The Sidewinder pants are my third make using a pattern from The Sewing Revival following on from several versions of their Heron dress and Bellbird top. I’ve already written reviews of them which you can read about here and here, plus I made a new version of the Bellbird at the recent Sewing Weekender in Cambridge, organised by The Fold Line.
The Sidewinders are a very simple pull-on trouser pattern with a tapered leg but their USP is the diagonal side seam which gives them such an interesting ‘twist’. They are flat-fronted with an elasticated back waist and of course there are pockets in the seams too. There are variations at the hem too as you can choose plain full-length, 7/8ths with turn-ups like mine or use wide elastic to gather the hem into cuffs. As you can see from the artwork they could be very casual or dressed up with heels, fabrics with a bit of body but some drape and softness are suggested. Like the other Sewing Revival patterns these are PDFs so you can buy, download and print your pattern any time, or have them printed for you on A0.
As I’ve come to expect with SR patterns the instructions and illustrations are very clear and personally I’ve always found their sizing very good too. I cut the large based on my measurements although I did decide to shorten the leg length very slightly as I didn’t want them ‘pooling’ around my ankles too much, the idea is that they sit above the ankle bone. The instructions tell you what length of elastic to cut for the back waist which you can then adjust to suit.
For the first pair I used some Royal blue crepe fabric which was leftover from the Trend Asymmetric dress I made last year. If you’re using a plain fabric these trousers are surprisingly economical to cut and if you’re short of fabric you could cut the pocket bags and waist band facings from other fabrics too. You could have fun with stripes or checks to give them a bit of a Vivienne Westwood vibe but you’d need more fabric for that. What about using ribbon or piping down the side seam for emphasis?
Construction is very quick, I’d say that this could be a half-day project if you aren’t getting fancy with pattern-matching. I really like the way that the waistband is a facing because when it folds over the top it secures the pocket bags in place, you only need to neaten the lower edges of them. The elastic gets slotted through the back channel which extends slightly around to the front beyond the ‘normal’ side seam position. Once this is stitched in place you sew down the facing at the front. This line of stitching isn’t near the edge, it’s approximately 3.5-4cms away depending on the width of your elastic so use a guide of some kind to keep it parallel, I always use the quilting guide which comes with my machine or you could use Washi tape or similar stuck onto the bed (I’m not keen on this personally as I wouldn’t any sticky residue near my fabrics but I know others use this method)
As I said earlier I’ve made both versions with a small turn-up so once I’ve turned them up I stitched through seam lines of the inner and outer leg seams to hold the turn-up securely in position.
You’ll notice from the grey version that I contrast top-stitched in pink either side of the outer leg seams to give some emphasis to the diagonal seam, I like how it goes ‘off’ at the hem.
Janine at The Sewing Revival generously provided me with the pattern for the Sidewinders and I’ve been more than happy to write a review because I love these trousers! I’m planning to make more for the winter and I’ll definitely give a gathered ankle pair a try too.
After a few weeks of sewing for others, writing (and then completely rewriting the Sew Over 50 birthday blog post because I lost ALL 4000+ words!!!!) and being away from home it’s lovely to get back to a bit of sewing for myself and sharing my thoughts with you. I’m so happy that I discovered The Sewing Revival as a result of our first Sew Over 50 challenge at the beginning of the year, did you find any new patterns brands as a result too, that was certainly our hope.
My latest Minerva blog post is on their website from today and it’s a bit different from the others. This time I used a soft and fluid jersey to make a dress for my younger daughter Katie, not me.
In the post I explain how I wanted to use a single pattern [Simplicity 8602] which, ultimately, I’ll adapt for 3 of us in my family-24 year old Katie, my 84 year old Mum, and me. The first two are done, the version for me probably won’t happen for a while yet though.
Katie made life a bit difficult for me by wanting the blouse lengthened into a dress, plus altering the sleeves AND the neckline. I’ve written up all the details in the post if you’re interested in finding out how I did it.
I hope you find the post helpful and you can read it here.
