The Frilled Hem Top from Trend Patterns

Trend are fashion-forward indie pattern company based in London and I’ve already used their Asymmetric Dress pattern twice (and reviewed it here) I even wore the first one for the Love Sewing magazine Sew Over 50 photo shoot too because I felt it was such a striking but wearable dress that it deserved to be seen in a national sewing publication!

I made this version in brocade for our cruise to celebrate our 30th wedding anniversary in March…
…and it has a pocket!

The next Trend pattern I’ve decided to tackle is the Frilled Hem Top TPC5 and it’s another goody as far as I’m concerned. As well as the ruffle detail it features some interesting diagonal seam lines (there’s no side seam) The degree of difficulty is described as moderate and I’d agree with that because although the techniques used aren’t difficult you need to keep your wits about you to ensure that you’re attaching the pieces to the right seams, it could be easy to lose sight of which way up they are because the usual ‘landmarks’ like armholes or necklines aren’t so obvious. There are photographs as well as written instructions, which are fairly clear, at the end of the day it’s a simple top and so long as the ruffle goes in first attached to the right pieces then adding the back yoke and sleeves is straightforward. I hadn’t got a suitable zip, I’d thought about using an exposed metal zip but the one I had in my stash was too chunky for the weight of the fabric so I opted for a simple button and hand sewn loop closure instead.

My fabric was a very thin cotton I’d picked up from a swap sometime ago-I couldn’t really say what it is as it isn’t soft like lawn, or sheer like voile, it’s slightly more crisp like poplin but less weighty. Whatever, it’s worked just fine for this and it didn’t cost me anything!

As I was making the top at this year’s Stitchroom Sewcial I was fortunate to be able to use the industrial rolled hem machine to finish the edge of the ruffle, it’s super-quick and neat and took me about 30 seconds to hem the whole piece instead of my usual pin-hem finish which would take at least half an hour!

As I didn’t have much fabric, plus I wanted to wear it as a summer top, I cut the sleeves down to short length. I was a little concerned that they looked like they may be a bit snug on my not-very-slim arms, the bicep measurement seemed to be ok but the crown looked narrow. I decided to go ahead and insert the sleeves and actually they are just fine as you can see from the photos. As there is no underarm seam to match the sleeve to it’s vital that the shoulder/sleeve head notches are marked or you’ll struggle to insert them properly. I’ve made a straight-from-the-packet size 14 again and the fit is spot on for me with no alterations, it’s a good fit across the shoulders and upper chest area and then flares out over the hips.

There are two points in the instructions which are useful and important to follow. The first is very simple, it tells you to ’sink stitch’ (that’s what it always was until ’stitch in the ditch’ became a thing) through the shoulder seams to hold the neck facings securely in position, this is both quicker and more effective than hand stitching them down I always think. The second point is that you can’t sew the whole hem up all in one go, you’ll need to sew the centre front section, stop, move the frill out of the way and then recommence the rest of the hem. If you don’t you’ll just sew over the frill which will look terrible.

You’ll need to sew the hem between the frills separately to the rest of the hem, moving the frill out of the way.
I finished off the neckline with a button and loop.
I love this detail where the frill, the back and the side all meet.

So that’s the Frilled Hem Top, it should probably take around half to a whole day to make, it took me longer because I was nattering at the Sewcial quite a lot, and then I made a super-quick Mandy Boat T-shirt using the industrial coverlock machines in between too.

This was my other Sewcial make, the Mandy Boat Tee which is a free pattern from Tessuti. I’ve made it in a gorgeous jersey form Lamazi Fabrics which I’ve learnt was recently discontinued.
If you’re interested in the jeans they are Megan Nielsen Ash which I tested nearly two years ago and I LOVE wearing.

The TPC5 takes a little under 2 metres of fabric, probably less if you’re making it sleeveless or short sleeves. The size range isn’t extensive, 6-16 UK sizes, and they aren’t the cheapest but I’ve been very happy with the two I have and I’ll definitely make some more variations of this particular pattern. You could create some really interesting looks by using contrasting fabrics or colours, or leave out the frill completely to show off the unusual seam lines?

Trend have a wide range of patterns now, which don’t necessarily appeal to everyone but I think they are well worth a look at because of their unusual styling and details. They may look scarily fashion-forward but if you want something which is less predictable and run-of-the-mill in a sea of ‘meh’ patterns then, in my unsolicited opinion, they are a good bet. They often have a flash discount offer too so keep your eyes peeled for them!

