I haven’t shared a museum or gallery visit with you in such a long time (for sadly obvious reasons) but, at last, I’ve been to one that is probably worthwhile to write about because you may have time to visit it for yourself if you’re within reach of London!
‘Beautiful People: the boutique in 1960’s counterculture’ is the latest exhibition to open at the Fashion and Textiles Museum in Bermondsey, London. I went a few days after it opened and there was a lovely ‘buzz’ to it because a good number of people were there (but not too crowded by any means) and a great backing track of familiar Sixties music to accompany it.
Boutiques were an entirely new concept at the start of the Sixties, before then young people were pretty much obliged to dress exactly like their parents and shopping for clothes, if you didn’t sew your own, was a very dull affair in traditional gents outfitters or snooty ladies dress shops. All of that began to change when Mary Quant opened Bazaar, her first London boutique and many others soon began to follow suit (pardon the pun!) Clothes shopping became a fun and sociable activity, trendy boutiques with exciting interiors, pumping music tracks and fast-changing, attractive merchandise became more commonplace.
Both young women and men started to break away from the constraints of very formal fashions prior to the early Sixties and young men in particular embraced much less starchy ‘masculine’ designs with many bright colours and shapes and new fabrics coming into their wardrobes. Women of course were already embracing miniskirts with wild enthusiasm.
Moving on through to the main part of the exhibition, it is set out with examples of garments from a number of the boutiques which were most notable during the Sixties. Often they are in high-cost areas of London such as Chelsea or Knightsbridge, and were owned and run (with varying degrees of financial competence and success) by the wealthy offspring of British landed gentry. The information notes made me laugh because they describe how dark, noisy and shambolic a lot of these shops were, with stock all over the place, inconsistent supply and poor quality of the stock, they weren’t intended to be welcoming if you were the ‘wrong sort’ of shopper! Some were barely shops at all, just a space to hang out with your friends that had a few clothes draped around it (like a teenager’s bedroom…) If Daddy was underwriting the venture it didn’t much matter how successful it was!!
Moving upstairs there are even more examples of the fashions from the decade, it was interesting to see the more fluid shapes here with possibly 1930s and 40s influences, certainly different from Mary Quant’s simple colour-blocked shapes at the same time.
To sum up, this is a show that any generation can enjoy because there are so many great clothes on show. I’m not old enough to remember much of the Sixties but that didn’t matter-I enjoyed overhearing some of the women chatting who clearly were there though! The show is on now until March 13th, booking is recommended although I didn’t and took a chance on the day. FTM is a small independent museum and I always enjoy a visit there, White Cube art gallery is a few minutes walk further down the road plus there is a glass blowing studio nearby which is open to watch the artisans at work so there’s much to enjoy in the area. It’s so close to the river too which is a bonus.
It’s wonderful that museums and galleries are now reopening and they need our support if we can offer it as we emerge from the pandemic. The ones I’ve visited so far have felt safe and not too crowded, numbers are limited and booking is definitely advisable if you’re making a special trip, and the opening days may be more limited too so check their websites.
Thanks for reading, until next time,