My latest Simple Sew blog make is the fairly recently released Utility Dress, an easy-fitting style with elasticated back waist, drawstring front waist and kimono-shape sleeves. I would say that it’s suitable for softer woven fabrics like chambray, cotton lawn, washed linen or fluid viscose-types, or soft woollens for winter. Having said all of that I chose to make mine in a medium-weight jersey in a tan/black dogtooth check design from Doughty’s Online fabric store. It still works well but you just need to take care not to accidentally stretch some areas such as the neckline in particular and the shoulders. Because of the busy design on this fabric I left out the CF seam and cut the front on a fold instead, thus avoiding any difficult pattern matching down the seam.
I reinforced the neckline using narrow strips of iron-on interfacing I cut myself but you could use the readymade type, I did the same on the front shoulder seams too. You could even use up short lengths of ribbon here for a pretty effect inside.
As always I deviated from the method of construction a couple of times. After joining the front and back at the shoulders, instead of using ready made bias binding to neaten the neck edge I cut two narrow strips of the jersey which were slightly shorter than the neck edge [the amount will vary depending on how stretchy your fabric is. It’s usually about 85% of the neckline measurement]
Fold them in half lengthwise to form two narrow strips and then place one over the other at a right angle with the folded edges on the ‘inside’ of the V.
Then reinforce the V on the dress with a row of stitches just within the seam allowance, turning at the V, then carefully snip into the V up to the stitching line.
With right sides together pin the binding to the V section only initially [see the photo to clarify this] and stitch this V section in place by about 5cms either side of the V. Pivot and open the snip as you sew to allow the binding to sit neatly and flat on top of the neck edge. If you’re in any doubt then tack this section first to prevent it moving.
I pinned on the rest of the neck binding double-checking the length was short enough before sewing the join at the CB. Now you can stitch on the remainder of the band knowing that the V is already sewn accurately. [Thank you Melissa Fehr for this new technique, she uses it in her activewear patterns and I’ve found it gives a nice neat result] Trim and neaten the seam on the inside if required and then you can topstitch it down to prevent the binding rolling.
Next I ignored the method for putting the sleeves on. Instead of sewing the side seams up leave them open so that you can open the garment out flat and pin and sew the sleeve strips on more easily.
Now sew up the side seams including the sleeve bands. Fold the bands up towards the sleeves and either neaten/overlock the raw edge before stitching it down though the stitching line or turn the raw edge under and slip stitch in position.
Moving on to the skirt and putting in the hip pockets. I used scraps of matching fabric for the pocket lining as I was concerned that the pattern might show through skirt front. This can reduce bulk too if you’re using a heavier-weight fabric.
After the pocket bags are complete comes the waistband. I followed the instructions although I think there might be an easier way, I just haven’t worked it out on this version. Although it says there’s a chart to tell you what length to cut the elastic for the back waistband I couldn’t find it anywhere! In the end I decided to cut it half my waist measurement minus about another 6cms, to allow for the stretching and gathering up. I used a length of grosgrain ribbon to go in the front casing.
I used a zip foot when sewing the waistband to the top of the skirt because I felt it made it less likely that I’d sew accidentally through the ribbon and elastic.
After joining the top and skirt together all that remains is to hem the skirt. I used a twin needle to do this but you could just turn it up twice and stitch. If you do use jersey fabric for this dress it’s best to sew it with a ballpoint/stretch/jersey needle so that you don’t ladder the fabric as you sew.
This is a nice comfortable style which I’ll enjoy wearing. Disappointingly there are silly errors again in the instructions which is always so annoying, I hope this won’t be enough to put you off trying this Simple Sew style though which is a bit of a departure from their more usual vintage-style dresses.
Summer is (allegedly) on it’s way at last and so my sewing thoughts turn to summery frocks. On that optimistic basis I decided on the Kaftan top and dress as my next Simple Sew blogger review and this time we have Doughty’s Online as one of our generous fabric sponsors too. I have to confess I wasn’t familiar with them but when I checked out their website I was very impressed with their wide selection of fabrics available. I chose this beautiful digitally-printed cotton lawn by Lady McElroy fabrics in a design called ‘Scottish Emblem’ and it’s lovely quality, similar to Liberty Tana lawn I’d say.
Before I cut into the lawn I decided to make the top version in some georgette that was languishing in my stash. I’d bought it ages ago in the Birmingham Rag Market without a project in mind, I wrote post about that visit which you can read here.