Until next time, Happy Sewing

Sue

the day some Sew Over 50 gals did a bit of modelling!

Finally I can talk about the day last November when a group of us travelled to Love Sewing magazine headquarters in Stockport to take part in a photoshoot for a Sew Over 50 article.

Sew Over 50 had begun in August and was gaining a huge following so when editor Amy asked if we could suggest possible models for an article Judith and I approached quite a large diverse group of women initially to see who might be willing or able to travel to Stockport. Not everyone could but eventually we had a group of 10 people.

It was amazing how far some were willing to travel, Corrie and Sara both came from Wales, Judith is usually in Edinburgh and myself, Ruth and Sue were all travelling from Hertfordshire. So the 3 of us decided it would be a good idea to drive to Milton Keynes first and then get the train the rest of the way. Simple? far from it! I checked before booking the train that there was a car park, not pre-bookable unfortunately, but it was a large car park so what could possibly go wrong….Well it turned out that the car park was completely full [and no sign or barrier telling you that before going in and driving all the way to the top floor and down again thus wasting 10 precious minutes] we spent another 15 fruitless minutes driving around and around trying to find ANY alternative until the only possible option was for me to drop Ruth off at the station with her train ticket (and Sue’s too because she wasn’t with us, we didn’t know where she was at that point, probably still driving around too!) Anyway, in the end I drove all the way to Stockport because I was bloody determined that after all the planning I wasn’t going to miss the event! Rant over.

ladies who lunch…without me, but at least Ruth and Sue made it in time.
pre-chat…
Corrie in the make up chair

By the time I got there everyone was chatting away happily, having make up applied, there was a rail full of everyone’s beautiful makes which they had carefully selected to bring. Amy was in the process of grouping the clothes into colour stories and you can see from the eventual photos that it was almost like we had planned it that way. A few of us have met before in real life but for others it was new experience-they had all had a bite of lunch together before I got there-but naturally chatting didn’t prove too difficult anyway. I’ve been fortunate enough to have a Love Sewing photoshoot before so I knew what to expect, this time it was so lovely to have company. Amy hasn’t had this number of ‘models’ to deal with before and I think it was a bit like herding cats at times haha.

Getting any of us to stand still or stop talking long enough to take photos was an achievement in itself, there were probably a few blurred ones, but we settled into it and I think Amy was happy with the results eventually. Incidentally, I’m wearing my Trend Patterns Asymmetric Dress which I reviewed here.

Oh do behave Sue!

This is what Amy was dealing with…what am I doing with my arms? 


ooh, it’s a glamorous business

this shot makes me smile

Eventually after we’d all done our group story shots we had a final altogether group when we all piled into the slightly wobbly set with Amy. It’s astonishing that there are any pictures with all of us looking in the right direction with eyes open and mouths shut!

hmmm…

So after all our fun and games the time came for us to head home again. Sadly for me this meant a really long drive but this was made much more bearable by the fact that Ruth came in the car with me so her company made 4 hours pass a lot quicker than the lonely journey up. We have a WhatsApp group with all of us in it and we’ve had many conversations since and we’ve been looking forward to the release of the magazine so that we can share it with everyone.

You’ll know by now too that it coincides with our first SewOver50 challenge so the article will give lots more exposure to that. [If you don’t know what I’m talking about, where have you been? To briefly recap, the aim is to make a garment using a pattern which features a model on the envelope who appears to be at least 45-50 years old. This isn’t as straightforward as it sounds so check my previous two posts here and here which has links to a wide selection that we’ve managed to find. There’s a very disappointing number of patterns from the major pattern companies and whilst the article names McCalls and Simplicity, in truth we could only find about 4 patterns from Simplicity and none from McCalls] Between us on the day we wore a very diverse selection of patterns, from mainstream and independent designers, made in all sorts of fabrics, colours and designs which illustrates the point that whilst we may be getting older we aren’t going to let age get in the way of our sartorial choices or be dictated to by what ’society’ expects us to wear. This is in spite of how pattern companies continue to portray us, their clientele, and until they address how diverse everyone actually is we still have to continue to look beyond the envelope.

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The final results weren’t bad! On the left Sara is wearing a Joni dress from Tilly and the Buttons ‘Stretch’ book in jersey from Trixie Lixie, Sue’s red Ponte dress is Butterick 5559 which is currently unavailable whilst Ruth has made the Nina Lee Southbank sweater dress in jersey from The Textile Centre.

