2020-Sewing in a Time of Pandemic

Well what a year 2020 turned out to be!

It’s been such a tough time for so many and being a part of the wider sewing community has been a very real lifeline for many people. Those of us that enjoy making our own clothes already realise the obvious benefits this can give us; total freedom to choose types, colours and patterns of fabrics as we wish, the ability to emulate high-end or high street fashion at the price-point we can afford and the skill to make clothes fit our own particular body type, to name but a few. It shouldn’t then come as a surprise that the wider world, whilst searching for activities to entertain and occupy them during the long weeks and months of lockdown, discovered (or rediscovered) that home sewing can be creative, absorbing and rewarding which is a VERY GOOD THING! Who knew there was a link between doing a creative activity and a more balanced sense of well-being??

To be honest it doesn’t matter what that activity is, or whether you’re really any good at it, the fact that it can take your mind away to other less stressful places for a time is what matters.

But at the start of the year none of that was of much interest to most. I was extremely fortunate in January to go on a cruise to the Caribbean so I made a couple of new things to fills ‘gaps’ but mostly I took old favourites…cue multiple photos of 3 versions of The Maker’s Atelier Holiday shirt on heavy rotation! One new item was the Trend Square dress I made in fabric given to me by Dibs from Selvedges and Bolts the previous year, I got a lot more wear later on in the summer.

Within a couple of weeks of getting back, Judith Staley and I hosted the very first Sew Over 50 meet-up in London. We very much hoped, and expected, that it would be the start of many more such meet-ups between followers of the @SewOver50 account all over the world but it wasn’t to be…not yet anyway.

If you’ve been reading my blogs for a while you’ll know that as well as meeting up for sewcials with fellow sewers I really enjoy my visits to exhibitions and galleries. At the end of February I caught up with Janet Poole who is a fellow Lamazi blogger at the Stitch Festival in London, I had such a lovely day shopping and chatting with her, and her friend Great British Sewing Bee winner Juliet too. We didn’t realise it then but we were very fortunate to be able to attend the event at all and I wouldn’t be surprised if others who went didn’t catch the-virus-that-shall-not-be-named because it was so crowded.

About a week after this I was able to go to the stunning new Kimono show at the V&A and, although we didn’t know it at the time, that was to be the final outing for several months…

I wore the new Homer & Howells Cissy dress (and failed to remove my coat from shot which I chucked on the floor!)

So then we entered the first long lockdown and that’s when sewing (and some baking) became my primary occupation. During this time I had some blogging commitments for Simple Sew Patterns and Lamazi fabrics to complete. For my first Lamazi post I made a Trend patterns Bias T-shirt dress which was a tough make, not because the pattern was difficult but because I was making the dress for a wedding that never took place. And worse than that, I was making the Bride’s gown too so I still have an almost-finished dress waiting for the day that the wedding can happen.

In all honesty I hated how I looked in this dress because I had piled on weight and felt very self-conscious in a fitted dress. It was a lovely pattern made in beautiful fabric but I felt I was doing both a disservice. Eventually I did wear it in September by which time I had lost weight and it was a delight to wear! I’m sure I’m not the only one whose state of mind has fluctuated wildly this year and my self-confidence was rockbottom when this picture was taken.

I know I’m very blessed in that I have little to actually complain about in my life but that does not mean that these months of lockdown didn’t take their toll mentally so, when the call to help make scrubs came, it was something I could actually do! Eventually I made 10 sets, I believe they were headed to a maternity department in a London hospital.

I continued to keep busy by doing a few refashioning projects because the desire to make new things that weren’t going to be worn outside the house was just too depressing. I love the act of making clothes, the planning, the cutting out, the sewing, because that was taking my mind off what was happening in the real world but how could I justify making new clothes that I had little use for? Even dressmaking was starting to become a negative because I felt guilty about it. By doing some refashioning projects using things I already had, other than new fabric, I made a few items including pyjamas for my final Simple Sew post and another pair using the PJ pattern in the Great British Sewing Bee book written by Alex and Caroline of Selkie patterns and for which I had made a couple of samples. I used 4 old work shirts of my husband’s which were very well worn! I also made (eventually) two pouffes as well which took care of loads of scraps and off-cut furnishing fabrics and were extremely satisfying! I also refashioned a very old and redundant heavyweight cotton curtain into a Dawson coatigan by Thrifty Stitcher.

Early on in lockdown I had the pleasure of talking to Maria Theoharous for her Sew Organised Style podcast on a couple of occasions. I’ve set up a separate page so you can access this to be able to listen to her inspiring SewOver50 guests every week. One of our chats revolved around how we each arrive at our fabric choices for specific purposes or projects, I wrote this topic up as a post which you can read here, and I also wrote a further post which came from when I was guest editor on the @SewOver50 account and we talked about our cutting out processes-did we cut and make one thing at a time, or cut several things and have multiple projects on the go? Scissors or rotary cutter? Pins or weights? It was wide ranging and fascinating with so many excellent ideas and practices. I hosted another discussion about a variety of hem finishes later in the year and you can read that one here. Incidentally, by the end of this year @SewOver50 has reached an incredible 25,600 followers!!

One of my stranger tasks this year was to carry out a socially-distanced dress fitting on a doorstep! Before lockdown started I had been commissioned to make a dress for a work colleague of my daughter Katie. Thankfully I’d opted to make a toile of the bodice which I’d fitted just before lockdown kicked off so I managed to get the dress to a good stage of completion. However, I got to a point where I definitely needed her to try it on because even if she couldn’t wear it for the event she had hoped to, it would be nice for her to take delivery and wear it around the house!! So I went to their place of work and handed the dress over at arms length to Tracey to put on in the staff toilet, then she came out onto the porch where Katie, under my direction, pinned the dress for me. I took a few photos for reference too. From that I was able to finish and deliver the dress and my client was delighted with it…phew

One of the regular sewing highlights of the last 4 years for me has been the Sewing Weekender which generally takes place in Cambridge, UK in August. The organisers took the bold decision to put the whole event online instead which meant that many more people could ‘attend’ from all over the world. Myself and Judith Staley were delighted to be asked to contribute a video message each which was very nerve-racking but it turned out alright in the end. I published a transcript of mine here, along with the original video (you’ll notice that I had abandoned my signature pink hair by this time because, quite frankly, what was the point of bothering!) The Online Weekender also raised a significant amount of money which was divided between 4 charities. 

As lockdown started to ease in the summer I was able to get out and about a couple of times. I joined an al fresco rag-rugging workshop in Hertfordshire run by Elspeth Jackson of Ragged Life which was so enjoyable, and I visited a couple of exhibitions in London including the Kimono show again, plus Andy Warhol at Tate Modern and Tricia Guild at the Fashion and Textiles museum both on the same day. Since then though things have been shut down then reopened, then shut down again. My heart goes out to everyone who is trying to run a business or an organisation that relies on visitors through their doors to make them viable, their future is very uncertain.

I’ve made a few other garments during the autumn which I’ve been really pleased with including the Prada-inspired shirt dress and a pair of Utility pants by Trend Patterns (not blogged yet) but I feel I’ve run out of steam with my sewing right now and I never thought I’d say that. My own teaching classes restarted for a total of 5 weeks in October but they’ve stopped again. I know some have adapted by using Zoom or other platforms but it just wouldn’t work for me, I feel dressmaking is too hands-on and needs real assistance for tricky bits, holding things up to the camera isn’t good enough sometimes. And being part of a group and all that shared enjoyment is a huge part of it too. I’ve had fairly regular online catch-ups with some of my lovely sewing friends and that has been a joy, albeit not as good as seeing them in the flesh.