I’ve made my last few Simple Sew makes in size 14 based on my measurements and this one was no different. Georgette is quite wiggly so my advice is to take your time laying it up, tear the cut ends to get a really straight edge and use the edges of the table to give you a visual ‘marker’ to lay the fabric up as straight as possible. You can even layer it between spot-and-cross paper but that’s longwinded and uses up your paper. Georgette is also sheer and frays quite badly so I used French seams throughout. The pattern calls for bias binding on the neckline and sleeves but that would be too heavy on georgette so I simply pin-hemmed them instead.
This revealed a bit of an issue with the depth of the V!
It all went a bit pair-shaped at this point because I got in a right two-and-eight with the buttonholes and the casing for the waist. I wasn’t happy with the position I sewed the buttonholes (according to the pattern) although in the end after a lot of messing about I left them where they were and made the casing wider around them but narrower for the rest. I found the instructions a bit confusing so I urge you to take each stage carefully and take into consideration how wide your ribbon/cord/elastic is when making the buttonhole openings and make the channel only as wide or narrow as you need it to be, not necessarily the width marked on the pattern.
Once I was happy with this first version I went ahead and cut out the full-length one in my lovely cotton lawn. It has a large repeat which is a one way design although not with an obvious up or down-in other words, everything must be cut going the same way but it didn’t matter which way that is. Just before I cut it I noticed when I placed the CB bodice on the fold that the neck edge isn’t quite ’true’ which would result in a slight point in the centre of the neck. It isn’t difficult to correct this.
One other change I made before I cut was to raise up the V so it wouldn’t be as revealing as the georgette one!
It was just a case of putting everything together like before, the difference this time is that I added self-fabric bias binding to the neck, I also stay-stitched the neck edges to prevent them stretching before I sewed the bias on. First join the shoulder seams then…
Before I joined the under arm seams I added some lovely pom-poms which I’d bought in Liberty especially.
I tried the bodice on and decided that the neck needed the pom-pom trim too, I wasn’t originally going to put it here but the neckline looked a bit plain against my pasty white skin!
I pinned it on in two different ways and eventually settled on just around the V
Because I’d bought a very narrow cord to put around the waist I made very small horizontal round-ended buttonholes instead of the larger vertical ones indicated on the pattern. Attach the skirt and make the casing for the cord according to the instructions and you’re almost there.
I opted to leave a knee-high split in one of the side seams. The sun came out so Doris posed outside!
I eventually finished the georgette version too, I used a shoelace from an old pair of my husband’s shoes in the casing because it was a perfect colour-match! I cut off the ends and embellished them with a few colourful buttons.
I hemmed this one by using the rolled hem setting on my overlocker. It definitely needs a vest under it though!
The kaftan will be a lovely cover-up on holiday in the summer and as I chose the cotton lawn it will be decent enough to go out in public and not just by the pool on hot days too! It would work well in a drapey viscose or look glamorous in a slinky crepe de chine, or a lightweight jersey like interlock. The short version would look nice in a Broderie Anglaise or Swiss Dot too. Instead of the pom-poms you could embellish it using Indian or Chinese-type braid, ribbon or even beading, you could put elastic through the casing too instead of cord or ribbon.
Thank you especially to our new fabric partners Doughty’s Online for supplying my choice of cotton lawn, it’s been lovely to work with and I’m looking forward to being able to wear it…soon, I hope!
I made two versions of the short-sleeved shirt by The Maker’s Atelier last summer, I love ‘em and wore them constantly. One was plain white and the other was a Liberty print voile which I embellished with fancy stitches.
I wanted to make the hooded version sometime and originally I planned to make it in linen like the photo but on a recent visit to Backstitch near Cambridge I spotted a nice Ponte with an interesting diamond weave that was a little bit brushed on one side which I thought would work well so I bought that instead.