Amy’s team looked after us so well and speaking personally I had so much fun being together with my fellow dressmakers Judith, Corrie, Sara, Sue, Sarah, Di, Ruth, Jeanette and Kate (even though it was shorter than I would have wanted!) Many of the informal photos you see here are my own but some belong to one or more of my fellow models so I am indebted to them for their use here.

Kate on the left is wearing the Factory dress from Merchant & Mills in fabric from Sea Salt, Corrie is wearing the Camber Set top which she’s added a gathered skirt to and she’s used barkcloth fabric from Outback Wife. Judith is wearing a Mercury top from Marilla Walker (in Atelier Brunette Moondust) with True Bias Lander pants.
Sarah is wearing the Fiona sundress by Closet Case Patterns in orange cord from Ditto fabrics in Brighton. She’s wearing the Hampton jean jacket by Alina Design Company over the top in mustard denim from Goldhawk Road. Di is wearing Katherine Tilton for Butterick 5891 (not currently available) made using shirting from a factory sale and a self-drafted denim skirt. Jeanette is wearing the Reeta dress by Named Patterns in a vintage rayon.
So eventually the group shot turned out well!

The magazine arrives on subscribers doormats on February 16th and in the shops from February 21st. In the meantime, have you started your #so50Visible make yet…?

Zoom in

Incidentally, we received no payment for the article and the comments made in it were in response to questions we were asked. All views expressed in this post however are entirely my own.

Until next time,

Happy sewing

Sue

Kinetic Tee by Fehrtrade

Melissa Fehr has been well-known in home sewing terms for a few years now because she specialises in clever and well thought out activewear. She worked as a technical advisor on the fourth series of the Great British Sewing Bee too. You can hear her talking about this and other parts of her life on an episode of the Stitchers Brew podcast. Early last year she published her first book “Sew Your Own Activewear” which features a whole range of sports garments which can be adapted and mixed up to suit your own taste and requirements. As if that it isn’t enough, in the autumn she released this pattern, the Kinetic Tee, in November. It’s a roomy top with interesting asymmetric seam and shoulder details and it’s a PDF so available any time you choose.

Whilst the Kinetic is intended as a workout top and sport fabrics are suggested, I’d got some lovely stable wool jersey in my stash which I knew would look great too.

Because it’s a simple (ish) top the PDF doesn’t have a horrendous number of pages so it’s fairly quick to stick together. I cut a size Medium which has just the right amount amount of roominess (I’m a UK 12-14 usually) I decided on the twisted sleeve version too because it looked interesting.

Part of the beauty of this pattern is, because of all the seams, it could be a great scrap-busting top, or you could create unique effects with patterned fabrics.

My fabric was plain so it didn’t take long to cut out, be very aware that you need to cut the two upper neck sections on single layers from spaces left between other pieces because the front and back are different. The instructions and illustrations do show this and draw your attention to it but double check before you cut anything-“measure twice, cut once!”

Melissa gives full instructions for sewing the Kinetic with either an overlocker or a regular sewing machine so don’t be put off if you don’t have an overlocker, or a cover-stitch machine either. A ballpoint needle and possibly a twin needle to finish the hem and sleeves would be sufficient.

I sewed the Kinetic with a mixture of overlocker and regular machine and it went together very well, notches and seams match and the illustrations are very clear.

The only area I had any difficulty with was adding the binding to the edges of the slit openings on the shoulders. The method is good (because Melissa has been doing these patterns longer than me so she knows what works well for her!) but I think maybe the jersey I used was a bit too firm so hadn’t got as much stretch which meant I had trouble getting the strips to fit and sit nicely on the inside, it’s quite fiddly so give yourself time. They actually look perfectly acceptable from the right side which is what matters more, I just like things to be nice on the inside too.

This aside the rest of the pattern went together pretty quickly given the number of seams and I’m really happy with the result. I’m going to rummage to see what I can do in the way of scraps-busting, if fact I’ve made one of Melissa’s VNA workout tops using 3 corporate T-shirts in technical fabric that my daughter had no further use for. It had additional seams which weren’t part of the already seam-y design but it was a good test garment before I use my ‘good’ fabric to make a ‘proper’ one (which I still haven’t as Christmas overtook everything)

finished! not a great photo though…

finished neckline, I didn’t top stitch the neckband down as it’s sitting nice and flat without it.
The points look tricky but because of the order of construction they aren’t difficult at all.

similar seams on the back.

