Just before Christmas I was contacted by founder and editor Jillian Bagnall and offered a complimentary copy of her new, independently published sewing-based mini-magazine called Sewzine to review. I didn’t know what to expect, initially I thought it was an online print-at-home publication but I have been very impressed because it is a nicely produced print magazine on quality paper and with high production values. The graphics are clear and appealing and there’s plenty of attractive photography and illustrations for each article, plus, because it’s been independently published, that means there are no adverts to take up space, it is all content.
Let’s take a look at a few of the articles inside…
I have to admit that bra-making is something I’ve never been very tempted to try, I’d rather leave that to the experts, but I thought the article was very well written because it gives a balanced view of why it’s worth considering making your own bras, or why it might not be for everyone, I was almost persuaded! I thought the information contained in the piece would be extremely useful if you’re about embark on bra-making, including lists of patterns, materials and findings that you would need, where to source them and a tick list to fill in as you collect them together.
I found the article about wool and woollen fabrics really interesting and very well researched, there was all sorts of information about the various sources of woollen fibres and types of fabrics. Like the bra-making article it was well-illustrated as well.
I had a chuckle at the “Bring it Back?” article because I spent so much of my early career cutting and making puffball, or ‘bubble’, skirts. I enjoyed the exploration of the style from its early days to more recent incarnations, I can see this as a thread of articles revisiting other iconic styles in the future…hot pants anyone?
I also really enjoyed the idea of revisiting patterns from a year or two back to reappraise them. We are constantly bombarded by new new new patterns but I’m always happy to reuse patterns I’ve enjoyed making previously. By chance, the pattern featured in this issue is the Grainline Patterns Farrow dress which I’ve actually made 3 times myself, including one review that featured in Sew Now magazine.
The mini-mag is aimed at intermediate sewers but I think this shouldn’t put off less experienced makers. I enjoyed the chatty yet informative style of writing and a lot of time and effort has gone into the inaugural issue, it’s clearly been a lockdown passion project. There are no free patterns or other inducements as an incentive but that does mean that the editorial is unbiased so if you are intrigued to have a read for yourself then follow the link here to the Sewzine website where you can order a copy of the first issue for yourself (it’s priced at £5.75 per copy) Jillian would also welcome any ideas you might have to contribute articles for future issues, contact her via firstname.lastname@example.org While you do that I’m off to have a go at the crossword…
Did you take part in Me Made May? At the outset I pledged to try and wear at least one self-made garment every day during May and, by and large I achieved that. I say ‘by and large’ because although I definitely wore a me-made item of clothing every day there was the odd occasion when I failed-or couldn’t be bothered-to take a decent photo!
The first few I managed by balancing my phone on top of a loudspeaker and setting it on a 3 second timer. This proved imperfect and the novelty quickly wore off when it fell to the floor for the umpteenth time!
Neither of the next garments were new either, the red broderie anglaise was amongst some fabric I was gifted and was already cut out, I just sewed it together. The blue and white was self-drafted 2 or 3 years ago in a cotton/linen mix fabric and it’s a summer favourite of mine.
The georgette kaftan is new and was the try-out version of my most recent Simple Sew make for their blog.
The stripes is also the same Burdastyle top but in a striped jersey and with short sleeves. I’d didn’t like it much as a regular T-shirt but it’s been great as exercise wear!
Awesome dragon pattern-matching and zip insertion even if I do say so myself! Bias binding and hand-sewn hem too.
This top was drafted from a RTW one and I extended the shoulders to form sleeves. It’s sheer georgette with a slightly sparkly stripe which I get from a market and worn with a RTW camisole underneath. I made it 3 years ago but it’s been a real favourite.
The next ‘make’ is a big old cheat because it’s the etchings I made not the clothes! I loved my visit to Sudbourne Printmakers in Suffolk, and the sewing connection was meeting Chrissy Norman the tutor at the first Sewing Weekender two years ago. take a look at her work, it’s beautiful.