Making it up was pretty straightforward except I wanted to utilise the rows of diamonds and they proved a bit tricky to match up in the cutting out. Eventually I managed to cut it fairly satisfactorily but there’s one or two wonky spots although I think only I will notice them (I hope)
The inside seam of the hood and the back neck are neatened with tape so I used 2 pieces of striped grosgrain ribbon which had come off a gift bag! You never know when these things might come in handy 🙂
There’s a casing that runs around the waist with elastic cord through it but after scoring the striped ribbon for the part that shows I hadn’t got anything else suitable for the casing! I knew I wouldn’t be able to get what I wanted locally so I ordered some navy cotton twill tape and some navy and some grey cord elastic off t’internet. The tape was a tad wide but that’s fine and the elastic was just right. Before sewing the tape on you need to make two eyelets for the elastic to come out through so I reinforced the fabric behind with iron-on interfacing and then made two small round-ended buttonholes, you could use metal eyelets if you have the gadget for this. The buttonholes were actually bigger than I needed them to be so I didn’t cut the whole thing open, only enough for the elastic to go through.
Before you can thread the elastic though it needs something to thread through! I carefully sewed on the tape on the reverse of the fabric following as best I could a row of diamonds as I went. I’d actually pressed a crease along the line before I started in order to have some idea of where I was heading.
So that’s pretty much it, the hem still has the deep notches of the shirt version but the hooded one has long sleeves. I used the twin needle to stitch up the hem and sleeves.
I think this will be a really useful cover-up, the fabric isn’t particularly thick but I’ll either layer things under it or it will be ideal for a warm summer evening (although they feel a very long way off yet!)
The Maker’s Atelier patterns are not cheap, in fact they are rather expensive, but they are the sort of chic, timeless styles that you can remake countless times.
I could hardly believe it when I got an email out of the blue from Love Sewing editor Amy Thomas a couple of months back. She was inviting me to make and review the two patterns which were going to be the free gifts with upcoming issue 46. They were two separate patterns, Butterick 6461 trousers in two lengths with top-stitched seam details and a stretch waist, and McCalls 7322 a simple top with several variations for neck and sleeves.
Once I’d agreed to the challenge (I didn’t need any persuading!) Amy suggested which companies I could select fabric from so I browsed their websites for quite some time until I found what I was looking for. The trousers called for a fabric with some stretch and eventually I chose from Danish company Stoff and Stil their stretch 10 1/2oz denim in dark blue [Amy had advised me that black doesn’t photograph well and, although I would have liked a printed stretch cotton, I couldn’t find anything suitable or to my taste] The top could be made with either a jersey or drapey woven fabrics and I chose a really pretty crepe with watercolour flowers in gorgeous inky shades of plum and blue. Stoff and Stil are breaking into the UK market and have an extensive range of fabrics and patterns, wool and haberdashery available on their website. Their delivery charge however is quite high and I wouldn’t suggest them if you’re impatient or in a tearing hurry as delivery is usually 5-7 days.
While I waited for these to arrive (a slightly nerve-wracking wait because I was up against time to get the patterns made up by a tight deadline) I decided to make a wearable toile of them both to check the fit and any other idiosyncrasies they might throw up.
I had a colourful cotton sateen in my stash which I hadn’t found a use for yet so I made the trousers up in that. I cut a size 16 according to my measurements although I suspected (hoped) that would be a bit big. [You should always go by your own measurements before anything else if you’re making a fitted style because the sizing bears no relationship to shop-bought clothing and will almost certainly be too small if you ignore it. Just because you’re a 10 or a 16 or whatever in the shops doesn’t mean you’ll be the same in paper patterns-that’s the voice of bitter experience talking!!]
In spite of all I’ve just said I soon discovered they were miles too big though the legs and were an unflattering baggy shape that looked nothing like the shape in the photo. The inseams are sewn up first so, to remove some width, I skimmed at least 2cms off each outer or side seam.
This was an improvement but still quite generous in the legs-as a result though I knew I would need to cut at least one, if not 2, sizes smaller when I made the actual trousers. The waistband wasn’t very successful either-I didn’t like the way they told you to put the elastic in, I did it as instructed although I changed the toile later and did the denim version my own way (more of that later)
I’d opted to make Style B which are cropped length with turn-ups.
Once I’d toile-d the trousers I turned my attention to the top. I decided on the longer sleeve version with a bateau neckline, Style F. I fancied style C or D with a neckband initially but I got cold feet!! I’ve been sewing on and off for over 40 years and I just thought “If I mess this up it will be there in the magazine for everyone to see!!” Nightmare!