You can see the twisted sleeve seams more here, there’s a regular straight sleeve option if you prefer that, or short sleeves.

The length on the Kinetic is probably at about your high hip which is fine for workout wear although you might feel it’s a little short for regular clothing, it’s a personal thing probably. It would be easy enough to add some length to the hem, that might alter the proportions a little but that isn’t much of an issue. You could sew up the shoulder openings if you don’t want them, or wear a top underneath-I’ve discovered that one bra strap shows which isn’t an issue if you’re exercising and might be considered coquettish if you’ve got a nice bra on, not so much if it’s a tatty old thing!

Melissa writes a comprehensive blog about each of her patterns, plus her running exploits so head on over to find out more about the woman herself.

Ok, I’m off for a run around the block now so until next time,

Happy sewing

Sue

Sewing makes of 2018

I think this is a fairly comprehensive album of my makes in 2018, most of them have been worn a good number of times although not all were for me.

When I look back like this I realise what a busy sewing year 2018 was ( and a bit of knitting too!). Also, there seem to be a LOT of dresses and tops but very few skirts and trousers! I think this is definitely as a result of me gaining weight in the last two years and feeling self-conscious so, with the exception of my Megan Nielsen Ash jeans from autumn 2017, I really haven’t wanted to make close-fitting clothes.

I’m addressing this now, with some success so far, but the other truth is that I like wearing looser-fitting clothes anyway, although hopefully I can go down a size or two when I make them in future…time will tell.

Some of the garments you see here have been worn loads since I made them whilst others were less successful. Sometimes this was bad fabric choices, sometimes they didn’t suit me after all, also the weather became so hot that I didn’t wear the heavier items as much as I expected at the time.

I tend not to set myself up for ‘sewnine’ or other year-long initiatives because I’d rather see what takes my fancy as time passes, or whatever gap I feel needs filling. I’ve really enjoyed making a few jackets and coats this year and they have all had a good amount of wear, they aren’t something I’d done much previously. I’ll be making a couple of posh frocks soon because we’re going on a cruise in March which will need a few fancy threads in the evenings, I’ll be taking old favourites like the Maker’s Atelier Holiday Shirt and New Look 6351 trousers, and Papercut Moana to keep cool in during the day though.

Have you got sewing plans already for 2019 or are you more like me and just see what takes your fancy? We’ve got the new series of the Great British Sewing Bee to look forward to very soon and I’m sure that will inspire even more people to take up this brilliant activity with us! Dressmaking is an activity anyone can try fairly easily these days and there is so much inspiration, help and encouragement out there too, in a way it never was when I was first sewing.

I can’t wait to see the two blockbuster exhibitions at the V&A next year, Dior: Designer of Dreams opens in February and Mary Quant in April so there’s lots to look forward to there. It’s well worth considering membership this year I’d say, I’ve had excellent value-for-money from mine these past four years. [alternatively, Art Fund is also worth considering if you don’t live near London because that gives you reductions to lots of galleries and museums all over the UK, including the V&A)

I’m also looking forward to seeing a lot more SewOver50 activity from all over the world too, have you joined yet?

Maybe our paths will cross in 2019 and we can talk sewing together in real life?

Until then, happy sewing

Sue

Trend Asymmetric Dress TPC2

Firstly, some context. My dear friend and culture-buddy, Jenny, is getting married in April next year and I want something nice to wear for the wedding! I had no preconceived idea of what I wanted except that it needs to go with the beautiful grey hat I bought for a family wedding in July this year. I’d visited the Knitting & Stitching Show in October and almost as we were leaving we passed the Trend Patterns stand. I’d had a look at their patterns last year and was really impressed by their high-end design-led styles but ultimately decided they probably were a bit too ‘out there’ for my everyday clothes (and, dare I say it, my age…) This time though, I spotted the asymmetric dress as a sample in black crepe on the rail and instantly thought it would be perfect for the wedding. Added to which, we’re going on a cruise in March so I could get extra use from the pattern with my posh frock requirements for that haha. 

I like the quirky uneven hem and off-centre front seam, waistline and neck but it was all still the right side of wearable, for me.

I’d had some royal blue crepe from Hitchin market in my stash for quite a while so this is what I’ve made the first version in.

I started off by tracing off all the pieces, because of the asymmetry almost all the pieces are singles except the back bodice, the front skirt pieces are particularly large. If you decide to trace it’s vital that you transfer the grainline accurately and label all the parts correctly otherwise you could end up in a muddle. 