Mr Y was the lucky recipient of a few handmade garments too during 2020 when I made him another two Kwik Sew 3422 shirts, and not one but two Thread Theory Finlayson sweatshirts! I’m happy to say he’s delighted with all of them and I’ve got plans for another sweatshirt for him in the new year.

I’m working on my own pattern which I’ve self-drafted so hopefully that will be something positive for the new year but I need occasional assistance from more expert friends and that’s making it a drawn-out process which would have been so much more fun person-to-person.

One final project I was commissioned by a friend to make was a Christmas chasuble for her to wear as she presides over her Christmas services in church. A chasuble is essentially a fancy poncho which the priest wears over their other vestments and Wendy wanted me to create one with a Nativity scene on it. She sourced the base fabric with my advice, and a printed quilting cotton Nativity which was sent from the US. This was square so I carefully cut it into approximate thirds with the central third featuring the stable scene and the star for the front, another third with Bethlehem for the back and the remaining third I cut into two parts to use on the stole, which is the long scarf priests wear around their necks. All of these I attached by appliquéing around the black outlines (I was literally making it up as I went along!) Wendy is delighted with the finished result (thankfully) and I’m sure she will enjoy using them during the Christmas season.

As I finish writing this (2 days before Christmas) we have no idea what lies ahead…some countries seem to be slowly recovering whilst the UK as a whole seems to be sliding further and further into disaster, or maybe not? I should try to think more positively as scientists have worked tirelessly to make a vaccine which will gradually be rolled out. Personally I’m a long way down the list for it but that’s absolutely fine, we must protect the most vulnerable first.

I’m making an effort to look cheerful in this most recent Lamazi blog make, but the wine was slightly off watered down Rosé from my daughter’s fridge and it was 10.30 in the morning! I’m genuinely pleased with the dress though and in spite of everything I’ll wear it on Christmas Day because there’s plenty of room for expansion!!

This has probably ended up not being a-not-entirely-coherent post but that’s kind-of appropriate I reckon! Wherever you are and whatever the new year brings for all of us I’d like to thank so many of you for reading my posts, sending me lovely or encouraging messages. Being a part of the online sewing community and Sew Over 50 in particular has been an absolute joy and a lifeline at times. We need to lift each other up more often, call out injustices when we see them but not to the extent that it becomes bullying of individuals, that isn’t right either. 2020 has been a year of huge upheaval, I plan to restart 2021 with fresh sewing plans to help me to feel more positive about it…it’s going to be a bumpy ride!

Until next time, stay safe!

Sue

a multitasking Festive outfit

The Festive season is often a reason to make, or buy, a special new outfit to wear for office parties or Christmas Day but this year’s Festive season things will be very different for most of us. I don’t want to be entirely negative though so, as part of the Lamazi blogger team, I thought I’d make something which is a little bit Christmassy but will double up as a ‘regular’ winter dress too. 

I’ve chosen the cord velvet from Danish Design in a gorgeous shade of aubergine-I’m always a sucker for purple-but it comes in several other beautiful rich shades including a sumptuous gold and a stunning teal too. I picked this fabric because it’s a medium weight stretch jersey and has soft pile which makes it lovely to the touch. I’ve made a dress but you could easily make tops or wide-legged pants in it, or babies and children’s clothes too because it’s washable and crease resistant. 

Whilst I love a complex make to really get my teeth into I felt this wasn’t a garment which warranted lots of time. Making a special Christmas once-worn garment wasn’t appropriate any longer so I wanted something quite simple but adaptable and for that reason I’ve picked the Somerset T-shirt by Maven Patterns. I’ve made a few of these now, the bones of it are beautifully simple, it has a self-neatened bateau neckline, a slightly fitted silhouette and four sleeve options. I’ve chosen the Bishop sleeve with a long cuff but I’ve hacked the sleeve to make it even fuller, and I’ll lengthen the body to create a dress finishing below the knee.

Another idea was to add a flared skirt which looks nice but didn’t think I would use it as much as the straight version.

The Somerset has excellent very full instructions with lots of tips and advice to get a good finish. There’s a useful sheet to write all your information including body measurements and fit alterations, and a fabric stretch gauge to check you have enough stretch for the pattern to fit properly. You can also list the needle type and size you’ve used, stitch type and length and anything else you might want to remember for another time. 

To increase the size of the sleeves I took the bishop sleeve pattern and drew 5 vertical lines from each of the notches from shoulder to hem. Each segment will become slightly wider as it gets nearer the bottom edge so make sure they are even in size.

Cut a piece of spot and cross or tracing paper bigger than the pattern as it is, mark a grainline running right down the paper and then lay the pattern piece on top of it, matching the grain on the pattern to the grain line you’ve just drawn. Next, I carefully cut up to the top of the marked lines taking care not to snip right through at the top, keep it attached by a tiny amount to act as a pivot point. [If you don’t want to cut your original pattern piece I suggest you trace off a new one to use instead] Then you splay the hem edge apart by a few centimetres each, I added 2.5cms between the each of the ‘side’ segments and 5cms to the central one. By doing this you’re adding fullness at the hem but not altering the sleeve head. You could put additional fullness to the sleeve head by opening the top edge too if you wanted. I lengthened the sleeve by 5cms too so that it would have plenty of blousy fullness into the cuff. 

Trace around the new shape using a tracing wheel or pencil and cut out the new piece transferring all markings. One final change I made was to add a bias grainline because I knew I wanted to play with the stripe direction of the rib on the fabric.

I had pre-washed my fabric and partly tumble dried it on ‘low’ before letting it dry completely on the clothes airer, it seemed to survive the experience just fine. 

I made an arbitrary choice of how long to make the dress by simply holding the tape measure at my shoulder and seeing where it came to at about mid-shin! I attached another piece of spot and cross to the bottom of the front and back pattern pieces and drew on the skirt length I wanted, plus a generous hem. I knew I would have to make some adjustments to the hip and thigh during the fitting stage, just make sure that the hip and thigh measurements are plenty big enough because you can always remove some, it’s much harder to add later! 

The ‘cord’ runs across the width of the fabric and I wanted the rib to run down the length of my dress which meant I had to fold the fabric across the width. Try not to twist the fabric if you have to fold this way, I marked a single rib by following it across the width with pins so that I can see it clearly. Fabrics like corduroy, velvet or velour have a pile or ‘nap’ which will shade so if you cut some pieces facing one way on the grain and some pieces running the other way then you will end up with a garment that looks like it’s been made with two different colour fabrics, even though you know that isn’t the case. If you’re unsure what quantity of this type of fabric to buy go with the ‘with nap’ amount on the pattern information and follow the one-way layplan to cut out.

I marked the rib across the fabric with pins so that I could be sure it was folded correctly and would not be twisted.

Once I’d cut all my pieces I followed the making instructions which are very comprehensive. If you have a walking foot for your machine I strongly recommend you use it because velour like this has a ‘pile’ and has a tendency to ‘creep’ as you sew so you might find that it starts off with all the edges matching but by the time you get to the other end the two fabrics are no longer matching. I also strongly recommend you tack any seams you are unsure about. You could use a million pins but by the time you’ve done all that you could have basted it in place which does the same job and usually more effectively. I was able to coverstitch the neck and the skirt hem on the Pfaff Coverlock 3.0 I have on loan as a brand ambassador but it works just as well by overlocking the raw edges and twin-needle stitching them down, or zigzag and twin-needle, or two rows sewn singly if you don’t have a twin needle. When it comes to pressing a fabric like this, if you don’t have a special needle board (and few of us do) then you should press on the reverse at all times. You could place a towel on your pressing surface and lay the fabric on top so that the pile of the cloth is against the pile of the towel which will help protect it. Use a pressing cloth as well. These tips will also apply to regular corduroy or any non-stretch fabrics with a pile too.