This is only half new-I made a top from this lovely broderie Anglais I bought at Walthamstow market last year but I hadn’t bought enough and it was too snug around the hips. Luckily I managed to get a bit more so I unpicked and started again. This time I used the top half of my favourite Holiday shirt and used wide elastic in a casing under the bust to give it some shape. There was just enough for sleeves this time. I used a ‘daisy’ bias-binding to finish the neck edge and opening.
Not everything I’ve made has been an unqualified success and this teal blue dress is definitely one of the disappointments! It looked lovely on the packet but the back is ridiculous because the zip bulged out giving me a strange hump so I took it out again and inserted it in the side seam instead. Frankly it’s not much better. The top is far too wide and the V neck flaps about undecided whether it’s a V or a fold-back revere. The fabric was super-cheap from Walthamstow again but it’s the amount of time I spent which makes me grumpy. I might turn it into a skirt…
And so to the last outfit of the month…
The top for my last outfit of the month was originally a dress but, even though I’d made one previously for winter, this version just wasn’t right. The length wasn’t flattering and the sleeves, which had decorative darts, were too tight. After a bit of a refashion which removed most of the skirt, put short splits in the side seams at the hem and took the darts out of the sleeves making them a bit more floaty it was much more wearable. There were pockets in the side seams which I wanted to keep so this governed the length overall. I wore it with my trusty Ash jeans which I’ve absolutely loved since making them last autumn.
So to sum up, Me Made May encouraged me to really look in my wardrobe and get out some of the things which get worn less often, as well as the favourites. The weather has ranged from freezing cold to boiling hot and I realised that my summery dresses are rather lacking when it’s warm, and cooler plain bottom halves are needed to go with my many patterned tops. I know I’ve been prolific in the last 3 years or so compared to a long fallow period for years before that and that makes me very happy. Looking through the clothes I’ve worn during May the vast percentage are things that were made more than a year ago, a lot are more than 2 years old and some older than that. Even when I used to buy more clothes if there was a garment I really liked I kept it for a long time, I think probably because if I’d taken the time to choose it then I wanted good use from it-££ per wear and all that. The same is now true of my makes, I’ve invested my own time into making them so I want to enjoy wearing them (although it’s frustrating when they aren’t a success, but I’ll often refashion them if I can)
Did you join in with Me Made May and did it encourage you to to make more use of your self-made clothes?
I can finally publish a blog all about the making of this dress so I hope you enjoy it and find it helpful or insightful…
I was very excited when Sew Now magazine asked me to review a pattern for them. What an opportunity! Editor Sam asked me to suggest 3 patterns that I’d like to make which were ‘me’ so I thought about the various patterns that were around at the moment and which ones I wouldn’t mind having a go at.
It’s funny but when you’re given the opportunity to push something to the top of your ‘make’ pile it really concentrates the mind. I thought the best way of seeing lots of patterns together was to go to The Fold Line where there’s a brilliant online database of virtually any pattern brand you can think of. I spent a happy hour (or two) browsing until I eventually settled on 4 patterns to submit. They were the Farrow dress from Grainline, the Talvikki sweatshirt by Named Clothing, Ivy pinafore by Jennifer Lauren Handmade and the Landgate jacket by Merchant and Mills. I spent quite a while sourcing suitable fabrics for each of the garments too so that, once Sam had made her final pattern choice, I could tell her the fabrics I thought would work well for it.
Because I really liked all the patterns, and they were quite diverse, I didn’t mind which one Sam chose. I’ve made a dress a little like the Farrow already and it’s actually one of my favourites. What made the Farrow different is the diagonal seams which bisect the front and back, and there are pockets set into the front seams. It has sleeveless and long sleeve variations too. I was stupidly excited when it arrived speedily in the post courtesy of The Draper’s Daughter
There was a slight hiccup with the first fabric I chose because the supplier hadn’t got quite enough so we had to go with my second choice, a lovely turquoise squared design viscose crepe at £12.99 per metre kindly supplied by Ditto Fabrics in Brighton.