The same goes for cutting out too. Don’t reverse or flip any of the pieces as this could mean they may end up not matching or piecing together correctly.

This style is sleeveless but I wanted to add sleeves to make it a winter dress. To do this, first I measured the armhole accurately and then I got really lazy and chose the sleeve from another pattern, in this case the Orla blouse by Tilly and the Buttons because it features a pleated sleeve-head which would allow for any differences in their measurements. 

Because my fabric is plain the cutting out was straightforward enough although, that said, I had to lay it out on the floor because the fabric is a single layer, full-width so it was physically quite taxing. If your fabric has a right and wrong side be reallydiligent about keeping all the pattern pieces the correct way up, it’s not a dress to cut out if you’re tired or not concentrating.

My ‘helpful’ assistant!

As I was adding sleeves I decided not to do the facing to enclose the neck and armholes and to fully line the bodice instead, which would finish off the neck edge. I’d then overlock the armholes once the sleeves were in. Something worth remembering if you’re going to line this dress is that every piece except the backs should be reversed because of the asymmetry. IF the lining is the same on both sides this isn’t so important but if you’ve chosen something with a distinct right and wrong side then it’s vital if you want it to look nice inside as well as out. Don’t forget that the seam allowances are just 1cm, not the more usual 1.5cms for most patterns.

I have to say that although the dress is classified as ‘easy’ I really think this would tax a beginner a lot. As you probably know if you read my blogs regularly I’ve been sewing for years and I didn’t find all the explanations and methods terribly clear. I think this is possibly because the patterns are made by a lady who has worked in industry rather than home-sewing where methods can be quite different, and I do appreciate she is aiming to offer us patterns which are more fashion-led. It isn’t that I think the instructions are wrong, they aren’t particularly, it’s just that the wording isn’t very clear, there isn’t enough explanation and the accompanying photos are too small and a bit dark. I got there in the end but it’s something to be aware of. I’d suggest basting pieces together first if you’re in any doubt, trying it on and then continuing a stage at a time, and definitely don’t skip stay-stitching the neckline as you don’t want it stretched. I always try very hard not to outright criticise a pattern because I know it’s someone’s hard work but the description for zip insertion really needs looking at. Basically there isn’t any description, this is fine if you can wing it but to truly be an ‘easy’ pattern then there needs to be more description of what’s expected than this and also better photos or drawings. 

Moan over!

The Orla sleeves went in perfectly and the shoulder pleat looked very in-keeping with the rest of the dress. I didn’t line the sleeves and, at the moment, I haven’t lined the skirt either, I’ll wear a slip under it. [The simple truth is I couldn’t get my head around how to reverse the skirt lining for the off-centre waist seam and to take out the overlap which isn’t needed in the lining! CBA for this version to be honest] I cut a 14 straight out of the packet and I’m very happy with the sizing, I feel it came up accurately to the measurements giving. 

Ultimately I really like this dress and I’m looking forward to making another one, or possibly two, for the wedding and the cruise. It’s striking and unusual but also very wearable, and it makes a real change from some of the mimsy styles that can sometimes proliferate. It works beautifully in crepe but soft fabrics like georgette or crepe de Chine could look beautiful. Or if you look at Trend’s own website there is a fabulous structured brocade version which looks terrific. A stripe or a checked tweed could look really interesting too, there are loads of possibilities. Trend Patterns are at the higher end of indie pricing so they won’t be for everyone but if you want to try more challenging styles which are very much fashion forward then they are definitely worth considering. 

nearly finished, just the sleeve hems to turn up.
The TATB Orla sleeves fitted into the armholes really well.
Heading out for my Mum’s birthday lunch

Have you tried any trend patterns, or are you tempted to?

Until next time,

Happy sewing

Sue

Mayberry dress by Jennifer Lauren Handmade

Jennifer Lauren is a designer who is based in New Zealand and her patterns come in both paper and PDF format. She has several womenswear designs including dresses, tops, skirts and a cardigan, and there’s a man’s cardigan too and, just for a change, her newest pattern release is Nixie knickers! Her aesthetic is both modern and vintage, and lines are simple and unfussy with the occasional quirky detail which is what attracted me to her designs in the first place.

The Mayberry is a dress with a drawstring waist and an asymmetric button front, and 3 different sleeve lengths. It also comes with the choice of 4 cup sizes (A to D) alongside the actual bust measurement which means you should be able to get an excellent fit without having to do an FBA or SBA.