The bell of the sleeve is gathered using shirring elastic which helps to retain some of the stretch required for the cuff. 

Once the sleeves were in I sewed up one side seam directly on the overlocker and then pinned the other side seam to fit myself. This was because I didn’t know if I’d need a split at the hem to be able to walk in the dress and I didn’t want to end up with loads of unpicking!

First I tried it right side out to get an idea of how it was fitting initially, then I turned it inside out to pin.

I looked at the fit in the mirror first of all and the sewn side seam was quite wavy, this could be cured by either adjusting the differential feed on the overlocker so that it doesn’t happen, or you could stitch the seam on the sewing machine and then overlock the edges [This is what I opted to do because I could see I had to take a fair bit off the side seams anyway to achieve a fit I was happy with] Then I put the dress on inside out in front of the mirror and pinned out the excess. I turned it right side out and tried it on again to check the fit, then finally sewed both side seams on the sewing machine, I used a ‘stretch’ needle, a ballpoint or jersey needle performs the same task. Either use a short straight stitch or a straightened out zigzag, make some samples to see which works best for your particular fabric. 

Now I tried it on the dress inside out to adjust the seams
I pinned out a fair bit of the side seams to give more shape through the waist and hips.
still Inside out
Finally I put the pinned dress back on the right way around to check I was happy with the fit before making the adjustments.

Lastly, the cuffs go on and the skirt is hemmed. 

And that’s pretty much it, it pops straight over the head so no tricky closures, because of the stretch it didn’t need a split, and that means there’s room for Christmas lunch and it won’t look like a dish rag after spending the afternoon curled up on the sofa watching Christmas telly!

cheers!
I’ve dressed it down with an ancient knitted gilet plus a wide belt, long boots and my much loved Alexander McQueen scarf
I love a scarf to keep my neck warm!
It could be the strangest of Christmases but let’s raise a glass to a much better 2021

I have to say that I’m really happy with this dress because it ticks all the boxes I wanted it to. It’s comfortable but it looks Christmassy, it looks great with opaque tights, heels and jewellery, but also with boots, a chunky belt, a roll neck top underneath for extra warmth or a cosy scarf…and did I mention it’s comfortable! #secretpyjamas It also has the advantage of rolling up and going in the corner of a bag or suitcase and coming back out again not needing a press. Bonus!!

If you have a favourite T-shirt pattern you could try lengthening it into a dress, Tilly and the Buttons Tabitha from Make it Simple does that. You could browse the SewOver50 post I wrote listing loads of go-to T-shirt patterns for inspiration, or maybe copy a RTW one you already have?

At 160cms the fabric is very wide so a little will go a long way, and because it’s so soft it would be lovely for children’s wear too. It needs a little bit of careful handling but a lot of that is in the ground work. Make sure you lay it up and cut it accurately to minimise unnecessary stretching or distortion (try to keep it flat on the table or lay it up on the floor) pin or tack the seams so they don’t move about and press carefully as you go and you should be fine. 

It’s been an incredibly tough year for so many and I wouldn’t blame you for not feeling like making anything new to wear. However, if crafting and creating bring you joy and respite then you could view it as a gift to yourself, and when you choose to buy from small companies like Lamazi and Maven then you are helping them too.

Thank you to Lamazi for providing me with the fabric for me to write my review, and I hope you find it helpful. 

Until next time, Happy sewing

Sue

Prada-inspired shirt dress

This whole project all came about because I couldn’t resist some ex-Prada fabric I spotted on my friend Dibs’s website, Selvedge and Bolts! She specialises in sourcing gorgeous quality high-end and ex-designer fabrics from Italy and France. This one caught my eye because funnily enough it doesn’t scream ‘designer’ but I liked the graphic print which stands out amongst so many florals.

I ordered 2 metres although I didn’t have a plan for it, then it occurred to me that I should look at actual Prada designs to see if there were any that were at all wearable by someone like me (ie. not six feet tall or looking about 17 years of age!) Somewhat surprisingly there were some really lovely shirt-dresses in eye-catching fabrics.

This was just the springboard I needed so, after a bit of a search through my patterns, I found this McCalls 7470 which had originally been free with Love Sewing magazine at some point in the recent past. The Princess seam lines and shirt styling were exactly what I wanted except I would change the skirt to be a dropped waist dirndl to echo the original.

The #7470 is a Palmer Pletsch fitting method pattern which I’ve never attempted before. I’ve been thinking lately that many of the garments I’ve made in recents months have either been old favourites or very simple shapes with little use of interesting techniques or style lines. I needed to stretch my sewing muscles a bit more-use them or lose them-so I set about following the instructions to tissue fit the bodice first. By a combination of body measurements, knowing my body quirks, periodically trying on the pinned tissue and using my padded-out dress stand Doris I arrived at a fit that I was happy with.

I’m not going to claim it was particularly easy but there are a lot of written instructions on how to approach it on the accompanying sheets to help you, plus online tutorials too. I’d recommend making a toile (or even two) if you need to before using your fashion fabric to avoid expensive mistakes.

I knew fairly early on that my 2 metres of fabric wouldn’t be enough for what I had in mind, and I didn’t want to waste my lovely Prada fabric so I opted to make the pattern instead in a vibrant printed stretch cotton which I’d bought in Paris at last year’s Sewcial event.

I took my time sewing the dress, I wanted to enjoy each part of the process. There is a two-part collar for example, pleated patch pockets with flaps, and a band running right down the front. I had a few problems with insetting the sleeves though. I’d made a small alteration the back of the arm scye which resulted in it getting a little smaller so I expected there to be a discrepancy but it was much bigger than I anticipated, the sleeve head was far too large and wouldn’t fit without puckering and gathering. I looked at a few examples of #7470 on Instagram and many versions were either sleeveless or didn’t mention it as a problem. Anyway, after a lot of fiddling about in the end I dropped the arm scye down to make it larger so that the sleeve head fitted properly.

The skirt was simply 3 rectangles, two for the front and one for the back which I pleated onto the shirt top using a fork to make each pleat even.

I used some plain white cotton scraps to make a faced hem.
I joined them into a long strip, folded lengthwise to about 5cms in width.
It was sewn onto the hem, all raw edges together.
At the centre front I enclosed it within the band for a neater finish.
the turned centre front band
the final stitched hem-it needs a good steamy press here. You can read more about hem finishes in my recent post here.

So what started as a Prada-inspired dress for one fabric has still ended up as a Prada-inspired dress but made in a different fabric! I finished the whole thing off with these beautiful buttons from Textile Garden all the way down the front.

the buttons look great
I love the detailed pockets too.
the collar is nice and crisp
the sleeves are two-part with a deep cuff
Yup, I’m happy with that!
I would have added a self-fabric belt like the Prada original but there wasn’t enough fabric left, just scraps.

So that’s my Prada-inspired dress up to this point, just not made with actual Prada fabric. I have a plan for it though because there was another shirt-dress that caught my eye…

I love the idea of a completely different fabric for the sleeves and the back
The front isn’t as I’d want it but I really like how the sleeves are such a contrast.