I made a very quick toile in a rather boring viscose, again from my stash, and the result was a rather boring top!! Ok, what to do?
Fortunately the fabric order arrived and the printed crepe was really lovely, much nicer colours than it’s photo online suggested so I decided I’d use it’s drapiness and work the current sleeve-detail trend by making a floaty gathered cuff instead. Crepe is a fabric which often has a slightly rough, matt feel and has a nice inherent drape which is caused by the way the yarn is twisted and then woven into fabric. It works well for bias cut skirts, dresses or blouses and anything slightly ‘flippy’.
One thing that the toile had thrown up was that the neck was slightly too wide and my bra straps showed so I increased the width of the pattern pieces.
Because the crepe is 150cms wide it meant that I could fold the selvedges into the centre line and then the front and back pattern pieces are side by side. This matters because any pattern of the print which runs across the fabric will run in a pleasing line around the body.
Another alteration I chose to make to the top was to add a little more fullness at the hem level. The toile was a tiny bit snug at hip level so to increase at that point I pinned the neck edge against the fold but pivoted the hem level away from the fold by about 1.5cms.
For the sleeve-hack I used the short sleeve and then cut 2 rectangles that were 50cms x 30cms (50cms is approximately 1.5x the bottom width of the short sleeve) You can make them as full as you want but if they’re too wide they can get a bit annoying catching on things or dripping in the washing up!!
One of the things I liked about the pattern was it’s explanations of various techniques used during the making up. If you’re a complete beginner it isn’t always obvious what a ‘back-tack’ is or how wide the seam allowances are for example and the instructions with many patterns expect you to know things like that already.
So I made up the top again (you could use French seams if you haven’t got an overlocker or your fabric frays badly) I joined the shoulder seams and then attached the neck facings because you can have the whole thing open fairly flat which makes it a bit easier. Self- or contrast bias binding would look nice as an alternative but take care not to stretch the neck edge as you do it because it would be all droopy-dangle…
Now sew up the side seams, try it on to check for fit and make any necessary adjustments then it’s ready for sleeves.
This time I made up the short sleeves then made 2 tubes of the rectangles for the floaty bits. Around the top edge of each tube I ran two parallel rows of gathering stitches within the 1.5cms seam allowance. I always back-tack at one end and leave the other loose to pull up.
I neatened the bottom edges of the tubes at this point too by making a ‘pin hem’.
Repeat for the second sleeve then neaten the edges of the joins by your chosen method.
When I’m setting in sleeves I always start by matching the underarm seams, then the shoulder seam balance mark followed by the front and back armhole notches. Next I pull up the ease stitching gently until the sleeve fits into the armhole, this may take a little while to get a pleasing fit so don’t rush it. Once you’re happy with the fit stitch the sleeves in (there’s nothing wrong with tacking them in first if it helps) Try the top on to make sure the sleeves look OK and then neaten the armhole seam by your chosen method.
Finally I made another pin hem on the hem itself. Although the top looked lovely as it was I like to add little details to make a garment really original so I rummaged through my vast collection of buttons and found a selection in various sizes and colours which I grouped on both the gathered sleeve seams.
So that’s the top, now for the trousers.
I washed and tumble-dried the denim as soon as it arrived because there will always be excess dye in denim and some shrinkage will occur too. I used a denim needle to sew with and I had specific top-stitch thread ready for the seaming details although you could use regular thread, I used regular thread to sew them together. A denim needle is also not essential but it deals with the extra thicknesses involved much better, a sturdy-sized universal needle would be ok if not.
Because I’d made the toile I cut the denim version out making them two sizes smaller. One little change I made was to raise the centre back waist a bit higher because I felt they drooped down at the back.
Sewing them together was straightforward after that, I used a slightly contrasting blue top-stitch thread for the seam details.
Then I got to joining the legs up and, even though I’d cut two sizes smaller, they were still too baggy! I skimmed yet more off the side seams to slim them down some more. It might have been more sensible to measure my thighs and compare that figure to the paper pattern!
