown so I added a small amount to give it sufficient widthFinally, because it’s jersey, I chose to use a neck binding instead of the facings so I cut two narrow strips which were each the same length as the CF to CB measurement of the neck plus a couple of centimetres seam allowance. 

I increased the sleeve head by 2cms, moving it out by 1cm either side of the shoulder notch.
It’s important to keep the sleeve level when you add the extra width so draw a line at a right angle to the grainline, then move the pattern piece 1cm in each direction using the line as the axis.

Ok, so I mostly followed the instruction with a few minor changes because of my alterations. One thing I did first of all was to stabilise the back shoulder seams and the left side seams where the zip was going to go with iron-on interfacing because I don’t want them to stretch out of shape. I chose to leave the back darts in although I possibly could have eased them out as it’s a stretch fabric.

stabilised side seam before the zip goes in.

After joining the shoulder seams I added my neck binding. I folded the strips with RS out along the long edge-I didn’t join them to each other at this stage-then, starting at the V, I stitched just that section into place. This way you can sew just a small part, snip into the V and pivot at the corner more accurately. When I was happy with this I sewed the rest of the binding on leaving just the CB part unsewn, then I could join the two strips in the right place and finally attach it to the neckline. Finally I neatened the edge all the way around and then topstitched it down close to the seam to stop it rolling. 

The next part is the shirring which really isn’t difficult so don’t panic. First wind shirring elastic onto an empty bobbin BY HAND stretching it very slightly as you go, put it into the machine in the usual way (you may wish to check the manual if you have an older machine in case there is anywhere else you need to thread the elastic through) Use your matching colour thread on the top in the usual way and lengthen the stitch slightly, it doesn’t need to be zigzag or anything though. Definitely try out a test piece first and don’t forget to secure the start of each new row so that the stitching doesn’t come undone. I don’t secure the other end at this stage though in case I find I need to pull the threads up any more later. You should be able to sew 8 rows of stitching parallel to each other to complete the strip. The fabric will naturally pucker up pretty well but when you’re done stitching hover the iron with plenty of steam over it and you’ll find it gathers up some more as a result. Finally knot the ends of the threads to secure.

Then you need to attach the gathered band onto the lower part of the bodice making sure it’s evenly divided as you go.

Attaching the shirred waist section to the upper bodice.

Attach the skirts (I’d sewn the pocket bags on to each side seam before doing this. I just use my handy cardboard template which I made ages ago, I just trace around it directly onto the fabric and cut out.) 

Next the zip goes into the left side seam. I sew it here out of habit as I’m right-handed and find it easier to do up that way but put the zip in whichever side works for you. After neatening both side seams separately first I sewed up the top of the side seam by about 4cms from the armhole edge. I used an invisible zip and inserted it in the usual way, making sure the waist seams matched, and then joining the rest of the side seam once I was happy with the zip insertion. I sewed up the other side seam and I was ready to tackle the sleeves.

The sleeves are set-in so I made the elasticated cuffs on the flat first using straight strips of jersey the same length as the curved cuff edge. With the strip open and RS together I sewed it once. 

Then I folded the strip in half and sewed it on the overlocker to create a channel.

 This will turn downwards to form the cuff which I slotted wide elastic through, securing at both ends. 

Finally, I sewed the underarm seams to create the sleeves which are inserted into the dress as per the instructions. 

All that’s left to do is the hem which I sewed on the coverstitch machine which is on loan to me by Pfaff at the moment. 

I’m really pleased with how the dress has turned out, it’s very swishy and has a slightly 1940’s vibe to it. I like the extra length on the skirt and the sleeves look fab. I was a little alarmed when I saw the large scale of the print but actually I really rather like the bees now. One thing I’m not keen on (and this is down to the manufacturer and not the supplier) is that they have printed a black background design onto a white base cloth. Because the cloth has a pile it means that anywhere there are joins there is a slight hint of the white showing through which is not ideal. The velour isn’t too tricky to work with as the pile is a bit flatter than velvet but it does still ‘creep’ a bit in places so if you’re in any doubt that pins aren’t enough to keep it all in alignment make sure you tack (baste) seams together. If you have a walking foot I would definitely advise using it. 

Lots of pictures swishing about!