I’m really pleased with the outcome and the way it fits, and because I took my time and didn’t rush, it was an enjoyable process. I’d fallen into the habit of making simple projects, I felt something more complex was needed.

Until next time, happy sewing

Sue

Trend ‘Square’ dress in Selvedge and Bolts linen.

If you’ve read my blog in the past you’ll know I’m a fan of Trend patterns. Lucy is a pattern-cutter and designer based in London and I always make a bee-line for her stand when I go to the Knitting & Stitching shows. At the show last autumn I fell for the Square dress which, as the name suggests, has a square hem and diagonal seams. There are no bust darts because it uses bias cutting to create the fit and because there are no fastenings it’s actually a fairly quick make and would suit a dressmaker with a little bit of experience. If the lack of darts might cause you a problem I definitely suggest you toile the top half of the dress so that you can assess whether you personally need to carry out a Full Bust Adjustment (FBA) Lucy has been working hard to extend the size range across her patterns and as one of the newer styles the Square (TPC23) comes in the more extensive range sizes 8-22.

I bought a copy of the Square (and a skirt pattern too) and shortly afterwards my friend Dibs who owns Selvedge & Bolts online fabric shop asked if I’d like to choose some fabric as a gift in order to write a review of it. So with this pattern in mind, and my upcoming holiday, I picked out a fine linen in a tiny red/white ‘checked’ print. I was so happy with it when it arrived and it’s perfect for this loose type of style.

Before I cut into the beautiful linen I decided to make an initial version in some checked flannel which, at a guess, I’ve had over 25 years in my stash! You can’t rush these things…

Normally I’d try very hard to pattern-match the checks but there wasn’t enough to do that. The seams on the dress run diagonal but in fact only the back and front bodice are cut on the cross, the other rectangles of the skirt are cut on the straight grain so it’s much simpler than you might think to cut and sew together. The pieces are all quite large so there’s not much opportunity to cut many corners, and I didn’t quite have as much of the flannel as was recommended so I reduced the lower skirt panels (front and back are the same for this and the upper skirt panels, the front and back bodices are different though) To reduce the panel I simply folded out a parallel section through it’s longest side. This turned out to be advisable because at 5’5” the points would have touched the ground unless I was wearing high-ish heels.

I folded out a parallel 5cms segment of the lower skirt panel to reduce the overall length of the dress.

I cut a straight size 14 and made no other adjustments, the front and back are cut on single fabric and as they are asymmetric you’ll need to keep any directional-print in mind, especially if you reverse any pattern piece to fit it onto your fabric . It’s a straightforward make though so after the cutting out it’s a breeze. I would only suggest that you take care when pinning and sewing the diagonal sections together to avoid stretching the edges out of shape before you sew them. Keep everything flat on a table as much as possible while you do this part. The hem is a deep ‘grown-on’ one which you mitre at the points and this helps give the skirt it’s weight and fluidity. I was happy with the flannel version so I immediately cut the linen one ready to sew up.

The linen sewed together beautifully, it’s quite lightweight and with a lovely drape. As the seams are such a feature of the dress I decided to use one of the decorative stitches my Pfaff Quilt Ambition 2.0 has to offer. After trying a few I picked out a sort-of diagonal grid design which echoes the print on the fabric.

I’m really pleased with how the linen dress has come out, the decorative stitches are perfect for accentuating the seams and it’s such a comfortable style to wear. I’ve worn the flannel version mostly with a roll-neck jumper over the winter, it’s very striking and has garnered many compliments. the linen had to wait until we had our recent holiday to be worn but it was perfect for warm weather and, best of all, it has pockets! I can’t wait to be able to wear it again in the UK…

The shoulders are designed to be wide so there’s plenty of bra-strap coverage if you need it.
You can see the deep hem in this shot, it’s ‘grown-on’ not a separate facing and you mitre the points at the front and back. This helps give the skirt a lovely weight and fluidity.

This such a simple-looking pattern but has so much scope to add drama, it’s distinctive without being outlandish and still be completely wearable…at least I think so!

Until next time,

Happy sewing

Sue

the day some Sew Over 50 gals did a bit of modelling!

Finally I can talk about the day last November when a group of us travelled to Love Sewing magazine headquarters in Stockport to take part in a photoshoot for a Sew Over 50 article.

Sew Over 50 had begun in August and was gaining a huge following so when editor Amy asked if we could suggest possible models for an article Judith and I approached quite a large diverse group of women initially to see who might be willing or able to travel to Stockport. Not everyone could but eventually we had a group of 10 people.

It was amazing how far some were willing to travel, Corrie and Sara both came from Wales, Judith is usually in Edinburgh and myself, Ruth and Sue were all travelling from Hertfordshire. So the 3 of us decided it would be a good idea to drive to Milton Keynes first and then get the train the rest of the way. Simple? far from it! I checked before booking the train that there was a car park, not pre-bookable unfortunately, but it was a large car park so what could possibly go wrong….Well it turned out that the car park was completely full [and no sign or barrier telling you that before going in and driving all the way to the top floor and down again thus wasting 10 precious minutes] we spent another 15 fruitless minutes driving around and around trying to find ANY alternative until the only possible option was for me to drop Ruth off at the station with her train ticket (and Sue’s too because she wasn’t with us, we didn’t know where she was at that point, probably still driving around too!) Anyway, in the end I drove all the way to Stockport because I was bloody determined that after all the planning I wasn’t going to miss the event! Rant over.

ladies who lunch…without me, but at least Ruth and Sue made it in time.
pre-chat…
Corrie in the make up chair

By the time I got there everyone was chatting away happily, having make up applied, there was a rail full of everyone’s beautiful makes which they had carefully selected to bring. Amy was in the process of grouping the clothes into colour stories and you can see from the eventual photos that it was almost like we had planned it that way. A few of us have met before in real life but for others it was new experience-they had all had a bite of lunch together before I got there-but naturally chatting didn’t prove too difficult anyway. I’ve been fortunate enough to have a Love Sewing photoshoot before so I knew what to expect, this time it was so lovely to have company. Amy hasn’t had this number of ‘models’ to deal with before and I think it was a bit like herding cats at times haha.

Getting any of us to stand still or stop talking long enough to take photos was an achievement in itself, there were probably a few blurred ones, but we settled into it and I think Amy was happy with the results eventually. Incidentally, I’m wearing my Trend Patterns Asymmetric Dress which I reviewed here.

Oh do behave Sue!

This is what Amy was dealing with…what am I doing with my arms? 


ooh, it’s a glamorous business

this shot makes me smile

Eventually after we’d all done our group story shots we had a final altogether group when we all piled into the slightly wobbly set with Amy. It’s astonishing that there are any pictures with all of us looking in the right direction with eyes open and mouths shut!

hmmm…

So after all our fun and games the time came for us to head home again. Sadly for me this meant a really long drive but this was made much more bearable by the fact that Ruth came in the car with me so her company made 4 hours pass a lot quicker than the lonely journey up. We have a WhatsApp group with all of us in it and we’ve had many conversations since and we’ve been looking forward to the release of the magazine so that we can share it with everyone.