And so to begin….
Because Grainline are an American brand it’s important to remember that their sizing bands are different to UK and European sizing so I took my measurements and then chose accordingly. I’m usually a cutter not a tracer with patterns (always have been because it was never suggested to me there was an alternative, patterns are there to be cut up and used)
The Farrow doesn’t have loads of pieces and, apart from a curiously-shaped front piece for the pocket which needs a bit of space, I do think the lay plan is a bit over generous although the largest sizes will inevitably need more fabric overall. On a wide width fabric-especially if it is plain-you could easily reduce the quantity needed although I would urge you to double-check before buying if you’re not sure.
Luckily for me the Ditto fabric doesn’t have a distinct one-way design so I could interlock the pieces successfully and get the dress out of 2m60 instead of the suggested 3m20 (incidentally another factor of being a US pattern is that the fabric widths and quantities are in Imperial not metric so you’ll need to convert these)
Once cut out it’s a very straightforward sew. The instructions are clear although the diagrams could perhaps be a little bit bigger and also the right and wrong sides of the fabric are coloured the opposite way around to most other patterns I’ve ever used. This could lead to confusion and mixing up which side you’re supposed to be sewing so you’ll need to concentrate!
Stitching the lower edge of the pocket, the crossed pins higher up mark the pivot points for the seams creating the upper edge.
Since first making the dress it’s been through the wash once and I’ve noticed the top edges of the pockets have stretched slightly because they are on a bias grain. I would suggest for future makes that you use a strip of iron-on interfacing approx 3cms x the top width of the pocket to reinforce the edge and stop it from stretching and bagging out of shape.
Once both fronts have their pockets sewn it’s a case of matching the centre front seams and stitching.
So far, sew good. Everything from now on was pretty simple. The neck is faced, as are the cuffs-this gives them a really nice crisp finish to the edge. I’d made another Farrow when the pattern first arrived and I used a contrast fabric for this, so that it has one of those little secret details that only you know about-that’s one of the things I love about making my own clothes, their uniqueness.
One final thing that I changed was the hem. I decided I wanted to use contrast bias binding to give it a nice finish, the hi-lo hem means whatever finish you choose it will be partly visible at the back.
Obviously you can machine the hem up if you wish but the point is I wanted the stitching to be barely visible and hand-stitching is by far the best way to achieve this.
The final detail was to use a button and hand-sewn loop at the back neck closure (the pattern calls for a hook and eye but I don’t think they stay done up very well and a button looks much nicer anyway)
So there it is, the Farrow dress is a satisfying, moderately quick sew. I’ll definitely be making a sleeveless one for the summer in something a bit lighter, a chambray or soft linen would look nice, or a cotton shirting in a check or stripe could look really interesting if you’re up for the challenge of matching on the those pockets and diagonal seams! Broderie Anglais fabric would look gorgeous too!
I really enjoyed writing the article for Sew Now and was dead chuffed to be asked. I spent a long time considering which patterns I’d like to make and which fabrics would be suitable for any of them. I was more than happy with editor Sam’s selections in the end. Funnily enough, getting everything into 300 words was the hardest part! There were so many things I felt it was important to talk about (it’s a review after all and there are facts that I’d want to know about if I’m considering spending £15 on a pattern and I thought they were important to include) and I still wanted it to sound like ‘me’ too. With strict editing I got it all in there and I’ve gone into greater detail here on the blog.
I was so thrilled when my copy of the magazine came through the post! I’ve had photos of garments I’ve made featured before in a few publications but this is the first article I’ve been asked to write, I’d love it to be the first of many (hint hint)
Thank you for all the feedback I received when it first appeared and I hope you’ve enjoyed finding out about my writing experience in more detail.