I was chosen as a reviewer for the dress and obviously I would be making the PDF version, so initially I was aghast when I thought there were 100 pages to print out! On closer reading it was clear that you only print the bodice front in the cup-size that you need, not all of them, phew! Also, you don’t have to print all the sleeves, only the ones you want. To help you decide which sets of pages you need to print there is a single page with all the plans for each section illustrated which is really helpful.

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This is the ‘key’ to which sets of pages to print out

If you need help with deciding which size and cup you need to choose there’s a very comprehensive set of instructions, with illustrations, which should set you right. There are also several lay plans for the different sizes on different fabric widths so you shouldn’t have a problem cutting out.

As with previous PDFs I don’t print out the instructions, I read them as I go along. Jennifer suggests that you print out and stick together each of the sections, and then trace them off and cut the traced sheets out. I can’t be doing with all of that, I just want to get going but obviously the choice is personal so you might prefer to do the tracing/cutting out method.

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I’ve used a highlighter so that I can clearly see which line I’m following.

Once I’d got everything good-to-go I could cut out my fabric. I used a gorgeous plain aubergine-coloured fabric I’d bought about two years ago from the Man outside Sainsbury’s at Walthamstow market, I’m not sure what it is though, possibly challis. Either way it has a nice drape so would be ideal for the Mayberry. Other suitable fabrics would be chambray or soft denim, soft woollens or cotton lawn, Jennifer lists a few choices and also reminds you to wash your fabric before using it.

It’s really important to bear in mind when you’re cutting out the bodice fronts and facings that because they are asymmetric you mustn’t flip the pieces over if you’re using a patterned fabric because they could be all wrong if you do. You should be OK with a plain fabric just so long as it’s the same on both sides-not needlecord for example. a note on that-if you’re making the Mayberry in a thicker fabric for winter then you could cut the facings in a lighter contrast fabric for a neat touch and to reduce the bulk at the edges.

 

It’s an idea to highlight important information as a reminder to yourself. You may notice in the right-hand photo that my cutting out looks a bit inaccurate, this because the fabric is a bit slithery and moved about a bit so I had to check some of the smaller pieces carefully. I’m always very fastidious about cutting out because if it’s wrong before you start sewing pieces together it will only get only more wrong as you go, especially if you tend to be a bit sloppy with seam allowances too! You have been warned! 

Jennifer’s order of making has you putting the bodice together and completing the buttons and buttonholes at this early stage. This is good a good idea although it’s one that I didn’t follow!! That’s because I hoped to use some snap fasteners instead of buttons but I hadn’t got (and never did manage to get) any in the colour that I wanted. Eventually I used buttons so making the holes was less accurate than if I’d done them without sleeves and skirt attached, never mind.

One of the details I like about the Mayberry is the drawstring waist. I was really chuffed to find some cord in exactly the right colour in Anglian Fashion Fabrics in Norwich on my recent visit, along with some cute little metal stoppers (if only they’d had the snaps in the same colour too)IMG_4282

Delightfully, there are pockets in the side seams which is always good news! Joining the skirt to the bodice is pretty straightforward and I thought the instructions for sewing the casing were good. You sew a wide 2.5cms seam allowance first of all then you trim one side down and press under and stitch the remaining side down to form the casing.IMG_4278

The sleeves are nicely full without being overblown and they have a pretty, narrow band to finish them off. The instructions for making the sleeves and inserting them into the arm-scyes are very detailed, along with helpful illustrations. IMG_4281

I decided to finish the hem off by hand because I didn’t want a row of machine stitching showing but you can also machine it up if you choose.fullsizeoutput_2031

I think the Mayberry is a nice variation of the shirt-waister and I’ve made my version as a simple, elegant winter dress but I’ll definitely make more in other fabrics and with another sleeve length. You could make it in nice check brushed cotton for example, how about cutting the left front panel on the bias for a quirky feature?  I appreciate Jennifer Lauren giving me the pattern for nothing in order to review it and luckily I’ve been very happy with the outcome. I made the 14 with a C cup and the fit is very good for me. If you’re a bigger cup size than a D then you’ll still need to do an FBA but at least you’ll be starting from a better position.

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T-dah! (that carpet needs a good vacuuming…)

This would be a good style to try if you’re an ‘improver’ and keen to try something a little more tricky. You need to concentrate when you’re cutting out, and making up too because of the asymmetric front but it’s a satisfying make.

Why not give it a try…

Happy Sewing

Sue