You’ll know by now too that it coincides with our first SewOver50 challenge so the article will give lots more exposure to that. [If you don’t know what I’m talking about, where have you been? To briefly recap, the aim is to make a garment using a pattern which features a model on the envelope who appears to be at least 45-50 years old. This isn’t as straightforward as it sounds so check my previous two posts here and here which has links to a wide selection that we’ve managed to find. There’s a very disappointing number of patterns from the major pattern companies and whilst the article names McCalls and Simplicity, in truth we could only find about 4 patterns from Simplicity and none from McCalls] Between us on the day we wore a very diverse selection of patterns, from mainstream and independent designers, made in all sorts of fabrics, colours and designs which illustrates the point that whilst we may be getting older we aren’t going to let age get in the way of our sartorial choices or be dictated to by what ’society’ expects us to wear. This is in spite of how pattern companies continue to portray us, their clientele, and until they address how diverse everyone actually is we still have to continue to look beyond the envelope.

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The final results weren’t bad! On the left Sara is wearing a Joni dress from Tilly and the Buttons ‘Stretch’ book in jersey from Trixie Lixie, Sue’s red Ponte dress is Butterick 5559 which is currently unavailable whilst Ruth has made the Nina Lee Southbank sweater dress in jersey from The Textile Centre.

Amy’s team looked after us so well and speaking personally I had so much fun being together with my fellow dressmakers Judith, Corrie, Sara, Sue, Sarah, Di, Ruth, Jeanette and Kate (even though it was shorter than I would have wanted!) Many of the informal photos you see here are my own but some belong to one or more of my fellow models so I am indebted to them for their use here.

Kate on the left is wearing the Factory dress from Merchant & Mills in fabric from Sea Salt, Corrie is wearing the Camber Set top which she’s added a gathered skirt to and she’s used barkcloth fabric from Outback Wife. Judith is wearing a Mercury top from Marilla Walker (in Atelier Brunette Moondust) with True Bias Lander pants.
Sarah is wearing the Fiona sundress by Closet Case Patterns in orange cord from Ditto fabrics in Brighton. She’s wearing the Hampton jean jacket by Alina Design Company over the top in mustard denim from Goldhawk Road. Di is wearing Katherine Tilton for Butterick 5891 (not currently available) made using shirting from a factory sale and a self-drafted denim skirt. Jeanette is wearing the Reeta dress by Named Patterns in a vintage rayon.
So eventually the group shot turned out well!

The magazine arrives on subscribers doormats on February 16th and in the shops from February 21st. In the meantime, have you started your #so50Visible make yet…?

Zoom in

Incidentally, we received no payment for the article and the comments made in it were in response to questions we were asked. All views expressed in this post however are entirely my own.

Until next time,

Happy sewing

Sue

Kinetic Tee by Fehrtrade

Melissa Fehr has been well-known in home sewing terms for a few years now because she specialises in clever and well thought out activewear. She worked as a technical advisor on the fourth series of the Great British Sewing Bee too. You can hear her talking about this and other parts of her life on an episode of the Stitchers Brew podcast. Early last year she published her first book “Sew Your Own Activewear” which features a whole range of sports garments which can be adapted and mixed up to suit your own taste and requirements. As if that it isn’t enough, in the autumn she released this pattern, the Kinetic Tee, in November. It’s a roomy top with interesting asymmetric seam and shoulder details and it’s a PDF so available any time you choose.

Whilst the Kinetic is intended as a workout top and sport fabrics are suggested, I’d got some lovely stable wool jersey in my stash which I knew would look great too.

Because it’s a simple (ish) top the PDF doesn’t have a horrendous number of pages so it’s fairly quick to stick together. I cut a size Medium which has just the right amount amount of roominess (I’m a UK 12-14 usually) I decided on the twisted sleeve version too because it looked interesting.

Part of the beauty of this pattern is, because of all the seams, it could be a great scrap-busting top, or you could create unique effects with patterned fabrics.

My fabric was plain so it didn’t take long to cut out, be very aware that you need to cut the two upper neck sections on single layers from spaces left between other pieces because the front and back are different. The instructions and illustrations do show this and draw your attention to it but double check before you cut anything-“measure twice, cut once!”

Melissa gives full instructions for sewing the Kinetic with either an overlocker or a regular sewing machine so don’t be put off if you don’t have an overlocker, or a cover-stitch machine either. A ballpoint needle and possibly a twin needle to finish the hem and sleeves would be sufficient.

I sewed the Kinetic with a mixture of overlocker and regular machine and it went together very well, notches and seams match and the illustrations are very clear.

The only area I had any difficulty with was adding the binding to the edges of the slit openings on the shoulders. The method is good (because Melissa has been doing these patterns longer than me so she knows what works well for her!) but I think maybe the jersey I used was a bit too firm so hadn’t got as much stretch which meant I had trouble getting the strips to fit and sit nicely on the inside, it’s quite fiddly so give yourself time. They actually look perfectly acceptable from the right side which is what matters more, I just like things to be nice on the inside too.

This aside the rest of the pattern went together pretty quickly given the number of seams and I’m really happy with the result. I’m going to rummage to see what I can do in the way of scraps-busting, if fact I’ve made one of Melissa’s VNA workout tops using 3 corporate T-shirts in technical fabric that my daughter had no further use for. It had additional seams which weren’t part of the already seam-y design but it was a good test garment before I use my ‘good’ fabric to make a ‘proper’ one (which I still haven’t as Christmas overtook everything)

finished! not a great photo though…

finished neckline, I didn’t top stitch the neckband down as it’s sitting nice and flat without it.
The points look tricky but because of the order of construction they aren’t difficult at all.

similar seams on the back.

You can see the twisted sleeve seams more here, there’s a regular straight sleeve option if you prefer that, or short sleeves.

The length on the Kinetic is probably at about your high hip which is fine for workout wear although you might feel it’s a little short for regular clothing, it’s a personal thing probably. It would be easy enough to add some length to the hem, that might alter the proportions a little but that isn’t much of an issue. You could sew up the shoulder openings if you don’t want them, or wear a top underneath-I’ve discovered that one bra strap shows which isn’t an issue if you’re exercising and might be considered coquettish if you’ve got a nice bra on, not so much if it’s a tatty old thing!

Melissa writes a comprehensive blog about each of her patterns, plus her running exploits so head on over to find out more about the woman herself.

Ok, I’m off for a run around the block now so until next time,

Happy sewing

Sue

My Minerva make this month isn’t for me!

My latest Minerva blog post is on their website from today and it’s a bit different from the others. This time I used a soft and fluid jersey to make a dress for my younger daughter Katie, not me. 

In the post I explain how I wanted to use a single pattern [Simplicity 8602] which, ultimately, I’ll adapt for 3 of us in my family-24 year old Katie, my 84 year old Mum, and me. The first two are done, the version for me probably won’t happen for a while yet though.

Katie’s dress started out as this blouse pattern.

Katie made life a bit difficult for me by wanting the blouse lengthened into a dress, plus altering the sleeves AND the neckline. I’ve written up all the details in the post if you’re interested in finding out how I did it. 

Katie in her finished dress, she wasn’t keen model!

I hope you find the post helpful and you can read it here. 

Until next time,

Sue 

a new self drafted top.

I first made the original of this top two years ago copying a Jigsaw top which I wrote about here (the words are still there if you want to read it but something has corrupted the photos unfortunately) but this is what it looked like, the grey one is the original.IMG_3332

When I made the first version I started by making a plan of all the measurements and dimensions of the original top. IMG_3331

I wanted to experiment with a couple of changes to this pattern so I used some plain jersey from the stash which wasn’t earmarked for a specific project. It wasn’t as fluid as the striped version so I decided to make it a slightly more structured shape with a curved and faced hem, I brought the neckline in a bit and changed the collar, and finally made the cuffs more ruched.

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I used a woven cotton poplin for stability rather than jersey for the facing which was shaped to be quite deep-about 6cms-and which follows the curve at the hem.