I put the elastic in according to the instructions again but it was a disaster! By sewing through the elastic as directed all that did was sew in a stretched position and it couldn’t retract back so it was all baggy and horrid around my waist! I unpicked all of that and sewed it instead into a channel using my zipper foot to sew close to the edge of the elastic under the fabric without catching it (hopefully)
If you’re not confident sewing it this way then you can also sew a channel and then pull the elastic through separately using a bodkin or a strong safety pin.
All that remained was to sew the turn ups as before and they’re complete!
They’re still a bit baggier than I wanted and I might even bring them in some more although better that than make them too tight in the first place, they have hint of maternity trouser to them at the moment although useful if I’ve eaten a big dinner!!
On September 28th I travelled to Stockport with my makes for a photoshoot that many of you will by now have seen in issue 46 of Love Sewing magazine. It was so much fun and it was a real treat to have my make up done by professional Nina Rochford and and be photographed by Renata Stonyte. Along with Editor Amy they really put me at my ease and, whilst I’m not a natural model, they managed to get some nice pictures. It’s been a real thrill to feature in the magazine and to have the opportunity to share my hints and tips with readers. I do hope they have been of some use or help to you, you can email me at firstname.lastname@example.org if you want to ask a specific question, or advice.
I’ve loved writing for Love Sewing and I’m more than happy to do it again! I’m not saying I’m an expert on everything sewingwise-far from it-but I’ve made a ton of different garments over the years, and made a ton of mistakes over the years too!
Whilst I was invited to write the pattern review, and provided with the fabric by Love Sewing, all opinions expressed and advice offered are my own and I hope you might find them helpful if you’re making up the patterns in the future.
This is the third Zierstoff pattern I’ve made now, a Gina skirt this time, and I’m really pleased with it. The pattern is just two pieces-the skirt and the waistband, and it doesn’t take much fabric either. I chose to make it in a nice plain Ponte from Backstitch near Cambridge for a first version, there’s no stripe or pattern matching that way., sneaky eh?!
Because the fabric was plain I placed the pattern on the normal grain although if you have a stripe you could also position it on the the bias to get an interesting effect.
I’ve explained Zierstoff’s PDF method previously here and this one is no different. The one thing I’ve changed here is that the skirt is a half piece so you’re meant to ‘flip’ the pattern to get the other half. This is OK if you’re cutting the two pieces [front and back] on the fold but if not-and especially if you want it on the bias-I’d suggest you mirror it into a whole pattern either using spot-and-cross paper, tissue, Swedish Tracing paper or even newspaper.
There are only two pattern pieces for this skirt (skirt and yoke) so that’s very little printing, you’ll need to cut 2 skirts and 4 of the yoke pieces. At this point I refer to the online instructions which Zierstoff provide with written and photographic plans, I don’t bother printing them off too. I’ll be honest here because I think in a couple of places the instructions suffer a little from being translated from German to English because I found them a bit muddled but seeing as I can’t speak German anyway it isn’t the end of the world-the style is so simple you can probably work it out and the photos really help anyway.
This is a skirt you can put together in no time at all if you’re working in a plain fabric (or a non-taxing pattern) it took me a little longer in these jazzy stripes but not much. Don’t forget to use a jersey, ballpoint or stretch needle if you’re sewing a knit fabric.
Join the skirts together at the side seams and overlock the edges (or do it all on the overlocker if you prefer) You could hem at this point too if you wish using a twin needle if you have one. Mine isn’t great and I have to swap to a different machine to do it which is a bit disruptive but it does the job and a good press generally sorts it out.
The yoke pieces are first sewn together at the side seams 2 and 2 and then joined to each other at the waist seam forming a tube.
After I’d finished sewing in the elastic the basque is folded WS together and I machine basted it together along the bottom to hold the two layers together. Simply join the basque to the skirt then and finish the hem if you didn’t do it previously.
So there it is, a super-quick and REALLY comfortable jersey skirt. Although I like this length you could easily lengthen (or shorten) it and because the basque is flat over the tummy it’s very smooth and flattering and other close fitting tops would go over it too.
You could easily buy, print, stick together, cut out and sew this skirt in an evening if you put your mind to it so what are you waiting for? I was kindly provided with the pattern by Zierstoff but the fabric is my own. The opinions expressed are purely my own too. You might be interested to know the pattern comes in children’s sizes too.