I hope this will help you to feel inspired and perhaps have a go at ‘hacking’ a pattern for yourself. This was a very simple one but if you look at my Simplicity blouse hack you can see just how carried away it’s possible to get!

Until next time, happy sewing

Sue

My first Sew Me Sunshine fabric review.

When Harriet asked me if I’d contribute a blog post for Sew Me Sunshine I was excited and very happy to help. After I’d had a good look at all their lovely fabrics I settled on the pink colour-way of the Gemma viscose/linen mix, it’s such a pretty shade with a magnolia flower print. When the fabric arrived Harriet has included a helpful card with full fabric details including fibre composition details plus width and quantity purchased. There’s a space to note if you pre-wash or not before it goes in the stash or straight to use.

The print is quite wide spaced and one-way [actually there are one set of flowers which run in one direction and another set which go the opposite way] so it’s worth bearing this in mind with pattern placement, and all your pieces should be positioned one way or the other.

I decided to make a Maven patterns French Dart shift dress which I’ve made twice before because it’s a lovely simple shape with no fastenings which makes it quite quick to make, three sleeve options, side seam pockets and an elegant roll collar.  

Because of the positioning of the print I opted to have the smaller flowers running down the centre rather than the large blooms which would have resulted in a more wasteful lay plan. As I had enough fabric I opted for the long sleeved version which I’ve made both times previously, the gathers at the cuff are so pretty. I cut the sleeves so that similar flowers are on a level with the dress front.

Because the fabric is quite loosely-woven and a linen mix it tends to fray a bit you’ll need to be aware of this. Making a style with lots of gathers may not be wise because it will start to come apart eventually the more you pull the gathers up-the cuffs on this dress were fine as it’s fairly short. The fabric would look lovely in pleats or folds too.

the gathered cuff has a pretty binding

The fabric sews up beautifully, it isn’t overly drapey but it’s nicely fluid and responds well to pressing although like most linen, and linen/mix, there is noticeable but not excessive creasing-this is one of the features of the fabric and you have to accept that as part of it, it isn’t a fault. You could also use it for loose-fitting shirts or trousers, for example the Zadie jumpsuit from Paper Theory would look gorgeous in it or what about the Tilly and the Buttons Seren dress, nothing too tight-fitting though as it will crease badly or ‘seat’. You can always add a soft cotton lawn lining to a fabric like this which might help, this particular fabric isn’t sheer though so you can’t really see through it.

The structure of the fabric lends itself to the roll-neck collar and this one doesn’t have any interfacing in it, it stands well on its own.

I’m really happy with the finished dress, it’s very feminine and in a very unpredictable British climate I think it will be ideal on cooler warm days (does that make sense!?) I’ll wear it with tights in the autumn. Incidentally, I hand finished the hem so that the stitches are invisible, you could machine it up though.

We went to a wedding at Hatfield House just after I finished the dress so what better opportunity to wear it and stand in front of some of the most beautiful wisteria. What you can’t see is the long-sleeved thermal top I’m wearing underneath because it was actually freeeezing cold and I was determined not to wear a coat over the top!
We’re always entertaining wedding guests!
In the beautiful Old Palace Garden, it’s evening now so it was getting a bit dark for decent photos really.

Thank you Harriet for providing me with the fabric and the opportunity to write about it-it also comes in a pale blue colour-way too which is equally lovely if pink isn’t your thing. 

Until next time,

Happy Sewing,

Sue


My Minerva make this month isn’t for me!

My latest Minerva blog post is on their website from today and it’s a bit different from the others. This time I used a soft and fluid jersey to make a dress for my younger daughter Katie, not me. 

In the post I explain how I wanted to use a single pattern [Simplicity 8602] which, ultimately, I’ll adapt for 3 of us in my family-24 year old Katie, my 84 year old Mum, and me. The first two are done, the version for me probably won’t happen for a while yet though.

Katie’s dress started out as this blouse pattern.

Katie made life a bit difficult for me by wanting the blouse lengthened into a dress, plus altering the sleeves AND the neckline. I’ve written up all the details in the post if you’re interested in finding out how I did it. 

Katie in her finished dress, she wasn’t keen model!

I hope you find the post helpful and you can read it here. 