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I under stitched the edge of the facing to help it roll inwards properly and then I stitched it again near the top edge which was going to be visible on the outside.

In order to make the cuffs ruch and stay like that, rather than collapse into random folds, I stitched a piece of narrow elastic onto the seam allowance using a 3-step zigzag stitch and which I stretched as I sewed. Once I’d done that I turned the hem up with a twin-needle.

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inside the sleeve

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By stretching the elastic as I sewed it on the cuffs wrinkle up like this.

I wanted a different collar to the stripes so I brought the neckline in much closer and cut a deep straight band to fit it exactly. This is sewn on folded over and can be worn standing straight up or folded down as a roll collar, a bit like a fisherman’s smock.fullsizeoutput_21f7fullsizeoutput_21f6fullsizeoutput_21f5

I think this version has turned out a bit more tunic-like than I’d intended but that’s fine, it’s still wearable. IMG_4810fullsizeoutput_21e7fullsizeoutput_21e4fullsizeoutput_21ed

I might make it again in something softer and drapier, and possibly not even jersey because there are details like the faced hem and gathered cuff that I like, although I might use them on a different garment altogether. I’m not wld about the colour in the end even though I chose it myself!! This one is more like a slightly upscale sweatshirt I think with it’s slouchy shape.

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What do you think? Have you ever tried copying a favourite pattern?

Happy Sewing

Sue

 

Visiting fabric shops in Hertfordshire and Cambridgeshire

In late 2017 I responded to an invitation/request on Instagram by Sewrendipity for bloggers to contribute to a project she wants to put together to collate information about fabric shops in as many areas or cities of as many countries as people care to add. If you don’t know Alex she was a contestant in Series 3 of the Great British Sewing Bee, and she’s passionate about sewing and dressmaking.

 Alex sewrendipity

It can be really difficult to know where fabric shops are around your area and even if you do know they’re there, are they worth visiting? I live just north of London so it’s not that difficult to go in to places like Liberty, The Cloth House, MacCullough & Wallis, Walthamstow market, Goldhawk Road and any number of other retailers. Googling doesn’t always shed much light on what you’re looking for so Alex’s idea of creating, over time, a go-to place for this information could be a big leap forward! It’s now live and you can now check it out here.

I don’t always want to go into London so I like to use shops and retailers that are in my own area. This isn’t an exhaustive list for my part of Hertfordshire and South Cambridgeshire by any means but it’s a few to give you an idea. I’ve been to some of them but not all so I’ll give more details for some than others but I hope overall it’s helpful. If you’ve got any other suggestions do let me know, you could add them in the comments at the end if you like. The list is in no particular order so don’t assume I’m putting them in order of my preference because I’m not. Please bear in mind I wrote this original post in late 2017 so not all the information will still be up to date. Please check the website for each shop for current information.

Escape and Create, St Ives, Cambs

This shop for dressmakers and crafters which had opened just one week before my visit in 2017.

Owner Julie Miles made me very welcome and was more than happy to share her vision for the shop, she has great plans and it will be lovely to see them unfolding over the coming months.IMG_4193

So far she has a small-ish but rapidly growing selection of printed and plain cottons, the Christmas fabrics were just being put out while I was there! There are some nice jerseys, fleece and plush fabrics too, and a selection of fat quarters as well. They don’t currently sell specific soft furnishing fabrics although they probably will eventually, they do offer furnishing-related courses though including lampshade-making, and roman blind and curtain making. The fabrics are beautifully displayed on ‘industrial-style’ metal and wood racking against an exposed brick wall, the effect is very striking and classy (when I saw a photo of it posted on Instagram before my visit I thought it was the newly refurbished Liberty fabric department!) fabrics are priced per metre. They don’t sell yarn or wool though.

The shop stocks a range of Indie patterns including Tilly and the Buttons, Cashmerette, Closet Case, Fancy Tiger Crafts, Sewaholic and Avid Seamstress at present, and the range will probably expand in the future. They carry a few of the major pattern books too including Burda.

You might be interested to know that Escape and Create offers a 10% discount if you have a valid membership card for the W.I. or Quilter’s Guild.

Escape and Create has a small but useful range of equipment and haberdashery, mostly essentials like needles, pins, unpickers, tailor’s chalk and markers etc. the Gutermann thread hadn’t arrived when I visited but I know it has now.

Upstairs there is a large bright room where all the classes will take place. It’s so spacious that it’s possible for 2 classes to go on at once if needs be. I was there on a sunny day but it would be a bright workspace even on a dull day. There is also more fabric up here but if you go in the next few weeks please be understanding because this is area is a ‘work in progress’.IMG_4185

Escape and Create has a good website https://www.escapeandcreate.co.uk (you can’t buy fabric through it yet but that will be coming) although Julie told me it will be having an update and refresh soon. The website carries a full list of all the classes they offer both in St Ives and several other locations in the area. Sewing machines are provided at St Ives if required or you can bring your own if you prefer. You can also find them on Facebook, Instagram and Twitter.

St Ives is a small attractive Cambridgeshire town and it took me an hour to drive from my home. I came a bit unstuck once I got there because parking was a bit tricky (I missed a sign to the public car park so I ended up in the main shopping area which has quaint and narrow streets and not meant for lost drivers like me!) Anyway, there is a public car park behind the shops so make sure you look out for the P sign shortly before you get to main shops. There’s also on-road parking but don’t rely on that on busy days, I had driven past the shop as I came in so at least I knew where I was heading once I’d parked!

Escape and Create is open Monday to Saturday but not Sunday or Thursday afternoon, which is the local half-day closing. Their address is

40a, The Broadway, St Ives, Cambs, PE27 5BN,

phone: 01480 300092,

email: escapeandcreateuk@gmail.com

In my opinion Escape and Create is a lovely, promising sewing shop in a nice location. It’s ‘bedding in’ at the moment so I would say if you want something specific then give them a ring first to check, it’s better to go at this stage with an open mind and just enjoy looking around. They have some lovely things already with more to come and the new shop has loads of potential to develop and I really hope sewers and crafters in the local, and wider, area support them so that they can flourish.

Backstitch at Burwash Manor.

Backstitch is an independent fabric and wool shop based in the village of Barton just outside Cambridge and as such you’ll need a car to get there. There’s plenty of free parking though and, because it’s based in several converted farm buildings, there are a number of other deli, plants and clothes outlets as well as a nice little tea room serving tea, coffee, cakes and light meals.IMG_4205

The shop itself is modestly sized (although it is now double to the size it was a year ago) and it’s light and bright with the fabrics well displayed. They carry a good range of quality modern printed and plain cottons, linens, jerseys, denims, some boiled wool and coat fabrics as well as interfacings and haberdashery. There’s also a small selection of furnishing fabrics.IMG_4203

They sell a large range of various indie pattern brands which are catalogued in a flip file so it makes it simpler to look through them rather than wade through masses of patterns. They sell an extensive range of haberdashery, sewing and crafting equipment too although not sewing machines. They also sell an expanding range of yarn, knitting and crochet patterns and equipment too.

Backstitch offers a variety of classes in dressmaking and crafting which are listed and bookable online via their excellent website http://www.backstitch.co.uk and they also sell their fabric online too.

I like the range of fabric they have on offer because it’s extensive enough without being too sprawling and unfocussed, the designs are well-considered and modern, or traditional with a twist but they have good basics too. One thing I noticed on my recent visit is that they have an impressive range of plain fabrics (not as crazy as that might sound, it can be really hard to find nice quality plain fabric to match a dizzying array of patterned ones!) These come in woven cottons, ponte roma jersey, lovely linens, sweat-shirting and ribbing, and craft felt by the metre.IMG_4204

The downside is that without a car it would be hard to visit….unless you can persuade a friend to drive you! It takes me around 45 minutes to drive there from my home but I generally come away with something nice…

I’ve written a review of them previously when I took a group of my sewing students for a visit last year and you can read about it here

Backstitch // Burwash Manor Barns  // New Road // Barton // Cambridge // CB23 7EY // 01223 778118

Normal Opening Hours: 

Mon – Sat: 10am – 5pm, Sun: 11am – 5pm

You can find them on Facebook, Instagram, Twitter and Pinterest too.

Crafty Angel, Buntingford

Craft Angel is primarily an online shop at present but the physical shop is open on Saturdays and Sundays 10am-4pm. This is because the owner, Angela, is still a full-time graphic designer who happens to have an absolute passion for fabrics and crafting!

I went for a visit and was given a lovely warm welcome by Angela, she really appreciates the fact that customers make a choice to visit because it isn’t on a high street. Crafty Angel is based on a working farm outside the village of Buntingford in Hertfordshire. I won’t lie, I went a bit adrift when I tried to find it because instead of trusting the map on their website I put the postcode into my Sat Nav and it took me all over the countryside but nowhere near where I wanted to be!! My advice is to stay on the A10 between Buntingford and Royston as instructed and then follow the turn off for Therfield and Sandon from this direction. There are then pink signs up to direct you towards the shop, it’s probably a mile or so and is a bit further than the map on their website makes it look but keep straight until a sharp right-hand bend in the lane and then you should see another pink sign to go straight on up a farm drive. Go to the right past the farm buildings and park in front of the shop.

Unit 2b
Hyde Hall Farm
Sandon
Buntingford
Hertfordshire
SG9 0RU

Mobile: 07973 877 028

Shop: 01763 271 991

Email: info@craftyangel.co.uk

The premises contains the shop and workroom combined with the tables in the centre, and shelves containing the stock are around the edges. Whilst not a huge space it is very pleasant and welcoming, the windows look out onto the yard. There is a kitchen onsite too so hot and cold food and drinks are possible if you’re there for a whole day course, subject to prior arrangement.

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aftermath of a busy day’s free-machine embroidery!

Crafty Angel has a modest but well-chosen and attractive range of good quality cottons, jerseys, denim and linens all priced by the half-metre. Have a look at their (not surprisingly) well designed website for full details of the brands they sell. They also stock a variety of Indie dress patterns too and a small range of haberdashery and equipment. Although cushion-cover making has been a class previously they only stock a very limited range of specific furnishing fabrics.IMG_4150

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fabrics and Gutermann threads on offer

Crafty Angel also has a modest range of qood quality yarn for knitting and crochet, with patterns available for inspiration, and classes too.

Amongst the workshops on offer are dressmaking, free-machine embroidery, applique and even umbrella-making! [I really like the sound of that!] Ange plans to offer more courses over time, you can always contact her to see if it’s possible to tailor-make (sorry) a class to your needs.IMG_4152

I would say it’s best to ring first if you’re making a visit if you want something specific but otherwise it’s a nice place to drop in at a weekend, and Pixel the dog is bound to be delighted to see you too!

The website is https://www.craftyangel.co.uk and you can follow them on Instgram, Facebook, Twitter and Pinterest too.

Fashion N Fabrics, St Albans

This shop was first opened 45 years ago but at the moment it’s future is in the balance because the lady who started it recently passed away and so it is up to her family if it will continue as a fabric shop. Efforts are being made to find a buyer so we’ll have to see. Since the summer of 2018 it is under new ownership, still as a fabric shop, although I haven’t had a chance to visit yet.

In truth, the shop had a lot of stock but much of it wouldn’t appeal to a modern dressmaker. It was geared more towards quilting, patchwork and crafting and so there is an abundance of printed cottons better suited for these. They also have jerseys (mixed quality, some reasonable, some less so) and fleece (some quite nice ones for children) There are currently some tweeds and brushed cottons which would be good for autumn/winter projects, they sell lining too. There are plain and printed poly/cottons and a few satin and moire-type fabrics used for bridalwear. There are some printed viscoses in jazzy designs too, along with interfacings and quilting supplies.

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This was me at the shop meeting fellow sewer and Instagrammer Ruth who lives nearby.

There is a varied selection of haberdashery and equipment in the shop including zips, Gutermann thread, ribbons, trims, buttons etc, and they sell big-brand patterns but not Indie ones. They don’t sell sewing machines.

They have quite a large selection of wool and knitting patterns but these tend towards the more ‘traditional’ shall we say.

The thing with Fashion N Fabrics is that it’s got stuck and not moved with the times or the newer generation of sewers so it feels very muddled, cluttered and quite dated which is a real shame because it could be trading on its 45 year history and attracting younger sewers and riding the crest of the ‘Sewing Bee’ wave. All the staff are knowledgable and obviously keen for the shop to continue, and I know they’ve been having a sort-out recently and unearthed long-forgotten gems!

There is a website but it isn’t much use because it’s really only a collection of pictures and some background on the shop, with the address and phone number etc. They’ve only been accepting credit cards in the last year or so too!

I hope this doesn’t sound like a hatchet job because it really isn’t meant to be but in order for me to include it here I need to be truthful about what to expect from it at the moment. Definitely go for a visit if you’re in the area, it’s in a part of St Albans called Marshallswick on Beech Rd, there is free parking on the road and in front of the shop. There’ll be a bus route nearby too although I don’t know what number it would be, sorry.

You can find the shop at 24, Beech Rd, St Albans, AL3 5AS

Telephone: 01727 865038

Opening hours: Monday to Saturday 9am-5.30pm, except Thursday 9am-1pm (although this may not be correct because I don’t think the website has been updated for quite a while, best to ring first)

Email: shop@fashion-n-fabrics.com

website: www.fashion-n-fabrics.com

Finally, my local shop is a branch of John Lewis, Welwyn. It’s a pretty good-sized department with a wide selection of fabrics including the usual printed cottons, viscose, jerseys and linings as well as woollens (suiting, coating etc) evening and bridal fabrics including sequins and lace. They offer a wide range of trims, haberdashery, threads, zips etc and equipment although this does feel reduced from what it used to be, annoyingly you can’t buy ribbon by the metre, just on rolls. Most lace and trims are still by the metre though. They have a range of sewing machines mainly Janome, Brother and their own brand [I think each branch might have different models in stock though so definitely check with the store if you’re making a special visit to view or buy] The regular department staff are very helpful and knowledgeable but because it’s a department store you can’t always guarantee that the sales assistant is a regular who knows what they’re talking about, or being asked about! the range of patterns is very limited now to just Vogue and New Look, they also have a few Tilly and the Buttons but not the full range. They sell Adjust-o-form mannequins too.

There’s some free parking on the street outside or a number of town centre car parks, and there is also a mainline railway station [Welwyn Garden City not Welwyn North] and a number of bus routes come into the town centre too.

Address: Bridge Road, Welwyn G.C. Herts, AL8 6TP

Telephone: 01707 323456

Their opening hours are currently Monday to Saturday 9am-7pm except Thursday 9am-8pm and Sunday 11am-5pm (10.30am for browsing)

The website is www.johnlewisplc.com you can find a map with directions on there. There is also a branch in Cambridge which stocks fabrics.