Until next time,

Sue 

French dart shift by Maven Patterns

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This could very well be the perfect dress for the imperfect figure. It sits nicely on the shoulders with smooth set-in sleeves that blouse slightly at the cuff (if you’re going full-length) the French darts give it shape and the slight A-line flare of the skirt skims the body, it has pockets and finally there’s a funnel-neck collar to draw attention up towards the face if that’s your best feature! Oh, and there’s no zip, just pop it over your head!

I bought my pattern from the lovely Mike (son in law of Mrs Maven) who was manning the stand at the autumn Knitting & Stitching show for Mrs Maven who’d had to dash off for a family emergency. He must have done a grand job because I bought a pattern, as did many others while I was there, the samples on display were very enticing.

The French Dart Shift appealed to me because I liked it’s relaxed but stylish aesthetic, there are lots of possibilities. It has 3 sleeve options (plus sleeveless) and you could make it in a whole variety of fabrics from winter-weights like worsted wool or denim, through cotton poplins to softer fabrics like crepe or lace with suitable linings.

The patterns aren’t cheap at £18.50 but they are beautifully produced in a folding wallet, printed on quality paper with a comprehensive instruction booklet. I decided to trace off the pattern onto Swedish tracing paper rather than cut it out-I don’t always do this as I’m not an habitual tracer! I checked my body measurements and then using the measurements chart provided so I went for a UK 14. fullsizeoutput_2154

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This time I transferred the pattern to Swedish tracing paper.

I had a rummage in my stash and found some navy fabric with tiny dots which I bought ages ago in Hitchin market and there was just enough. I didn’t follow the cutting plan as I hadn’t got the suggested quantity but by careful refolding and some single-layer cutting I got everything out.

One detail you need to watch out for is that the seam allowance is just 1cm rather than the more usual 1.5cms. The instructions are comprehensive and thorough although if you struggle with following written instructions this might be a challenge for you. There are illustrations too which are very detailed but they could do with being just a bit larger for those of us who are a bit sight-challenged, I managed but that’s partly because I had an inkling of how it was likely to go together.

The instructions encourage quality details such as taping the neck and pocket edges to prevent stretching (I actually used iron-on tape which fulfils the same job) and reinforcing the joins between the pocket bags and the side seams.

I failed to take any photos during the making, sorry about that, but it all went together as intended. The band on the cuffs is quite narrow and a bit fiddly but it’s worth persevering because the end result looks nice. You could leave the cuff off i suppose and make a channel with elastic through it if you wanted, or you could shorten the sleeve to between wrist and elbow length too.

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the narrow gathered cuff is very feminine

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The collar is cut on the bias which gives it a lovely roll and it stands well on it’s own, there’s no interfacing inside it. If you were making the dress in something more flimsy (like cotton lawn for example) you could mount the collar onto a fine fabric like organza, or a second piece of lawn or voile to give it more body.

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Finished, I actually hand-stitched the hem so that it was nice and invisible.

I finished the navy dress before Christmas-I wore it on Christmas Day in fact, but I’ve only just made a second version recently [a 2 week bout of flu put paid to any creative sewing for a while]

I’ve made this second version in a lovely Ponte Roma I bought from Fabrics Galore at the Knitting & Stitching Show 18 months ago (I don’t like to rush these things) Although Ponte isn’t one of the suggested fabrics it’s worked well but you need to make sure that the wide neck edge is taped to prevent it being stretched before you put the collar on.

I think I can safely say this dress is my ‘secret pyjamas’, it’s sooo comfy!

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Whoop, the sun came out so here’s some pictures in the garden. I used the twin needle to turn up the hem on this one.

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I chose not to cut the collar on the bias because it’s a slightly stretchy fabric and this has back-fired a bit because it’s collapsing. Never mind, we live and learn, I should have followed my own advice and mounted it onto something else for a bit of structure.

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All in all I’m delighted with this dress and I can see me making several more for the summer. Take a look at the Maven website for more inspiration with fabrics, you could even leave the collar off, and I know Portia Lawrie has produced a colour-block version too which looks fab. I think I’ll investigate some of Maven’s other patterns now too as they look really appealing!

Let me know if you’ve tried any of them,

Happy sewing

Sue