So that’s my list of fabric retailers that I’ve actually visited in my area. In addition to this there is a stall in Hitchin market who have a range of fabrics including the usual printed cottons and poly/cottons plus furnishing fabrics and oilcloth. He often has a number of bolt-ends or sample lengths which he’s bought from clothing manufacturers and I’ve found a few gems amongst them in the past. He’s definitely there on Saturdays and possibly Tuesday and Thursday but because it’s an outdoor market this might vary. By the way, he can be a bit grumpy but he’s ok if you smile! There are various car parks in the area as well as some street parking. The town has a railway station (10-15 minute walk into town) and is well-served by buses. There is also a good haberdashery stall run by Kim Keeping and from September 7th 2018 she will have a shop premises nearby in 34, Bucklesbury.

There is also a stall in Stevenage Indoor Market but I haven’t visited it personally. It isn’t open every day though [Wed-Sat only] I’m told it stocks a good range of specialist dance, stretch and lycra-type fabrics.

Among other shops in Hertfordshire and Cambridgeshire that I haven’t visited but have been told about are Needlecraft in Hemel Hempstead. It has a comprehensive website which seems up to date and interactive so I might try and get over there sometime.

In Hertford is the Hertford Craft Centre which has a website but it doesn’t look like the information is very up to date. I know the opening hours are a bit hit-and-miss, supposedly you ring a bell and someone comes to let you in. However a friend tried to visit recently but waited in vain to be let in, disappointing as she’d made a special trip based on website info.

There is a shop in Ely to called Sew Much to Do (great name!) which again I haven’t had a chance to visit. It doesn’t have it’s own website though, the website address directs you to a Facebook page. They are on Instagram though https://www.intagram.com/sewmuchtodoely

In Cambridge there are two other stores, The Cambridge Fabric Company at 7, Peas Hill, Cambridge, CB2 3PP and Sew Creative at King St, Cambridge although they are both quite small.

[Right off territory is Anglian Fashion Fabrics in Norwich which I visited recently-great shop, definitely worth seeking out if you’re in the area!]

You might be aware of other shops or retailers in this area of the country, we aren’t hugely well served for fabric shops without going into London I don’t think. The retailers I’ve talked about are ones I’ve shopped in or know about already, let me know if there’s a good one near you so we can all share the information, or if you think I’ve misrepresented a shop I’ve mentioned above. I’ve tried to be fair and honest but as I’ve not been paid to do these reviews so I want to speak as I find. I know trading is incredibly hard though so I don’t want to be overly harsh, the shop I was working at in Hertford ‘The Creative Sanctuary’ sadly closed at the end of September 2017 so we all need to try and support bricks-and-mortar stores as much as we can. That said, they have to sell what customers want and give excellent customer service otherwise we won’t go back or spread positive vibes about them.

Since September 2019 a new fabric and knitting shop ‘Stitch and Knit’ has opened in Brookmans Park in Hertfordshire. It stocks a range of fabrics suitable for quilting, patchwork, dressmaking and crafting along with haberdashery and Simplicity and Burda patterns. There are also yarns and patterns suitable for knitting and crochet, plus trims and embellishments. There will be classes suitable for children and adults in sewing, crafting, knitting and crochet. The website is under construction and the contact details are 91, Station Close, Brookmans Park, Herts, AL9 7QT, telephone 01707 518966   

Plenty there to keep you busy! New places to visit, or ones to revisit maybe. Let me, or Alex, know if there are others you think could be added, I bet there are. You might fancy compiling a list for where you live for others to use too.

Happy Sewing

Sue

making a couple of Zierstoff Gina skirts

This is the third Zierstoff pattern I’ve made now, a Gina skirt this time, and I’m really pleased with it. The pattern is just two pieces-the skirt and the waistband, and it doesn’t take much fabric either. I chose to make it in a nice plain Ponte from Backstitch near Cambridge for a first version, there’s no stripe or pattern matching that way., sneaky eh?!

Because the fabric was plain I placed the pattern on the normal grain although if you have a stripe you could also position it on the the bias to get an interesting effect.

I’ve explained Zierstoff’s PDF method previously here and this one is no different. The one thing I’ve changed here is that the skirt is a half piece so you’re meant to ‘flip’ the pattern to get the other half. This is OK if you’re cutting the two pieces [front and back] on the fold but if not-and especially if you want it on the bias-I’d suggest you mirror it into a whole pattern either using spot-and-cross paper, tissue, Swedish Tracing paper or even newspaper.

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This was my second version made using the lovely striped jersey from Fabricland in Salisbury. You can see better how I extended the pattern piece using Swedish tracing paper.

There are only two pattern pieces for this skirt (skirt and yoke) so that’s very little printing, you’ll need to cut 2 skirts and 4 of the yoke pieces. At this point I refer to the online instructions which Zierstoff provide with written and photographic plans, I don’t bother printing them off too. I’ll be honest here because I think in a couple of places the instructions suffer a little from being translated from German to English because I found them a bit muddled but seeing as I can’t speak German anyway it isn’t the end of the world-the style is so simple you can probably work it out and the photos really help anyway.

This is a skirt you can put together in no time at all if you’re working in a plain fabric (or a non-taxing pattern) it took me a little longer in these jazzy stripes but not much. Don’t forget to use a jersey, ballpoint or stretch needle if you’re sewing a knit fabric.

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I pinned the first skirt piece on top of the second to match it up. Be careful not to pull the piece out of shape though, you don’t want it all wonky.

Join the skirts together at the side seams and overlock the edges (or do it all on the overlocker if you prefer) You could hem at this point too if you wish using a twin needle if you have one. Mine isn’t great and I have to swap to a different machine to do it which is a bit disruptive but it does the job and a good press generally sorts it out.

The yoke pieces are first sewn together at the side seams 2 and 2 and then joined to each other at the waist seam forming a tube.

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Cut the elastic to your own waist measurement, overlap and join together. Pin and stitch it to the seam allowance on the waistband. I used a long zig zag to do this. You may need to stretch the elastic a little to fit the seam as you sew.

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Stitching on the elastic. I don’t usually have my pins like this but I find it’s better for this process-just don’t sew to fast and go over them!!

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Next open out the waist band and stitch through the elastic again as though you’re under stitching it. This will be on the back of the basque and not show on the finished skirt. You can see where the elastic is sewn on here too.

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Zigzagging on the reverse and the smooth front.

After I’d finished sewing in the elastic the basque is folded WS together and I machine basted it together along the bottom to hold the two layers together. Simply join the basque to the skirt then and finish the hem if you didn’t do it previously.

So there it is, a super-quick and REALLY comfortable jersey skirt. Although I like this length you could easily lengthen (or shorten) it and because the basque is flat over the tummy it’s very smooth and flattering and other close fitting tops would go over it too.

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All finished. I’m wearing the Sew Me Something Imogen top with it. I made this as a wearable toile in a slubbed linen-look cotton which was gifted to me, I’ve made it since their own beautiful coral soft linen fabric too and it’s beautiful-I’ve haven’t blogged about them yet though.

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This is last year’s ‘refashioners’ jacket. There’s a separate blog for that here

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Back view so you can see the various darts and seam lines on it.

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Grey ponte version, I don’t have enough plain bottoms (!!) so this should start to fill that gap.

You could easily buy, print, stick together, cut out and sew this skirt in an evening if you put your mind to it so what are you waiting for? I was kindly provided with the pattern by Zierstoff but the fabric is my own. The opinions expressed are purely my own too. You might be interested to know the pattern comes in children’s sizes too.

Happy sewing

Sue